Wednesday, April 12 Objective – identify themes and motifs within the novel Bless Me Ultima Agenda: Check in – How was Monday? Good Things (SAT is OVER)!

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Wednesday, April 12 Objective – identify themes and motifs within the novel Bless Me Ultima Agenda: Check in – How was Monday? Good Things (SAT is OVER)! Background/Introduction presentation – take notes

Background, magical realism, themes, motifs, and symbols Bless Me Ultima Background, magical realism, themes, motifs, and symbols

Plot Overview How far did you read on Monday? What do you think this story will be about? (Revisit questions from Monday) The story follows the life of six year old Antonio Marez and the awakening of his consciousness and identity. Antonio is shown growing up in a small New Mexico town near the end of and after World War II. Ultima, a curandera (a healer who uses folk remedies), comes to live with his family and guides him in his journey.

Rudolfo Anaya Born in 1937 in Pastura, New Mexico Pastura was a small village in the llano, or open plain, of eastern New Mexico Family moved to Santa Rosa near the Pecos River – Anaya grew up in Santa Rosa Bless Me Ultima was Anaya’s first novel – it began as an adventure novel and, as Anaya discovered the character of Ultima, it quickly changed to an “intense exploration of the unconscious” Anaya drew from tradition as well as cuentos, or folklore from New Mexico and his family, for the inspiration of Ultima. Ultima is ‘la curandera,’ a kind of healer and shaman – curanderas still practice today Bless Me Ultima was published (after many rejections) in 1972

Setting Bless Me Ultima takes place in rural New Mexico in the vast plains of the state, or the ‘llano.’ The llano is close to areas developing quickly with progress and also near to the traditions and history of the land as it has always been.

Important Characters Antonio Marez – protagonist. Six years old at the start of the novel, grows to eight years old. His journey is similar to a heroic quest from innocence to maturity. Ultima – an elderly curandera who comes to live with the Marez family. She serves as Antonio’s guide, possesses magical powers and enlightenment. Gabriel Marez – Antonio’s father, a vaquero or cowboy, free-spirited, loves the freedom of the llano. Maria Luna – Antonio’s mother, she is from a farming family and a devout Catholic. She wants Antonio to become a farmer or, ultimately, a priest.

Magical Realism Fiction that maintains a realistic narrative while recounting fantastic or supernatural events alongside commonplace occurrences. “The ordinary as miraculous and the miraculous as ordinary.” Magical elements appear within an otherwise realistic setting. Combination of physical reality and psychological reality.

Not the same as fantasy Magical realism remains grounded in the real world rather than taking place in a fantasy world as with fantasy or science fiction. Stretches the definition of realism/reality. Not so much the belief in magic/unknown, but a ‘lack of disbelief.’ More power in questions than in answers.

Landscape and setting Vast, mysterious, and magical terrain. Snow capped mountains to volcanoes, waterfalls to deserts… Native influence – blend of the old, mystical culture with that of colonization and Christianity.

Literary Conventions Juxtaposes opposite elements dreaming/waking, life/death, civilized/wild, sun/moon, earth/sea… Hyperbole – exaggeration until something becomes ‘magical,’ a childlike perspective on reality. Contrast – developing ideas in writing by describing differences between and among different things/characters. The differences in people, imagery, or symbols allows the writer to emphasize a particular theme in most instances What Contrasts have we already seen…?

Antonio’s Father versus his Mother – Marez (sea) / vaquero / restless / free-spirit / llano and Las Pasturas / Powers of nature / magic versus Luna (moon) / farmer / settled / placid / Guadalupe / Catholic church / faith Ancient traditions and wisdom versus Nature, Owl as a symbol of insight versus Foreboding as a symbol of death Catholic Church / faith / priest versus Magic / Ultima Right versus Wrong - Innocence versus Guilt / Sin Benevolent Mother figure (Ultima) versus Evil Father figure (Tenorio) Good versus Evil (witches and people) Male versus female Town / civilization versus Country / nature Catholic tradition versus Folk tradition – Jesus / Priest versus The Golden Carp and the Virgin of Guadalupe

Symbolism When objects, characters, or events function on a level beyond their literal purpose – characters/objects which have a meaning or importance beyond the literal interpretation. The Golden Carp - A pagan river deity, can only be seen by a true believer, symbolizes dichotomy between Catholic religion and folk magic / wisdom Ultima’s Owl - traditional symbol of both wisdom and insight as well as death The Virgin of Guadalupe - another symbol of dichotomy, represents forgiveness and mercy, links the Catholic Church, a kind of rule-ordered and culturally divorced entity that emphasizes guilt and sin, and Ultima's earth mysticism representing a liberating and indigenous spirituality that emphasizes self-discovery and moral integrity

Motifs Recurring structures, contrasts, or literary devices that can help to develop and inform the novel’s major themes A motif is a recurring element which symbolizes an idea / a theme is an idea set forth by the novel The motif can also be the central idea behind the theme, or topic, such as courage or loyalty

Motifs in Bless Me Ultima Dreams - Antonio has 10 dreams during the novel. Each dream contains much symbolism and relates to different themes and archetype. Antonio’s first dream is a dream of his own birth. The remaining nine dreams can be grouped as follows: Dreams 2, 4 and 9 foreshadow loss Antonio must experience to attain adulthood Dreams 3, 5 and 7 reflect the fear of loss Dreams 6, 8 and 10 convey the acceptance of loss and rebirth of maturity Antonio must and will experience on the way to adulthood

Motifs in Bless Me Ultima Names - Luna, Marez, Ultima, etc. Blood - Violence to determine identity and a source of power Conflict - Good versus evil, family, religion versus mysticism, etc. Water - Rivers, rain, etc.

Archetypes A universally recognized recurrent symbol CARL JUNG used the term "archetype" to refer to the universal images and beliefs that pass through all cultures rooted in the collective unconscious Characters in literature can be created as archetypes

Archetypes in Bless Me Ultima The Great Mother / Earth Mother - Intuitive, life affirming, protector and nurturer, both Ultima and the Virgin of Guadalupe satisfy this archetype The Terrible Mother - Life-threatening, scary, and emasculating, corresponds to La Llorona the legendary mother who killed her children and threatens others yet is a figure with both positive and negative aspects Female Temptresses - Make men stray from the righteous path, prostitutes in the novel

Archetypes in Bless Me Ultima The Shadow - A dark figure symbolizing evil, embodied by Tenorio, his daughters, but also exists within all characters to different degrees The Benevolent Guide - An older person who assists the hero in his initiation journey, Ultima The Boy Hero - This is Antonio in most way and he must complete the universal rite of passage including separation, initiation and return. As a boy hero, Antonio experiences trials and tribulations that allow him to emerge a more psychologically ready adult and separate from old ways or expectations

Themes within Bless Me Ultima Moral independence cannot be easily defined yet also remains very important Culture can greatly influence identity Conflict finds a solution in balance, harmony and oneness Synthesis works best to resolve opposites or dichotomies or differences Only through experience is innocence lost and maturity gained