February 10th 2011 Ms. Dunne Advanced Placement Literature and Composition How do We Explicate a Poem PART VII Source: http://www.unc.edu/depts/wcweb/handouts/poetry-explication.html.

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February 10th 2011 Ms. Dunne Advanced Placement Literature and Composition How do We Explicate a Poem PART VII Source: http://www.unc.edu/depts/wcweb/handouts/poetry-explication.html

Aim: How do we Explicate a Poem? 1979 Poems: “Spring And All” (William Carlos Williams) and “For Jane Meyers” (Louise Gluck) Prompt: Read the two poems carefully. Then write a well-organized essay in which you show how the attitudes towards the coming of spring implied in these two poems differ from each other. Support your statements with specific references to the texts.

Aim: How do we Explicate a poem? Homework: #7A: Read Chapter 22 pages 735-745: Word Choice, Word Order, and Tone Take detailed notes, answer questions after each poem presented. Revised Author Studies Due March 1st 2011

Aim: How do we Explicate a poem? Literary Terms of the day: TROPE The intentional use of a word or expression figuratively, i.e., used in a different sense from its original significance in order to give vividness or emphasis to an idea. Some important types of trope are: antonomasia, irony, metaphor, metonymy and synecdoche. Sidelight: Strictly speaking, a trope is the figurative use of a word or expression, while figure of speech refers to a phrase or sentence used in a figurative sense. The two terms, however, are often confused and used interchangeably.

Aim: How do we Explicate a Poem? SYNECDOCHE (suh-NEK-duh-kee) A figure of speech in which a part of something stands for the whole or the whole for a part, as wheels for automobile or society for high society. Sidelight: Synecdoche is so similar in meaning to metonymy that the latter term is often used for both

Aim: How do we Explicate a Poem? The Patterns: As you analyze the design line by line, look for certain patterns to develop which provide insight into the dramatic situation, the speaker's state of mind, or the poet's use of details. Some of the most common patterns include the following:

Aim: How do we Explicate a Poem? Rhetorical Patterns: Look for statements that follow the same format. Rhyme: Consider the significance of the end words joined by sound; in a poem with no rhymes, consider the importance of the end words.

Aim: How do we Explicate a Poem? Patterns of Sound: Alliteration and assonance create sound effects and often cluster significant words. Visual Patterns: How does the poem look on the page? Rhythm and Meter: Consider how rhythm and meter influence our perception of the speaker and his/her language

Aim: How do we Explicate a Poem? Basic terms for talking about meter Meter (from the Greek metron, meaning measure) refers principally to the recurrence of regular beats in a poetic line. In this way, meter pertains to the structure of the poem as it is written.

Aim: How do we Explicate a Poem? The most common form of meter in English verse since the 14th century is accentual-syllabic meter, in which the basic unit is the foot. A foot is a combination of two or three stressed and/or unstressed syllables. The following are the four most common metrical feet in English poetry:

Aim: How do we Explicate a Poem? IAMBIC (the noun is "iamb"): an unstressed syllable followed by a stressed syllable, a pattern which comes closest to approximating the natural rhythm of speech.

Aim: How do we Explicate a Poem? Note line 23 from Shelley's "Stanzas Written in Dejection, Near Naples":

Aim: How do we Explicate a Poem? TROCHAIC (the noun is "trochee"): a stressed followed by an unstressed syllable.

Aim: How do we Explicate a Poem? Note the first line of Blake's "Introduction" to Songs of Innocence:

Aim: How do we Explicate a Poem? ANAPESTIC (the noun is "anapest"): two unstressed syllables followed by a stressed syllable

Aim: How do we Explicate a Poem? Note the opening to Byron's "The Destruction of Sennacherib":

Aim: How do we Explicate a Poem? DACTYLIC (the noun is "dactyl"): a stressed syllable followed by two unstressed syllables

Aim: How do we Explicate a Poem? Note Thomas Hardy's "The Voice":

Aim: How do we Explicate a Poem? Meter also refers to the number of feet in a line: Monometer Dimeter Trimeter Tetrameter Pentameter Hexameter One Two Three Four Five Six

Aim: How do we Explicate a Poem? Writing An Explication The explication should follow the same format as the preparation: begin with the large issues and basic design of the poem and work through each line to the more specific details and patterns.

