Introduction into Epic Theatre

Slides:



Advertisements
Similar presentations
What are the main subject areas of interest in this film and what are the main themes and ideas being addressed? Could it be said that there are certain.
Advertisements

AS Unit 1, Section B Study of a Set Text, Oh What A Lovely War! With study of Bertolt Brecht.
Film Terms & Techniques
Destroying the illusion. Bertolt Brecht Brecht was born in 1898 in Germany He believed that Theatre should make people think - it should not be merely.
Introduction to theatre styles!!!!
1.The Woman in Black What does the title suggest? Using the next slide as inspiration improvise a short play. Freeze frame.
Collaborative Artistic Process Jobs & Production skills
Welcome Module 9 Working With Adults. Description Working effectively as a member of an adult team This means: Communicating effectively Helping others.
Introduction to Course of Study in Drama Stages 5 and 6.
Important Literary Elements Irony Point of View Symbolism.
EPIC THEATRE Bertolt Brecht PLAYWRIGHT DIRECTOR THEORIST PRACTITIONER.
Journey’s End Exam preparation. Question Format You must answer 1 of 3 questions in 45 min. Response to extract passage Whole text focused question Empathetic.
DEVELOPING ANALYSIS SKILLS MISE EN SCENE. MISE-EN-SCENE Mise-En-Scene includes: Setting Decor Lighting Body language (or NVC) Props Costume, hair and.
Mother Courage and Her Children
Varieties of Drama. Introduction Tragedy and comedy are the two chief divisions of drama. Some plays that have the qualities of tragedy and comedy are.
ELEMENTS OF DRAMA.
Basic Theatre Terminology Beginning Drama. Stage Fright A nervous feeling felt by someone who is going to appear in front of an audience.
T.I.E. Lesson objectives & plenaries lessons 2-5.
BERTOLT BRECHT 5 KEY EPIC CONCEPTS …YOU MIGHT WANT TO HANG ONTO THESE!
Chapter 4. Experiencing the Performance Watching a play and reading a play are two very different ways of experiencing the play. Differences exist in.
Schindler’s List There are far too many places where hate, intolerance, and genocide still exist. Thus Schindler's List is no less a "Jewish story" or.
Malpractice Collusion Plagiarism both result in no grade for the subject concerned and hence no Diploma for that session.
EPIC THEATRE AND BRECHT Kaukasiese Krytsirkel Moeder Courage Kanna.
Conventions in Theatre The Rules by Which the Play is Performed.
M.Rathor. Chapel en le Frith High Blood Brothers and Brecht Today’s lesson Objectives: To understand the intention of Brechtian Theatre To make links between.
American Drama Lit Books pg Novels vs. Plays A novel is… – Meant to be read – A personal experience for the reader – Finished once it’s published.
Short Stories Elements of a Short Story. What is a Short Story? A brief, fictional (not true), narrative type of prose that involves conflict, characters,
Mr. Bartosh Technical Theatre I FUNCTIONS & QUALITIES OF LIGHT.
BERTOLT BRECHT 1898 – 1956 Playwright Director And Actor.
EPIC THEATRE.
Continental European and Latin American Theatre (German Expressionism)
BERTOLT BRECHT “Art is not a mirror with which to reflect reality but a hammer with which to shape it.”
Aliens (1986) dir. James Cameron
An Introduction to Bertolt Brecht and his Work
Drama At Cornwallis Academy
Introduction to Theatre
ORIENTATION TO THEATRE
Laughter is good for you
Stylisation, Mask, Grotesque, Montage, Biomechanics
Please have a seat and get your Theatre Notebook out for Bell Work!
And the epic performance technique
Unit 42 Radio Drama Lo1 Joe Hayes.
Writing and Thinking.
Types of Poetry.
Romeo and Juliet By Ciara Conroy.
A Brief Introduction to Bertolt Brecht
Welcome to the Theater! Elements of Drama.
Characterization Notes Part III
The Elements of Fiction
Portfolio: 30 marks Performance: 15 marks Evaluation: 15 marks
Bertolt Brecht By Anna and Chantel.
In today’s lesson, you will:
Theatre: A Way To Teach Rather Than Delight
Book Talking Tips and Techniques for the Seventh Grade
Year 11 Media Mid Year Exam
Shakespearean Scene Dramatization
Bertolt Brecht Epic Theatre.
Drama! Drama is the specific mode of fiction represented in performance. (DRAMA IS FICTIONAL ACTING) The term comes from a Greek word meaning "action"
The Rise of EPIC Theatre “From Ibsen to Brecht”.
Stage Craft LO: to identify aspects of stagecraft
The Elements of Drama.
year 8 Level 5 – ‘NEARLY ALWAYS’ GOOD -
Prompt Copy.
Dramatic Conventions.
Elements of Drama Literature Lovelace.
Bertold Brecht “Art is not a mirror with which to reflect reality but a hammer with which to shape it.”
Development of your piece
Story & Production elements
The Elements of Drama.
A Level Drama & Theatre Transition work: Year 11 into Year 12
Presentation transcript:

