How oral must an oral poem be? The eEdition as argument

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Presentation transcript:

How oral must an oral poem be? The eEdition as argument Daniel Paul O'Donnell

Cædmon's Hymn: an (almost) indisputably oral poem Almost-contemporary report of composition Story sets poem in oral- environment Story not classical Parry-Lord Evidence of back-translation relatively unconvincing Cædmon panel, Whitby

Cædmon's Hymn has longitudinally stable text Relatively little recensional variation over three hundred years and two dialects Recensional variation in Cædmon's Hymn (O'Donnell 2005 § 5.2)‏

Inter-recensional variation can be largely explained What variation there is can be accounted for scribally Recensional and cross-recensional development (O'Donnell 2005 § 5.37)‏

Recensions (mostly) also internally stable Of five recensions, only two show evidence of living textual variation aelda (s. viii)‏ eorðan (s. x1-s.xiiex)‏ Others are defective or post- Anglo-Saxon Recensional and cross-recensional development (O'Donnell 2005 § 5.37)‏

Northumbrian aelda-recension: Few variants Northumbrian aelda recension (O'Donnell 2005)‏

West-Saxon eorðan-recension: More variable West-Saxon eorðan recension (O'Donnell 2005)‏

Pattern of variation is more significant than amount Often seen as evidence of oral transmission Distribution suggest a non- societal causes quite limited associated with different, local phenomena in each MS Variation, eorðan recension (O'Donnell 2005 § 7.62)‏

C-O-Ca Recension In case of COCa, very little variation that cannot be ascribed to fairly common error: Sub-recension as a whole differs in weoroda (error)‏ Other variants: Errors on part of Nowell (16th C copiest)‏ Corrections on part of scribe of O (who heavily corrects his text of the OE HE as well When these are removed, there is only one variant in entire tradition.

T1-B1-To Recension In case of T1-B1-To some odd readings introduced in the late To but otherwise to be attributed to B1 a scribe who shows similar types of variation in his Old English prose (new slide)‏

B1 Performance

(Bottle of wine to person who gets them all)‏ Editorial issues It is misleading editorially to suggest that text of Cædmon's Hymn was not relatively stable But a presentation that focussed on recensional texts hides important scribal histories Famous editors (Bottle of wine to person who gets them all)‏

Dobbie (1937 vs. 1942) illustrates danger Recensional variation from Dobbie 1937

Dobbie (1937 vs. 1942) illustrates danger Recensional variation from Dobbie 1937

Dobbie (1937 vs. 1942) illustrates danger Recensional variation from Dobbie 1937

Dobbie (1937 vs. 1942) illustrates danger Dialectal text from Dobbie 1942 Recensional variation from Dobbie 1937

Electronic, print, and facsimile views from O'Donnell 20005 Solution Use different formats to emphasis different types of texts Print edition to describe and distinguish among different types of text Electronic edition to give user access to evidence Electronic, print, and facsimile views from O'Donnell 20005

Print edition for 'canonical' editorial texts Ready reference Directs "non-specialist" reader to expert opinion Encapsulates editorial introduction in textual format

Electronic edition for argument Highlights artificial nature of text Presents multiple view points Encourages reader to weigh editorial decisions

Facsimiles for scholarship Provides context for understanding scribal performance

Digital editions can now serve more than one master Often seen as evidence of oral transmission Distribution suggest a non- societal causes quite limited associated with different, local phenomena in each MS