Aim: How do we Explicate a Poem? The First Paragraph The first paragraph should present the large issues; it should inform the reader which conflicts are dramatized and should describe the dramatic situation of the speaker. The explication does not require a formal introductory paragraph; the writer should simply start explicating immediately.

Aim: How do we Explicate a Poem? A foolproof way to begin any explication is with the following sentence: "This poem dramatizes the conflict between …"

Aim: How do we Explicate a Poem? Such a beginning ensures that you will introduce the major conflict or theme in the poem and organize your explication accordingly

Aim: How do we Explicate a Poem? Here is an example. A student's explication of Wordsworth's "Composed upon Westminster Bridge" might begin in the following way: This poem dramatizes the conflict between appearance and reality, particularly as this conflict relates to what the speaker seems to say and what he really says. From Westminster Bridge, the speaker looks at London at sunrise, and he explains that all people should be struck by such a beautiful scene. The speaker notes that the city is silent, and he points to several specific objects, naming them only in general terms: "Ships, towers, domes, theatres, and temples" (6). After describing the "glittering" aspect of these objects, he asserts that these city places are just as beautiful in the morning as country places like "valley, rock, or hill" (8,10). Finally, after describing his deep feeling of calmness, the speaker notes how the "houses seem asleep" and that "all that mighty heart is lying still" (13, 14). In this way, the speaker seems to say simply that London looks beautiful in the morning.

Aim: How do we Explicate a Poem? The next paragraphs The next paragraphs should expand the discussion of the conflict by focusing on details of form, rhetoric, syntax, and vocabulary. In these paragraphs, the writer should explain the poem line by line in terms of these details, and he or she should incorporate important elements of rhyme, rhythm, and meter during this discussion.

Aim: How do we Explicate a Poem? The student's explication continues with a topic sentence that directs the discussion of the first five lines: However, the poem begins with several oddities that suggest the speaker is saying more than what he seems to say initially. For example, the poem is an Italian sonnet and follows the abbaabbacdcdcd rhyme scheme. The fact that the poet chooses to write a sonnet about London in an Italian form suggests that what he says may not be actually praising the city. Also, the rhetoric of the first two lines seems awkward compared to a normal speaking voice: "Earth has not anything to show more fair. / Dull would he be of soul who could pass by" (1-2). The odd syntax continues when the poet personifies the city: "This City now doth, like a garment, wear / The beauty of the morning" (4-5). Here, the city wears the morning's beauty, so it is not the city but the morning that is beautiful ...

Aim: How do we Explicate a Poem? The conclusion?? The explication has no formal concluding paragraph; do not simply restate the main points of the introduction! The end of the explication should focus on sound effects or visual patterns as the final element of asserting an explanation

Aim: How do we Explicate a Poem? Or, as does the student here, the writer may choose simply to stop writing when he or she reaches the end of the poem: The poem ends with a vague statement: "And all that mighty heart is lying still!" In this line, the city's heart could be dead, or it could be simply deceiving the one observing the scene. In this way, the poet reinforces the conflict between the appearance of the city in the morning and what such a scene and his words actually reveal.

Aim: How do we Explicate a Poem? Tips to keep in mind 1. Refer to the speaking voice in the poem as “the speaker" or "the poet." For example, do not write, "In this poem, Wordsworth says that London is beautiful in the morning." However, you can write, "In this poem, Wordsworth presents a speaker who…"

Aim: How do we Explicate a Poem? We cannot absolutely identify Wordsworth with the speaker of the poem, so it is more accurate to talk about "the speaker" or "the poet" in an explication.

Aim: How do we Explicate a Poem? 2. Use the present tense when writing the explication. The poem, as a work of literature, continues to exist!

Aim: How do we Explicate a Poem? 3. To avoid unnecessary uses of the verb "to be" in your compositions, the following list suggests some verbs you can use when writing the explication:

Aim: How do we Explicate a Poem? dramatizes presents illustrates characterizes underlines asserts posits enacts connects portrays contrasts juxtaposes suggests implies shows addresses emphasizes stresses accentuates enables

Aim: How do we Explicate a Poem? The Fountain Fountain, fountain, what do you say    Singing at night alone? "It is enough to rise and fall    Here in my basin of stone." But are you content as you seem to be So near the freedom and rush of the sea?    "I have listened all night to its laboring sound,    It heaves and sags, as the moon runs round; Ocean and fountain, shadow and tree, Nothing escapes, nothing is free."