Introduction into Epic Theatre Bertolt Brecht

Bertolt Brecht Epic Theatre Alienation

Brecht Theatre: The Focus Brecht set out to change people’s minds. He aimed to use theatre to show his audience what was wrong with society and then convince them to go out and change it. Brecht’s EPIC theatre was a way of presenting his political views. (Influenced by Marxism and its’ belief that many of the world’s problems are a result of capitalism) Types of human behaviour were studied to show why they happened and how that behaviour could be improved. The plays tell stories in a way designed to make the audience feel they are simply observers, watching the events happening on stage and making judgements about them. He altered the actor audience relationship by encouraging them to think in an active and critical way. Historification: Brecht’s plays were always based on history. He wanted the audience to look at the present through the past and see both objectively, unemotionally and with detachment.

The Brecht Technique Alienation or “verfremdungs” (to make something strange). Brecht’s aim was to constantly surprise, shock and challenge the audience, while reminding them that the play they were watching was simply a story being told to make a profound political point. Through the alienation technique, the audience were encouraged to remain objective. Brecht adopted a number of structural devices to create alienation…

There are no curtains in Brechtian theatre Structure: Episodic and Disjointed scene were used rather than have one scene flow smoothly into another, he wished to call attention to the knots of putting a scene together. Stagecraft: (symbolic staging, costume and props that suggest location). There are no curtains in Brechtian theatre   Sets and costume were often changed in front of the audience, reinforcing the idea of alienation. Lighting- bright light regardless of night/day.

Narration- Brecht’s plays made use of screens, large notices (made comments about the action happening on stage). Brecht sometimes used a narrator: an actor who talked directly to the audience, giving them information and reiterating the message of the play. Actors sometimes even narrated their stage directions

Song: the use of song was another alienation effect that could break the mood or action of the scene, reminding the audience that they were indeed watching a play. Songs were often used to comment on the action. Movement: inspired by Asian theatre. In particular, stylised, unemotional and formal gestures. Voice: singing, chanting, use of mechanical, strange sounded voices, disconnected non-human voices, accents

Acting Technique: Perform with an awareness of being watched The actor should remove themselves from the other actors both physically and emotionally. Focus performance to people (or groups of people) in the audience. (Breaking the 4th wall) Be critical of their characters, as through all the actions had happened in the past and you’re now judging them Stand in front of the mirror to study their gestures. Use robotic, mechanical, dreamlike and other non-realistic movements and voice Incongruity-Use opposite styles of acting, such as acting a series of death scenes in an outrageous way.

These conventions may suggest that Brecht was a little DIDACTIC… . BUT… His stories are balanced with songs and other devices intended to CAPTURE and hold the ATTENTION of the audience. Brecht’s concept of ALIENATION is often misinterpreted as a demand that spectators be continuously distanced from the events. In actuality, Brecht engages the audience empathetically, then through some device (such as a song) creates distance (much like the odes sung by the chorus at the end of each episode in Greek Theatre).

Perform The Giving Tree in the Style of Epic theatre The task: Perform The Giving Tree in the Style of Epic theatre In groups, devise a performance of the giving tree, experimenting with the conventions of Brecht’s Epic theatre. What do we learn from this story? What should the audience be aware of?

http://www.youtube.com/watch?v=1TZCP6OqRlE&feature=related

reveal about our true nature? What does The Giving Tree… reveal about our true nature?