AP Theory Unit 5 Part 6.

Slides:

Advertisements

Similar presentations

AP Music Theory Ms. Friedrichs.

Advertisements

AP MUSIC THEORY MR. JACKSON UNIT 11: SECONDARY DOMINANTS.

Figured Bass Kostka/Payne Chapter 3.

AP Music Theory Mr. Jackson

UFCEXR-20-1Multimedia Sound Production Basic Chord Structures and Patterns.

UNIT 6 –R OMAN N UMERALS & F IGURED B ASS AP Music Theory Mr. Jackson.

AP Music Theory Elements of Music: Pitch. IB and AP  This class will get you through the material you will need to accurately analyze a piece of music.

Click to proceed to the next page1 Piano/Theory 4 PACING GUIDE Quarter 1.

NCVPS AP Music Theory Created by Dr. Tom Moncrief What is a Seventh Chord?

NCVPS AP Music Theory Presentation by Dr. Tom Moncrief Inversions of Triads.

The Nuts & Bolts of Music

A&D 3 B&E 4-1 Mr. Pinelli Contact Information

WELCOME! Rocklin High School AP Music Theory Mr. Spiess RHS Choral/Vocal, Piano Lab, AP Theory, AVID12.

 Music Sharing!  Review: Common Harmonies: MAJOR  Review: Common Harmonies: MINOR  Review: Broken Chords & Arpeggios  Review: Cadences  New: Passing.

P  What is a triad?  A Triad is made up of three notes.  It is built from the lowest note up, using intervals of a third.

Elementary Harmony What are the three elements of music? By Ann Kim.

Before We Begin... Nothing. We will get started shortly.

ADVANCED PLACEMENT MUSIC THEORY Adding Harmony to a Melody.

Theory and Composition Unit 4 Part 3. Bellwork: Mini Quiz.

THEORY AND COMPOSITION UNIT 2 PART 4. BELLWORK: MINI QUIZ.

 Music Sharing!  Review: Common Harmonies: MAJOR  Review: Broken Chords & Arpeggios  New: Common Harmonies: MINOR  New: Cadences  New: Passing Tones.

Theory and Composition Unit 4, Part 1. Bellwork: Take Notes Tie: The tie combines the durational values of two or more notes of the same pitch using a.

THEORY AND COMPOSITION UNIT 2 PART 1. BELLWORK: REVIEW SKILLS:

Thursday, October 11, 2012 (10–11–12!).  Music Sharing: Haley & Joey (XHS)  Let’s review (and make sure we really know this stuff!) Figured Bass vs.

Journal  Highland Cathedral – Mass band, Breman 2008 

AP Theory Unit 1 Part 4. Bellwork: Mini Quiz Review Skills Note Reading Bass and Alto clef.

Reading Rhythm. A Circle the correct rhythm. Question 1 Which rhythm do you hear? B C.

AP Theory Unit 1 Part 3. Bellwork: Mini Quiz Listening of the day: Beethoven’s 5 th Symphony Mvt 4 Get out your score and a highlighter. Highlight just.

Music Theory Grade 1 Based on the ABRSM Syllabus Associated Board of the Royal School of Musicians.

Chapter 8 Diatonic Harmony

AP Theory Unit 1 Part 2. Bellwork: Mini Quiz Outcomes Scholars Will: Logic: Learn how to use ledger lines Rhetoric: Write a composition for more than.

What is a Triad? NCVPS AP Music Theory.

Theory and Composition Unit 4, Part 2. Bellwork: Mini Quiz.

NCVPS AP Music Theory How to write a triad?. Identification Identification of the aspects of each type of seventh chord are important when beginning to.

Note Values and Key Signatures. Bar lines Separate Measures Each bar line creates a new measure.

Diatonic Chords Major and minor Keys. Putting a face to a name Now that we know the types of triads and seventh chords, how do we use them in tonal music?

Dominant Seventh Chord Chapter 11. Dominant Seventh Chord Built on the 5 th scale degree Major triad with minor seventh Almost as common as dominant triad.

Before We Begin... Any questions on the homework? (Please put the example number AND chord number.)

INTRODUCTION TO CHORDS Hello. Today we will look at chords. By the end of today you will be able to aurally identify different species of chord. We will.

AP Music Theory Elements of Music: Pitch. Keyboard and Octave Registers  Pitch refers to highness or lowness of a sound  Names for the first 7 letters.

AP Music Theory Triads and Chords. Triads  Tonal harmony makes use of Tertian (buit of 3rds) chords.  The fundamental sonority is the triad, a 3- note.

Cornerstone 4 Performing Ensembles Arranging.

AP Music Theory Mr. Silvagni

How to Play the Major Chords in the Key of D?

AP Music Theory Mr. Silvagni

AP Music Theory Mr. Silvagni

MUSIC HIGH SCHOOL – MUSIC THEORY

Triads and Seventh Chords

Chords and Triads.

Diatonic Triads and 7th Chords

Chapter 16 Secondary Functions 1.

AP Music Theory Mr. Silvagni

MELODY Melody usually single note phrases that is the LEAD of the piece = single notes that add to a recognizable whole.

AP Music Theory Mr. Silvagni

Quia Tier 2 Unit 2 Week 1.

Figured Bass Kostka/Payne Chapter 3.

Introduction to Music Theory

AP Music Theory Mr. Silvagni

AP Music Theory Mr. Silvagni

Basic Chords and How to Build Them

Night Music Composing a Nocturne.

Harmonic Progressions

Triad Scale Names Primary Triads.

Seventh Chords.

H Melody/Harmony Relative Major / Minor – A change of key (modulation) from minor to major key using the same key signature but found three semitones higher,

Triad Inversions When the root of the triad is the bottom note (or the bass note) of the chord, the triad is in root position.

Tonic, Subdominant, and Dominant.

MUSIC HIGH SCHOOL – MUSIC THEORY

MUSIC HIGH SCHOOL - ELECTRONIC PIANO – Unit 6

Project Logic, Indicators & ToC Group Exercise

Presentation transcript:

AP Theory Unit 5 Part 6

Bellwork: Review skills

Announcements Test this Monday IP #9B is due Monday

Outcomes Scholars Will: Logic: Refine use of roman numeral analysis chord identification

Analyzing chords Write roman numerals in the spaces provided, making sure each roman numeral is of the correct type and includes a bass position symbol if needed:

Identify triads using roman numerals In the next exercises you are given the name of a key and a scale degree number. Without using key signatures, notate the triad on that scale degree in root position and provide the roman numeral.

Ottman: 71-76

Dictation

Rhythm 2.D-2.4