"Maybe this world is another planet's hell." ALDOUS HUXLEY 1894 - 1963 "Maybe this world is another planet's hell."

from Publishers Weekly 2003 "A mordant [sarcastic] satirist and impresario [one who organizes/ manages] of uncomfortable ideas, Aldous Huxley (1894-1963) remains best known for Brave New World, an early 1930s look into a grim future. . . Restless in body as well as in mind, Huxley never lived in one place very long, and could not make do with one woman, although his uncomplaining wife, Maria, was totally devoted all her life. Huxley was never easy to live with. His fastidious [excessively particular] distaste for people not on his level of high culture was unconcealed. He experimented with extreme diets, psychedelic drugs and an undogmatic mysticism. An eye infection early on cost him much of his sight; still, he read omnivorously, often with a large magnifying glass, and was read to by Maria. 

Huxley was: “a member of a distinguished scientific and literary family, [who] intended to study medicine, but was prevented by an eye ailment that almost blinded him at the age of 16. He then turned to literature, publishing two volumes of poetry while still a student at Oxford. His reputation was firmly established by his first novel, Crome Yellow (1921), a witty satire on the intellectual pretensions of his time.”

“In both fiction and nonfiction Huxley became increasingly critical of Western civilization in the 1930s. Brave New World (1932), his most celebrated work, is a bitterly satiric account of an inhumane society controlled by technology, in which art and religion have been abolished and human beings reproduce by artificial fertilization.”

“Huxley's distress at what he regarded as the spiritual bankruptcy of the modern world led him toward mysticism and the use of hallucinatory drugs. The novel Eyeless in Gaza (1936) portrays its central character's conversion from selfish isolation to transcendental mysticism; and in The Doors of Perception (1954) and Heaven and Hell (1956) he describes the use of mescaline [an hallucinogen] to induce visionary states of mind.”

Huxley: “who moved to southern California in 1947, was primarily a moral philosopher who used fiction during his early career as a vehicle for ideas; in his later writing, which consists largely of essays, he adopts an overtly didactic [meant to teach] tone. Like his contemporaries D. H. Lawrence and George Orwell, Huxley abhorred conformity and denounced the orthodox attitudes of his time. The enormous range of his intellect and the pungency of his writing make him one of the most significant voices of the early 20th century.”

Bibliography: Atkins, John, Aldous Huxley: A Literary Study (1967); Bedford, Sybille, Aldous Huxley (1985); Birnbaum, Milton, Aldous Huxley's Quest for Values (1971); Bowering, Peter, Aldous Huxley: A Study of the Major Novels (1968); Dunaway, David King, Huxley in Hollywood(1989); Ferns, C.S., Aldous Huxley (1980); Firchow, Peter, Aldous Huxley: Satirist and Novelist (1972) and The End of Utopia (1984); Kuehn, Robert, ed., Aldous Huxley: A Collection of Critical Essays (1974); May, Keith M., Aldous Huxley (1972); Watts, Harold H., Aldous Huxley(1969); Wyatt, Donald, Aldous Huxley (1985). Text Copyright © 1993 Grolier Incorporated