“The Lady” and Luc Besson’s auteur style General Ne Win’s suspicions and control The viewer is led below the surface of society to see a more distasteful.

Slides:



Advertisements
Similar presentations
On The Waterfront. PLOT Edie and Terry are walking in the park after escaping Johnny Friendlys mob at the church. The location is at New Jersey Park.
Advertisements

Film Terminology English Language Arts.
‘The Shawshank Redemption’
Textual Analysis of Collateral By Yasmin Hoque. Location/setting Airport: The first location is set at an airport, which is clear when we see the character.
COLLATERAL- Textual Analysis. Describe the Location(s) /setting A busy airport or some sort of public transport station and a loud taxi rank How is it.
Focus on Film Learning Objective/Kaupapa: To analyse specified aspects of film Value…. respect and INNOVATION, ENQUIRY AND CURIOSITY Competancy….THINKING.
Viewing Films Actively Written Responses to Motion Pictures Paige Mayhew Oklahoma Writing Project.
The Truman Show (1998) Some things we need to understand before we go ahead The Truman Show is both a movie AND a reality TV show. So when we watch we.
Chapter 9 Store Design and Visual Merchandising.
By Gabriella Calixto and Parker Bennett. Date: 03/15/ /22/2015 What we will do: Filming will begin and hopefully be concluded (weather permitting).
Week 1 - Lecture Interactive Digital Moving Image Production | CU3003NI | - Pratik Man Singh Pradhan.
Q1: In what ways does your media product use, develop or challenge the forms and conventions of real media products? Emily Newell.
In the opening sequence the audience and introduced to the main characters and its made quite clear who the antagonist and protagonist are. We see typical.
Studying films Revision for The Woman in Black. What makes a film? There are lots of important techniques used to make films interesting to watch. Meaning.
AUTEUR STUDY – TIM BURTON. ALICE IN WONDERLAND Familiar ‘Walt Disney’ logo – links to the genre (fantasy) Mise en scene – Pan/aerial shot of the houses.
Categories 1) Identify the form of the text. Describe one element from the text that shows this.(2 marks) 2) Identify the purposes of this text. Describe.
Se7en Opening title sequence Analysis. Mise – en - scene Location and setting – The opening title sequence for se7en does not include any long shots of.
Analysis of Opening Title Sequences- Slide Show 2 Jane Lawrance Media Studies Varndean College.
Don’t Look Now (1973) Nicolas Roeg Drive (2011) Nicolas Winding KATIE DINNAGE Examples of Mise en Scene.
An element of art that refers to the continuous mark made on some surface by a moving point (pen, pencil, etc.).
DONNIE DARKO DONNIE DARKO OPENING TITLE SEQUENCE.
RAM – Fall audience members actively construct meaning from the narrative we negotiate a shared experience: the filmmaker’s story (the story told.
Film Terminology Shots and Framing Camera Angles Camera Movements
Brick Charlie Funnell. Character The main character in this scene is clearly an unpopular person because of the way he dresses which seems like he hasn’t.
Media evaluation – Question 1 JOE COQUET. Introduction Our film is a part of the thriller genre, with some elements crime in it too. This is a typical.
Opening Sequence Textual Analysis - Brick Brandon Jewell.
What's going on here? Add pictures associated with bullying here.
The first location seen is at a storm drain, an isolated remote area on the outskirts of town. Giving the feel the character is away from civilisation.
Bullet Boy – British Crime Bullet Boy (2006) is a British Crime film that follows the life of young Ricky and his brother Curtis. The film uses the typical.
How do the photos of your magazine share similarities with the magazines that influenced your production?
Hoodwink Opening Title Sequence Pitch By Katie, Rebecca and Andrew.
Evaluation Question 1 In What Way Does Your Media Product Use, Develop Or Challenge Forms And Conventions Of Real Media Products? Hoodwink by Rebecca Bloomfield.
Art of the Day The Liberator by Rene Magritte Presentation by: Eli Mitnick.
BRICK OPENING TITLE SEQUENCE ANALYSIS. Mise-en-scene & cinematography During the opening title sequence to the thriller ‘Brick’ there are three different.
THE LANGUAGE OF FILM. THE SHOT The shot is the building block all filmmaking It is a single, uninterrupted piece of film; the image that is seen on screen.
Top left Lighting: Scene filmed with darkening sky's, and street lamps Sound: There was no sound apart from general background noise Dialogue: No dialogue.
The Woman in Black- Opening Sequence
Lecture 4a.
Cinematic Techniques And their Effects.
Rear Window (1954).
Conflict.
Main Task: Best camerawork evaluation.
LO1 – Micro-Analysing Horror Movies
Film Studies Need to Know (Or what I should have gotten 1st Semester)
Movie starter 1 Woman in Black.
First Nations People - an Ancient Civilization?
Hospital Sequence/Corruption of Michael
Working with Cinematic Techniques:
Investigating mise-en-scène
QUESTION ONE In what ways does your media product use, develop or challenge the forms and conventions of real media products?
Spirited Away.
Working with Cinematic Techniques:
COLLATERAL Opening Title Sequence Analysis Director-Michael Mann Release date- 17th September 2004 By Naomi Adams.
Analysis Opening Title Sequence Brick
Cinematic Techniques.
Cinematic Techniques.
FILM Key Terms.
Working with Cinematic Techniques:
How to compose a Storyboard: Ten Things I Hate About You
Viewing Films Actively
PowerPoint Presentations
COLLATERAL Opening Title Sequence.
Minds-On How did the lesson go yesterday? What did you learn?
Hidden Aspects of Communication
Moulin Rouge and A desperate deed.
Neo-Noir Thriller Brick Ryan Evans.
12/02/15 THRILLER 1.
Question 1.
Presentation transcript:

