Cassandra VILLAVICENCIO Ms.watson September 23rd, 2016

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Presentation transcript:

Cassandra VILLAVICENCIO Ms.watson September 23rd, 2016 Postmodern artist Cassandra VILLAVICENCIO Ms.watson September 23rd, 2016

Ana Mendieta Cuban-American sculptor, photographer, filmmaker, painter and performance artist. Born November 18, 1948 and died September 8, 1985. Got sent to America with her siblings, by her parents to have a better life. Feminist and used the earth as her canvas/ inspiration . Her husband was Carl Andre. She died in New York with her husband while drunk and after falling out of her apartment building.

Carl Andre Ana Mendieta's husband. He had a important role in her life and artistic career. They met when she was at a gallery through friends and instantly had a vibe. They each had opposite personalities which made their relationship so vibrant and unexpected. Some say Carl pushed Ana out of their apartment window the day she died because they used to argue a lot while drinking.

Body of art Ana Mendieta did a lot of sculpting. She used things like glass, blood, the ground/dirt, flowers, mud and hair. She created many of her pieces to inform her viewers about abuse towards women through sexual assault and physical assault. She was a feminist and had strong opinions about her the female image and having the equal amount of power/fame as men in the art world.

‘My art is grounded in the belief of one universal energy which runs through everything.' -Ana Mendieta

"Siluetas" series 1976 Siluetas meaning silhouettes. This was Ana's series of imprints of her body in the earth. She creates this to represent how we are all connected to the universe in some shape or form. This was one of her most famous pieces, which she created while she was at the University of Iowa.

Other important art work

Descriptions Piece #1 This series was of Ana with blood on her face. This shows the I,age of assault towards women. These are photographs of her. Piece #2 Ana put a beard on her face made from her husbands beard hair. This was used to represent the male image in her eyes. This was created to show the opposite perspective other than just the females. Piece #3 Ana photographed her face pressed against glass pieces. This piece was created to show the emotion of sexual assault. "Being pressed against"

Bibliography Coincidence, the Arbol Del Tule – One of the Oldest and Largest Trees in the World and Symbol of the Tree of Life – Grows Nearby in the Town of Santa Maria Del Tule. "Ana Mendieta Untitled (Silueta Series, Mexico) 1976." 'Untitled (Silueta Series, Mexico)', Ana Mendieta: Summary. N.p., n.d. Web. 22 Sept. 2016. Http://observer.com/author/guelda-voien. "The Remarkable Story of a Rebel Artist, Her Mysterious Death and Cult Resurgence." Observer. N.p., 2015. Web. 22 Sept. 2016. O'Hagan, Sean. "Ana Mendieta: Death of an Artist Foretold in Blood." The Guardian. Guardian News and Media, 2013. Web. 22 Sept. 2016.