Best Lesson: Introduction to Romeo & Juliet

Slides:



Advertisements
Similar presentations
Margo Edgar Kate Story. Workshop Overview Background Educative Purpose of project Explicit teaching of critical and creative literacy through digital.
Advertisements

Yr 12 Advanced English Module C Assessment: Representation & Text – HISTORY & MEMORY.
Engaging with literature through drama PETAA one day conference – 17 June 2013 Bill Spence –
CLOSE READING WITH MNEMONICS, MEDIA AND MEANING WHY CLOSE READING? Thoughtful, Critical Analysis of Text Focus on Patterns Develops Deep, Precise Understanding.
GCSE Crossover Coursework Pre1914 texts: Shakespeare and the Prose Study.
 Assessment Type 1: Text Analysis (35%)  three or four responses  at least one oral (maximum of 5 minutes), or multimodal form of equivalent length.
The Language of Poetry, and the Poetry behind Music Unit Portfolio Presentation Erich Finkle.
JHLA Junior High Literacy Assessment. The school year saw the first administration of the Junior High Literacy Assessment. The assessment was.
Breaking down the questions of essay writing
the draft curriculum Four English courses Essential English Further development of English skills that enable effective participation in the workforce.
Focus Education Assessing Reading: Exceeding Year 6 Expectations Year 6 Exceeding Expectations: Comprehension Explain the structural devices used.
Elementary Balanced Literacy: Read Alouds. Read Aloud minutes Research has found: The single most important activity for building knowledge for.
B EST L ESSON The Truman Show. V IDEO P RESENTATIONS Students were asked to create a twisted trailer for the Truman Show Modeling Watching film trailers.
What must students cover
How to “Get” What You Read --Dr. Suess. Writing comes in many textual forms; this means reading needs to happen in just as many ways. ELA 20 Reading Texts.
Literacy Secretariat Literacy is everyone’s business Introduction to the Australian Curriculum: English Literacy as a general capability.
NSW Curriculum and Learning Innovation Centre Draft Senior Secondary Curriculum ENGLISH May, 2012.
Flexible E-Learning TILE curriculum and content design Robert Luke Adaptive Technology Resource Centre University of Toronto.
Re-Thinking The Graphic Novel. Definition “A graphic novel is a fictional story that is presented in comic-strip format and published as a book.” - Merriam-Webster.
{ Connections and Cultural experiences (What is quality literature?) Kath Lathouras, TARA Anglican School for Girls Parramatta
Wearable text Lesson plan for Year 9 © Commonwealth of Australia, 2010, except where indicated otherwise. You may copy, communicate and modify this material.
Lesson Plan Project by Jill Keeve. Goal/Objective Goal : Students will use a reading excerpt to explore alternate background information on conic sections.
Close Reading. AGENDA Demands of complex text on the reader Close reading tools for comprehending complex text Question and answer opportunities with.
Developing Business Practice –302LON Critical thinking, reading and taking notes Unit: 4 Knowledgecast: 1.
A RESPONSE TO LITERATURE Digital Storytelling. Response to Literature Efferent reading: Nonaesthetic reading where the reader’s attention is focused primarily.
VCE LITERATURE Course Outline UNIT 3 This unit focuses on the ways writers construct their work and how meaning is created for and by the reader.
GCSE English Language 8700 GCSE English Literature 8702 A two year course focused on the development of skills in reading, writing and speaking and listening.
EDCU14019 ENGLISH CURRICULUM AND PEDAGOGY Maureen Robertson Ashley Cox Sylvia Doyle Erica Smith Kassandra Adda.
SAETA Refresher Course 2016 Ideas for Creating Texts for Stage 1 Alex Cape.
EDLA 627: CONTEMPORARY LITERACIES: ISSUES AND PRACTICES Module 1 Topic 1 An Introduction to Literacy in the 21st Century Professor Kristina Love.
Summarise (Sum up) Analyse (Work out) Hypothesise (Put forward)
Guided Reading at Milton Court Presentation for parents Monday 1 st February 2016.
“THE SECRET LIFE OF WALTER MITTY” By James Thurber English I Literature Textbook pp
Multiliteracies in Practice: Multilingual Digital Storytelling. Saleh Ilyas Patel ( Horton Park Primary Bradford) Monday 11 th July, 2016 Crossing Boundaries:
Help your child revise for their GCSE in English Literature
Websites Revision Guides
Use of Literature in Language Teaching
GCSE 2015 English Language.
2015 GCSE Writing TAR: WAG: WWW: EBI: Name: 123 Paper 1, Section B
Common Core Basics Students in grades K-8 are given individual specific standards. While those in 9-10 and are grouped together. The emphasis throughout.
Head of Education British Film Institute
How can they support the development of literacy?
Multiliteracies for the 21st Century Schools Written by Dr
MYP Descriptors – Essay Types & Rubrics
GCSE English Language and Literature Revision 11th October 2017
Learning and Teaching –
The impact of extra-curricular activities on student engagement: In what ways does participation in Symposium affect Higher Prior Attaining students’ engagement.
Year 12 Unit Standard Read Poetic Written Text Closely – 4 Credits
ENGLISH LANGUAGE GCSE All students will study GCSE English Language and GCSE English Literature (four exams 2 for Lit and 2 for Lang). Both subjects are.
GSCE LANGUAGE EDUQAS CRITERIA
Advanced English 6 November 1-2, 2017
Introduction to Poetry
English Language GCSE PAPER 1: Fiction and Imaginative Writing 40% of English Language GCSE In preparation for this exam you will: Study selections from.
Do I Dare? Defining Identity Through Poetry
Year 9 Extended Text Essay
English Language Assessment Objectives
The Gateway Drug to Literacy
YEAR 12 LITERATURE Course Outline 2017.
State of Texas Assessments Of Academic Readiness
Literacy Content Specialist, CDE
Guided Reading at Kemsley
Connections and Cultural experiences (What is quality literature?)
Communicating and Adapting Language task
Lesson 6-7: Understanding the MYP Grading Rubric/Writing a response paragraph using PEEL 9/20/2017.
Introducing English.
The impact of extra-curricular activities on student engagement: In what ways does participation in Symposium affect Higher Prior Attaining students’ engagement.
Paper 1: Tues 6th June GCSE English Language Paper 2: Mon 12th June
National Literacy and Numeracy Learning Progressions: Overview
Presentation transcript:

Best Lesson: Introduction to Romeo & Juliet Playing With Poetry & Script-Writing

Do all songs tell a story? Hook: YouTube clip: One Direction http://www.youtube.com/watch?v=t45i8cjHzko YouTube clip: Adele http://www.youtube.com/watch?v=AbXnLn5-7MA Further discussion: Can we consider songs to be a form of modern day poetry? Why or why not? Lyric activity: Students explain song choice and answer focus questions.

Script-Writing: Students then modified their chosen song lyrics to fit the format of a script: Criteria: Approximately 1.5 pages in length Imaginative Clear transformation/development of the original ideas within the original poem/song Adherence to format Script Format: See PDF

Links to AusVELS: Analyse and evaluate text structures and language features of literary texts and make relevant thematic and intertextual connections with other texts. Compare and evaluate how ‘voice’ as a literary device can be used in a range of different types of texts such as poetry to evoke particular emotional responses. Create sustained texts, including texts that combine specific digital or media content, for imaginative, informative, or persuasive purposes that reflect upon challenging and complex issues Use comprehension strategies to compare and contrast information within and between texts, identifying and analysing embedded perspectives, and evaluating supporting evidence

Theory Into Practice: Multiliteracies: Personal Growth Model: “...all forms of representation, including language, should be regarded as dynamic processes of transformation rather than processes of reproduction.” (Cope & Kalantzis, 2009, p.175). Personal Growth Model: “...emphasise the pupil as a creative and imaginative individual developing, in terms of the teaching and learning of English, primarily through an intensive engagement with...personal creative writing.” (Fleming & Stevens, 2010, p. 15) The Four Resources Model: See next slide.

The Four Resources Model: Code-Breaking: Grammar and spelling. Tone and rhythm. Visual and auditory selections. Text-Participating: What is the song communicating? What does it mean to you? Does it compare to your life? Text-Using: Recognise and implement script structure. Convey new meaning through a different context. Cultural and social functions. Text-Analysing: Removing ‘silences’ through new characters. Who is it? What does it change? Why did you make this selection? Compare differences in values; students’ and the original artist.

References: AusVELS website: http://ausvels.vcaa.vic.edu.au/Level10?layout=1&d=E Cope, B., Kalantzis, M. (2009), ‘Multiliteracies: new literacies, new learning’, Pedagogies: an international journal, Vol 4, pp 164-195. Fleming, M., & Stevens, D. (2010). English Teaching in the Secondary School: Linking Theory and Practice (3rd ed.). New York: Routledge. Ludwig, C., “Making sense of literacy”, Queensland Studies Authority. (2006). New London Group (1996) ‘A pedagogy of multiliteracies: designing social futures’. Harvard Educational Review, 66 (1), pp 60-92.