“The Lady” and Luc Besson’s auteur style General Ne Win’s suspicions and control The viewer is led below the surface of society to see a more distasteful reality: General Ne Win has civilian informants watching all aspects of society; one of these plainly-dressed men who has seen Aung San Suu Kyi arrive at the airport, approaches General Ne Win. Authorities are often dysfunctional and ineffective: General Ne Win is portrayed as suspicious and nervous; he does not make eye-contact with the civilian man and touches his face/chin as he processes the information; he sends the man back quickly to watch Aung San Suu Kyi.

“The Lady” and Luc Besson’s auteur style General Ne Win visiting a tarot card reader The viewer is led below the surface of society to see a more distasteful reality: As General Ne Win’s new car enters the back streets of Rangoon, it is in direct contrast to the dirty, worn-down and poverty-stricken environment. The entrance of the building is almost hidden. A man dressed in the same dulled civilian colours as his informant, opens the car door, indicating that the General has spies everywhere. High angle long and medium-shots follow the General as he walks down a darkened corridor. Eerie non-diegetic pan flutes are heard which add to the foreign nature of the setting. This oriental sound also indicates that the tarot card reader is an (undesirable) reality of Burmese culture.

“The Lady” and Luc Besson’s auteur style General Ne Win visiting a tarot card reader Authorities are often dysfunctional and ineffective: The tarot card reader orders General Ne Win to take off his shoes; he (the leader of a country) is subservient to her. General Ne Win confides in the woman stating “I am surrounded by enemies” and wants to know if he should “eliminate” Aung San Suu Kyi – unable to make his own authoritative decisions; is superstitious and his actions are guided by these. When the woman states that “if the country is at peace, it won’t need the spirit”, the General is content and replies, “your advice is always invaluable.” This indicates he has sought her guidance many times, indicating that major political decisions are in her hands.

“The Lady” and Luc Besson’s auteur style General Ne Win visiting a tarot card reader Questions a society’s morality: Luc Besson here presents the corruption in the Burmese government under the leadership of General Ne Win from 1962 onwards. Besson presents how Burma deteriorated financially and morally under General Ne Win, through his dysfunctional and illogical decision-making. Besson presents how this military dictator was self-serving instead of people-focused. These scenes also contrast directly with Aung San Suu Kyi’s upright and strong moral character: her family and people come first.

“The Lady” and Luc Besson’s auteur style General Ne Win visiting a tarot card reader Cinéma du look: The visual elements of this scene are able to tell the story: Lighting in the building is minimal: mystery, uncertainty, hidden acts take place there. Blue lighting behind the woman creates an illuminating almost supernatural effect around her. The red light behind the General reflects his communist beliefs (sacrifice/blood of the people). Costume: General Ne Win’s military decorations are a direct contrast to the tattooed markings, wrinkled skin, dirty nails, bangles and dull, worn clothing of the tarot card reader. His hat and shoes (authority) are removed- he should not be consulting with this woman who has no authority and is involved in secret arts.

“The Lady” and Luc Besson’s auteur style General Ne Win visiting a tarot card reader Cinéma du look: The visual elements of this scene are able to tell the story: The setting shows tarot cards on a small table. The woman and General Ne Win faces the cards for wisdom/direction. Props: General Ne Win places a Burmese note on the table showing a close-up of General Aung San’s face: he wants to know if the “ghost” of the General is threatening his leadership. The woman places a card with a lion in front of him, which represents Britain and its sovereignty, where Aung San Suu Kyi has come from.