How to Read Something that is Hard:

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Presentation transcript:

How to Read Something that is Hard: Read with metacognitive markers. Add notes/answers to your metacognitive markers. Reread. Stop every few paragraphs to summarize what is happening in the story. Read prompt/question/purpose for reading. Reread with metacognitive markers related to prompt/question/purpose for reading.

Metacognitive Markers ?= don’t understand = interesting or important I = examples of imagery

Imagery The mental pictures that we experience while reading literature. Connects to senses: sight, sound, smell, taste, touch Examples: The sun’s beams shimmered and danced on the ocean’s gentle waves. Although they could not see outside the cabin, they could hear the eerie tapping, tapping, tapping, of his knife upon their door. Tyler's socks, still soaked with sweat from Tuesday's P.E. class, filled the classroom with an aroma akin to that of salty, week-old, rotting fish. The familiar comforting warmth of the chicken noodle soup instantly made Mike feel much better. The icy breeze gently brushed against the hair on her neck, and goose-bumps shortly followed. 

Warm-Up: With your group, go back through Drummer Boy of Shiloh and look at the places you marked your text. Add notes: Everywhere you marked an “I” for Imagery, underline the EXACT words and phrases. Everywhere you put a , write a note in the blue section that explains WHY that section is important. Possible questions to answer: How does this impact the story? What big thing did you learn here? How does this connect to the Hero’s Journey? Everywhere you put a ?, discuss the confusion with your group, and write down a POSSIBLE answer to your question. Or an explanation for what that section means.

Complete questions 1-7 in your book. Helpful Hints: What textual evidence in the beginning of the story shows that the boy is afraid?  Try to hear the sound of a peach stone hitting the skin of your drum as it lay beside you in the darkness. How could that cause a panicky feeling? The word “harvested” is used figuratively in paragraph 10. How do you know it is used figuratively, and why did the author choose this word?  What is the boy counting? What is beyond the forms of the soldiers the boy can barely see in the night time? Visually, what would this vast army of soldiers look like? Consult reference materials to find the meanings of “ramrod” and “flint.” Relate these words to the meaning of the last sentence in paragraph 12. How does the sentence convey the boy’s mood?  From the opening scene, what is the boy’s mood this night before the battle? How does describing his drums as “worse than a toy” help convey his mood about the battle to come? How did Joby join the army? What is significant about that?  How old is Joby? Is he old enough to fight in the army? Does he have a gun to fight with? What does the general mean when he calls Joby “raw”? Consult reference materials to find the meaning of “drowse.” How does that word choice create a contrast in paragraph 44?  What does the phrase “sleep forever” mean? What does the beat of a drum have to do with movement? What shift happens in paragraphs 44, 45, and 46? Use textual evidence in your answer.  Before the general talks to him, how does Joby feel about his drums? How important does the general think the drummer boy is to the success of the army in battle? Why does the general talk to Joby about the importance of the drumbeat? How does the general’s comment, “Do you know now you’re general of the army when the general’s left behind?” prove to be a decisive moment in the conversation between him and Joby?  Up to this point the boy has thought of his drums as a toy, and wishes he had a gun instead. After the general’s speech to him, what is Joby ready to do? How does Joby’s role as the drummer make him “the general of the army”? Each answer should have 3 bullets: The answer in your own words. The exact words and phrases (in quotation marks) that show the answer. The paragraph number(s) where you found the answer(s).