D.mcmahon@derby.ac.uk : @daithimcmahon Opening up the debate: The phenomenon of transnational cultural public spheres on Irish radio station Facebook pages.

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d.mcmahon@derby.ac.uk : @daithimcmahon Opening up the debate: The phenomenon of transnational cultural public spheres on Irish radio station Facebook pages Daithi McMahon University of Derby d.mcmahon@derby.ac.uk : @daithimcmahon

Irish Radio/Media in Context 86% of Irish Adults Listen Daily (↓ 1%)​ Ipsos/MRBI Popular SNSs: Facebook (64%), Twitter (29%), Google+ (27%)​ Consumers Multi-Tasking/Multi-Screening  ​ Audience SNS Participation/Engagement Key to Radio’s Future​ Irish Public Texting Less - Using Social Media More​ Advertising Spend is Migrating to Digital Online Platforms

Theoretical Background Public Sphere (Habermas 1989) & Cultural Public Sphere (McGuigan 2005) Active audience in convergence culture (Jenkins 2006) ‘people formerly known as the audience’ (Rosen 2008) networked publics (Ito 2008) Commodification of Affect in the knowledge/information economy (Smythe 1981, Fuchs 2010, 2015) Marxian labour theory Affective Communication and Spreadable Media (Jenkins et al. 2013)

Methodology Interviews with radio professionals - local, regional & national​ stations Online Audience Survey​ N=419, one in-depth interview Textual Analysis of radio station Facebook pages Direct Observation of producers ​

Networked Audience Embracing convergence culture and spreadable media ​ Seeking information, entertainment, discussion, engagement on Facebook Some users want increased involvement ​in radio output – contribute content to station Users respond to affective content and share with members of their social network which builds social capital, credibility and affinity to station Majority of users are ‘lurkers’ with low interactivity levels - do not engage

Connecting with Diaspora Irish diaspora are spread throughout the world (UK, USA, Oz) 35k emigrated in 2015 - 51k in 2013 (CSO 2015) Use Facebook content to inform and affect audience emotionally which promotes engagement Nostalgia a powerful affective tool Strategic goal: increase engagement to promote revenue growth Diaspora want to stay connected with ‘home’

Affective Content for Diaspora Diaspora have longing for ‘home’ – region specific i.e. county Kerry Seek information and discussion of topics from ‘home’ Sport a very strong cultural theme – Gaelic football in Kerry Highest reaction to affective content, share with social network Emotional impact on audience helps connect them with home, build an affinity with a radio station, reaffirm their Irish identity

Examples of Facebook Posts

Affective = Effective? Does increased social capital equal increased economic capital? Increased listenership? Stations try and build bridging, social, cultural and reputational capital among networked audience Social media a key battleground for networked audiences Stay ahead of the competition incl PSB

Conclusions Radio’s integration of Facebook has allowed it to further engage audiences​ Facebook/SNSs key to radio’s present and future ​success Irish continue to emigrate​, maintain strong connections w home via SNS Diaspora remain highly valuable to Radio Kerry Affect, emotion through nostalgia are effective at engaging audiences

d.mcmahon@derby.ac.uk : @daithimcmahon Thank You Daithi McMahon University of Derby d.mcmahon@derby.ac.uk : @daithimcmahon