Diana Einmo Rob Holmes Kurt Weber

Slides:



Advertisements
Similar presentations
The Ethics Of Digital Music What Is The Future Of Copyright???
Advertisements

1 Downloadable Music Industry Ryan Herring Jinghua Luo Kevin Mack Shahram Rezaei.
Rob Farraher Ken Pickering Lim Vu
THE AFTERMATH OF P2P NETWORK DOWNLOADS IN THE MUSIC INDUSTRY AND RIAA {THE NEW DIRECTION OF THE INDUSTRY}
New Scenarios for Portable Media Usage David Proctor Hardware Lead Microsoft Portable Media Centers.
(c) Jakob Iversen, 2003 Online Music Industry 311: Fall 2003.
Thad Davis - Damian Forbes - Jessica Salins - Oscar Sandoval.
A Study of the Secure Digital Music Initiative Brandon Sutler Vineet Aggarwal Sachin Kamath University of Virginia CS 551.
Introduction EMI music group was established in 1931 when Gramophone Company merges with Columbia Graph phone to form Electric and Musical Industries.
1 MusicNet Announcement April 2, What MusicNet Is MusicNet is a new company we are launching today. Its goal is to make the dream of digital music.
The Anti-Piracy Campaign: The Drag Behind Their Efforts Jamal Haskin.
MUSIC INDUSTRY Oligopoly – the Big 4 Universal Sony BMG Warner EMI Economies of scale Both vertical & horizontal integration.
Making money from social media. Premium.
Intellectual Property Boston College Law School February 4, 2009 Copyright – Indirect, Digital Issues.
Intellectual Property Boston College Law School February 1, 2008 Copyright – Digital Issues.
Mark Pendolino COM 538 – Digital Media Theories Marketing Music Today: The Effect of New Media on the Marketing and Promotion of Musical Artists.
Intellectual Property Boston College Law School February 1, 2007 Copyright – Digital Issues.
Port 21 (Distribution and Promotion Remix) Brian Geoghagan Winter 2005 COM546 Professor Gill.
: is a web site, usually maintained by an individual with regular entries of commentary, descriptions of events, or other material such as graphics or.
Podcasting 101: Harnessing a New Technology for Course Delivery _______________________ Will Meredith- RRU Library David Black – RRU Applied Communications.
Marketing Music and Theater Chapter 8.3. Today’s Music  The media used for recording and playing back music and the channels of distribution continue.
Digital Music Distribution By: Gregory Javardian, Andrew Kelly, Colin McGrail, Nicholas Mortimer, Daniel Zantzinger.
I Want My MTV The Ethical Implications of Downloading Mp3s.
PERSONAL TECHNOLOGIES MS. BROCK – SCT 11. THE DOWNLOAD GENERATION DIGITAL MUSIC TECHNOLOGY – CHANGE IN HOW MUSIC IS RECORDED, DELIVERED AND PLAYED EXPLOSIVE.
Digital Entertainment on Campus: The Ruckus Approach Michael Bebel CEO, Ruckus Network, Inc.
© Folens 2008 Cultural changes in music Brought about by ICT.
Sara Chopp COMM 108 – Media and Society University of Wisconsin – Parkside HISTORY OF RECORDED MUSIC.
Free Digital Music Mikaylla Brown. Economics of the Music Industry An average user of free, ad- supported streaming services generates revenue of around.
Jolly Phan Cal State University of San Marcos Professor Fang Fang IS News 11/12/2009.
Introducing Digital Rights Management Willms Buhse October 2002, Vilnius.
Digital Media Trends to Watch Changes in Content Consumption Joe Bates Director of Research Consumer Electronics Association 4 th Annual Digital Media.
Group 06-From Lecture 06 Member 02 Presented by: Xu Wei iTunes B2C SUCCESS STORY&CONTROVERSIAL ISSUES.
The Recording Industry Week 4. THE RISE OF RECORDS As late as 1880 or 1890, people growing up in a middle-class U.S. household had no recorded music in.
ztech/articles/10digital.html "Cyberspace Programmers Confront Copyright Laws" What Is the right approach?
Shibboleth and Napster. Napster - History One stop shop for pirated (and free) MP3s. –Unlimited use download Sued by Recording Industry Association of.
AUTOMOTIVE BEAUTY COMMERCIAL TECHNOLOGY CONSUMER TECHNOLOGY ENTERTAINMENT FASHION FOOD & BEVERAGE FOODSERVICE HOME OFFICE SUPPLIES SOFTWARE SPORTS TOYS.
 The iPod is a portable music player developed by Apple Computer. Though it is an Apple product, the iPod can be used with both Macs and PCs.
