Aerobatic Judging Seminar

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Presentation transcript:

Aerobatic Judging Seminar CIVA / FAI Seminar CIVA / FAI International Aerobatic Judging Seminar Part 3 – Problems, Positioning & Freestyle

HANDLING MISTAKES Keep calm. The judge should be able to sort it out immediately after the flight. NEVER JUST “GIVE” A MARK. YOUR MARK MUST BE THE NUMBER OF ERRORS DEDUCTED FROM TEN If in doubt give an “AV”. However … Judges must prepare for every flight in a professional manner. Give an “AV” only if you have been distracted from seeing the figure. If there is a “mix up”, avoid trying to solve the problem immediately. Ask the caller to give you the number of the next figure so the scribe knows that the next mark given will apply to that figure.

Pilot Mistakes Be Prepared! A pilot starts a figure which seems to bear no relation to the next form B/C … Or a figure is not flown … Or a sequence row is missed … _______________ Try to match what you see to valid figures later in the sequence BUT if the pilot realises his mistake he may revert back to the original sequence, and the figure may become classified as an Insertion. Be sure you know the correct rules for what to mark as 0.0, what to mark as HZ, and what to mark as normal …

Video Is used for matters of FACT Any judge may call for the video even if he is the only judge who believes that there is an error of fact It may be used to confirm gross under or over rotation, yaw / pitch of 90° or more; tail slide canopy up or down. For PZ’s: No Video! The judge must give his mark before calling to see the video, but is ALWAYS entitled to review the video afterwards

POSITIONING The positioning mark is very important, and is often not given enough attention The rules give good guidance on how to reach the correct mark The position mark can often have the highest “K” factor on Form A Using the Near Near - Far Far System is mandatory at CIVA events

Run the ‘Monkey Business’ video CIVA / FAI Seminar Now … Just how observant do you think you really are? Run the ‘Monkey Business’ video

SOME HOT TIPS Listen – watch – then judge honestly A correctly held pencil will help correct for parallax with 45° attitude flight Against a clear sky it is almost impossible to judge accurately the height of two loops without some reference point: Finger … pencil … pen ! Have the confidence to give the mark you know is right Your job is to "nit pick" – pilots respect strict but fair judging Do not be influenced by comments overheard from other judges Manage your judging station firmly – you are the person in charge Have a few large elastic bands to stop paper flapping on your clipboards

The 4 minute Final Freestyle A change from destructive to Constructive Judging! Do not hand in your marks until all the flights are completed Remember: it is the relative marks that matter, NOT the marks themselves Use the REFERENCE sheet first, then transfer your ‘final’ marks to each Form-A.

Use this reference sheet first … Transfer your final marks at the end

Remember …. THE KEY SKILLS ARE: THE ABILITY TO DEDUCT MARKS ACCURATELY AND QUICKLY WHILE WATCHING A SEQUENCE FULL KNOWLEDGE OF THE RULES KEEN EYESIGHT TEAMWORK

Remember …. 1 LEARN THE RULES: Print a full copy of the CIVA Section-6 Regulations, read the Judging Rules and understand how to apply them 2 PRACTICE “CALLING” for other Judges: Being able to Call is the best preparation 3 Get used to being a TEAM MEMBER: Judging is always a co-operative venture 4 Go and Scribe, then Call … then Judge

So: what is a Judge? Detective Examiner Analyst Interpreter Reviewer Theatre critic Commentator Pilot … A competition aerobatic sequence is a demonstration of aeroplane control requiring extreme levels of technical ability and discipline from the Pilot. The Pilot attempts to convince the Judges that the figures are flown exactly according to the rules. The Judges view the performance to discover where the rules are not fully met. They award downgrades for imperfections and errors seen. An aerobatic Judge uses ALL of these skills to mark the performance properly.

Judges Break #3