Italian Renaissance Art

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Presentation transcript:

Italian Renaissance Art Botticelli La Primavera (1478)

Transition to Renaissance More realistic, lifelike

Techniques

Perspective PIERO DELLA FRANCESCA’s Ideal City, (c. 1470)

Emotions Expulsion of Adam & Eve From Eden, Mosaccio

Anatomy MICHELANGELO’S David

Architecture

Duomo di Firenze Brunelleschi’s Duomo in Florence Built between 1420-1436 Utilized principles of Classical architecture

Basilica of San Lorenzo Reflects a return to Classical columns Also Brunelleschi Commissioned by the Medici

Painting

Masaccio’s Expulsion of Adam & Eve (1425) GET OUT! Masaccio painted much more lifelike figures Also, he included very human expressions Stupid stupid stupid… Waaahhh

Masaccio’s Holy Trinity (1427) Vanishing point, perspective Triangular Architecture details

Botticelli’s Adoration of the Magi (1475) Variety of expressions Medici family as subjects Self Portrait?

Sandro Botticelli’s Venus and Mars (1483) Pagan themes more common Power of love defeats the warrior Most likely commissioned for a wedding

Da Vinci’s The Last Supper (c. 1495) Judas betrayal Composition – 3’s

Michelangelo & Sistine Chapel (1508-1512) Truly suggests a divine aspect of man Glorifies human form

Raphael’s School of Athens (c. 1509) Features Renaissance artists & ancient philosophers Religious symbolism Reconciliation between pagan learning/classics and church?

Sculpture

Lorenzo Ghiberti’s Sculpture

Sculpture Baptistery Doors Competition Panels – Ghiberti and Brunelleschi (1402-3)

Donatello’s David (1446-60) Natural portrayal of youth Contrapposto classical stance

Michelangelo’s David (1501) Glorifies human form Idea of small overcoming large Power of the Florentine Republic as the underdog