2000s. Day 72: Music and Copyright Music industry initially regarded the Internet with caution and suspicion, which soon erupted into outright hostility.
Day Podcast content is consumed on the user’s personal computers or portable devices 2. Can be used with RSS feeds to be automatically downloaded.
Problem Based Learning Project Presented by Penny Reagan, Elizabeth Stewart & Stephanie Watkins.
CS 453 E-Commerce Technologies Sweet Spot Case Study 11 September, 2003 Ryan K. Dickey.
EC The transformative character of the IT sector and the eCommerce applications built upon it is deep and provocative. Consider the example of the entertainment.
Media Institutions 2. Media Institutions What are they? How can we ‘analyse’ them?
Should media copyright laws be more strictly enforced? Compose and copyright CD, Produce instrumentals, Film Music Video By: La’Vell Williams.
ROB MARCHESE Podcasting. Contents Overview Educational Use How to Podcast.
Introduction to Podcasting for Nurse Educators March 03, 2008 Nursing 000 Terri L. Calderone, M.Ed., Ed.D.
Globalisation affects: music MOVEMENT OF PEOPLE - Immigration. With the migrants comes their music. Tourists and music sales. Education. - Effects of foreign.
1.What is meant by “convergence”? 2.What is meant by “synergy”? 3.What is meant by “proliferation”? 4.What is meant by “globalisation”? 5.What makes illegal.
Digital Rights Management Zach Milko. Overview Definition Why it exists DRM Today  Fairplay Opponents of DRM  DefectiveByDesign.org Future Conclusion.
Music Download Services 1. Pay per song services Subscription services Streaming services (paid and unpaid with ads) 2.
MUSIC INDUSTRY Oligopoly – the Big 4 Universal Sony BMG Warner EMI Economies of scale Both vertical & horizontal integration.
The Basics Patrick Chadd | IST Academic Enterprise Systems & Educational Technology | UMDNJ-SOM.
Intellectual property rights concern the legal ownership and use of intellectual property such as software, music, movies, data, and information. Intellectual.
MP3s: Legal? Ethical? Rolando Lopez CS 99 Dartmouth College.
Copyright Computer crime and cyber security.
Napster Intellectual Property Rights vs. Music for Free
Online Music Standards
Online Music Industry: Battle for Standards
Introduction to Mass Media
The Music Industry Aim – To understand who controls the music industry. To examine the pros and cons of multi national ownership of the industry.
Alesis Podcasting Kit’s
RealNetworks Strategies and Planning
THE STRUGGLE OF THE MUSIC INDUSTRY
By: Justin, Juan, Jian, and Jazlin
How the music industry has been affected by the internet and digital downloading By Peter Harris.
MusicNet Announcement
Music Downloads By Garen Mirzoian.
© 2016 Global Market Insights, Inc. USA. All Rights Reserved Fuel Cell Market size worth $25.5bn by 2024 Digital Rights Management Market.
RealNetworks Position Paper
Sample Radiohead: Music at Your Own Price
Presentation transcript:

Diana Einmo Rob Holmes Kurt Weber

Streaming v. Download Streaming MP3 Bandwidth Architecture created in 1991 high quality, small file size

MP3 Adoption College students, workers Second most common search word in search engines, behind "sex." Drawbacks: download time (15 minutes @ 28.8k) no copyright-protection

Using MP3s 1. Download a player 2. Find a desired MP3 on the web 3. Open within the player 4. Burn a CD (optional)

Establishing a Standard 15 million MP3 players have been downloaded Free players, producers, content Quality Convenience Other: MSAudio, RealNetworks invests in Xing

Industry Players Madison Park (IBM + big 5) Getmusic.com (Universal + BMG) InterTrust-Reciprical System a2B Music (AT&T + RealNetworks)

Recording Industry Sony, Warner Bros., EMI, BMG Entertainment and Universal Music Group RIAA, Recording Industry Association of America Secure Digital Music Initiative (SDMI) aims for unified standard that is commercially viable

Other Parties Consumer Electronics International Labels Rio, portable devices International European laws fighting Internet piracy Labels Public Enemy releases album online

What’s Next? Subscription-based models “Music should feel free, but not be free." Goodnoise - purchasing downloadable tracks Portable devices