Ch. 17 Fifteenth-Century Art in Northern Europe

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Presentation transcript:

Ch. 17 Fifteenth-Century Art in Northern Europe Lesson 1: Renaissance Painting in Northern Europe Lesson 2: Realism and Emotionalism

Identify the socioeconomic changes during this time in norther Europe. Ch. 17 Review: Identify the socioeconomic changes during this time in norther Europe. Explain how these changes in norther European society affected northern Europe art. Note that a move from a medieval art style to a more modern style occurred more slowly in northern Europe than in Italy. Discuss the development of oil painting. Discuss the precision and color that mark the works of Jan Van Eyck. Identify the contributions of Rogier van der Weyden. Describe differences in paintings done by Rogier and van Eyck. Identify innovations introduced by Hugo van der Goes. #1) growth of commerce and industry, new wealth, growth of cities, and development of a middle class.

Symbolism, click link below: Key concepts: Symbolism, click link below: http://www.nga.gov/content/ngaweb/Collection/art-object-page.50.html International style: Stylistic features are a dignified elegance, which replaces monumentality, along with rich decorative coloring, elongated figures and flowing lines. It also makes a more practiced use of perspective, modelling, and setting. Figures begin to be given more space in their settings, and interest is taken in realistically depicted plants and animals. Emphasis on detail, and symbolism. Gerard David, The Rest on the Flight into Egypt, c. 1510, oil on panel. 17 7/16” x 17 11/16”

Not in Exam Michelangelo Caraviggio, The Rest on the Flight into Egypt , 1597 https://en.wikipedia.org/wiki/Rest_on_the_Flight_into_Egypt_(Caravaggio)

Not in Exam Chiari, Giuseppi , The Rest on the Flight into Egypt, 1675

Jan van Eyck, The Arnolfini Wedding, 1434, oil on panel, 33” X 22 ½”.

Jan van Eyck, Adoration of the Lamb, central panel from The Ghent Altarpiece, 1432.

Jan va Eyck, Saint Gerome in His Study, c. 1435, oil on linen paper, mounted on oak panel. 8 1/8” X 5 ¼”

Rogier van der Weyden, Descent from the Cross (Deposition). c. 1435 Rogier van der Weyden, Descent from the Cross (Deposition). c. 1435. Tempera and oil on wood. Approx. 7’ 2 5/8” X 8’ 7 1/8”

Rogier van der Weyden, Portrait of a Lady, c. 1460, oil on panel, 13 3/8” X 10 1/16”.

Hugo van Der Goes, The Adoration of the Shepherds, central panel of The Portinari Altarpiece. c. 1476, approx. 8’3” X 10’

Hugo van der Goes, The Adoration of the Sheperds, (detail).

Robert Campin’s Merode Altarpiece. https://en.wikipedia.org/wiki/Mérode_Altarpiece http://artelisaart.blogspot.com/2013/07/iconography-of-anounciation-of-merode.html

Vocabulary terms: tempera gesso oil paints International style Renaissance art symbolism color, texture, emphasis emotionalism tryptych Artists to Meet: Jan van Eyck Robert Campin (Master of Flemalle) Rogier van der Weyden Hugo van der Goes