Editing Selecting significant event details and putting them into a specific sequence to tell a story with clarity and impact.

Slides:



Advertisements
Similar presentations
Film Editing. Welles: For my vision of the cinema, editing is not one aspect. It is the only aspect.
Advertisements

E DITING IN F ILM Transitions, Continuity, and Rhythm.
Chapter 4 Narrative Form. Diegetic A term used for any narrative, sound, or visual element not contained in the story world. (Ex: credits, score) Non-
Editing The true storytelling art of film. Coverage Amount of unedited film exposed (footage) by the director Amount of unedited film exposed (footage)
Don’t Lose Me Most movies that you watch take place over the course of a few days, or weeks, or even years.
Chapter 5: Editing. Types of Visual Transitions (between shots) ä Cut ä Most commonly used transition ä Fade ä Signals change of time or place ä Dissolve.
Film Editing Co-ordinating the Shots:. Editing: what’s the idea? The general idea behind editing in narrative film is the coordination of one shot with.
Film Editing The joining together of clips of film into a single filmstrip. The cut is a simple edit but there are many other possible ways to transition.
The Secret Code of Filming Editing V.I. Pudovkin: “The foundation of film art is editing.” Shots in film acquire meaning when they are juxtaposed with.
Video Unit History,Production Process,Cameras &Styles.
Editing. What is editing? Editing is often thought of a as a process of cutting down. It can also be the process of coordinating and connecting one shot.
LO: - Develop understanding of Editing. What is editing? A process of cutting down. Connecting one shot to another. It is the “art of storytelling” and.
Extreme Close-up (XCU) – Used for details, or extremely close shots. Close-up (CU) – From about an inch ABOVE the head to the tops of the shoulders. Used.
Chapter 6 – Cinematography Cinematography Camerawork Lenses & filters Film stock Special visual effects.
Editing You have many ways to put your video together.
Media Journal  What camera shots would you use to create a 5- shot sequence capturing a student walking into this classroom and sitting down at a desk?
Editing Techniques PVC Editor’s Cut - (Assembly edit or rough cut) Director’s Cut – a collaboration between director and editor, when.
Deeper Understandings of Filming. OBJECTIVES Explore the elements of Visual Composition; Examine the Language Elements of moving pictures; Acquire knowledge.
Video Language Media Concepts The Spill Resource Page.
Editing Principles Intro to Video. Editing  3 rd and final stage of production.  Video and audio segments are given structure and meaning.  Chance.
Editing Selecting significant event details and putting them into a specific sequence to tell a story with clarity and impact.
EN/AS3233 AMERICAN FILM: ART & INDUSTRY
Putting it all together Editing. Shot: the basic unit of film (one or more frames in a series on a continuous length of film stock) Editing: the coordination.
Session 8: EDITING. STUDYING EDITING ALLOWS US TO:  Reflect on how the art of film and its technologies reflect cultural and historical context  Understand.
LO: - Develop understanding of Editing. What is editing? A process of cutting down. Connecting one shot to another. It is the “art of storytelling” and.
FILM LANGUAGE Editing.  Sequences the shots into something that makes sense for the audience, in terms of time and space.  Most common editing technique.
Editing. What is editing? Editing is often thought of a as a process of cutting down. It can also be the process of coordinating and connecting one shot.
Why segment a narrative? l The problem of citation: defining large narrative units. l Segmentation helps us understand the basic principles of plot structure.
Classical Hollywood Style Jason Jewell. Presentation Goals To define essential film terms To show how mise-en-scene helps create a relationship between.
Video Editing. Cutting Insert Video transitions Titles.
Introduction to Film Studies Montage. Editing Devices Cheat Cut - in the continuity editing systyem, a cut which presents continuous time from shot to.
Editing Essential Techniques.
The Role Of The Editor To Combine both the technical and Conceptual aspects of editing into one integrated process.
Principles of Editing By James Qualey. History of Editing George Melies: This man invented the Jump Cut, the Fade In and Fade Out, Overlapping Dissolves.
Editing Editing is joining shots of film together to make a meaningful sequence.
Editing. 180 degree rule Shot reverse shot  Shot reverse shot is a where one character is shown looking at another character and then the other character.
T HE G RAMMAR OF F ILM H OW F ILMMAKERS TELL A STORY ON SCREEN A M S. W ICHTERMAN P RODUCTION.
Advanced Editing Techniques. Continuity Editing  Continuity editing --The most common style of editing that ensures continuous time and space as a way.
Editing Selecting significant event details and putting them into a specific sequence to tell a story with clarity and impact.
Editing 1. Selecting significant event details and putting them into a specific sequence to tell a story with clarity and impact.
Extreme Close-up (XCU) – Used for details, or extremely close shots. Close-up (CU) – From about an inch ABOVE the head to the tops of the shoulders. Used.
– Area presented with Camera Shots – The Viewpoint (Point of View) – Camera Angle 3 Important Considerations in Shooting TV Commercials.
Building Scenes with Shots  Establishing Shot – establishes the action to be shown in the scene  Cut In – shows a closer view of only part of the action.
Editing and other types of Video Wizardry Tricking your audience into believing anything!
Bonnie & Clyde (1967) North by Northwest (1959).  Post-production  Considered by filmmakers as the most important step in creating the look or shape.
Editing Taking a good film and making it great. Editing Editing is taking many different cuts and turning them into a finished product Editing also allows.
The true test of a good edit is its TRANSPERENCY.
The continuity system of editing The history of cinema is a history of narrative space, making visual or pictorial space tell a story. Continuity editing’s.
Graphic match: (1.44) Parallel editing: Overlapping editing:
Editing The coordination from one shot to the next. Every place and moment has a specific architecture to it. The way this structure is translated to the.
Jeopardy Shots Composition EditingDeveloping Director Q $100 Q $200 Q $300 Q $400 Q $500 Q $100 Q $200 Q $300 Q $400 Q $500 Final Jeopardy.
The Questions to Lead Film Studies What components comprise film? What components comprise film? How do specific images, movements, and sounds create meaning?
The Grammar of Editing. What is an Edit? ed·it –assembly of 2 or more shots in a linear fashion using cuts, fades, dissolves, and other common transitions.
Editing Selecting significant event details and putting them into a specific sequence to tell a story with clarity and impact.
VOCABULARY POWERPOINT – EDITING TECHNIQUES & CONCEPTS
Basic Cinematography Concepts
Inserts and Cut-a-Ways
Film as Literature Unit – English 12
Week 8 Lecture Editing.
Storyboards What is a story board?
The Building Blocks of Digital Storytelling
Watch the following: Types of Film Cuts Great right?
The Documentary Film Techniques.
This is the starting file for the Test 4 review
Motion Picture Language
Editing Styles The pattern use of transitions, matches, or duration can id a cinematic style.
Year 11 Media Mid Year Exam
EDITING The work of splicing together shots to assemble the finished film.
Understanding Movies Editing.
Editing Techniques.
Presentation transcript:

Editing Selecting significant event details and putting them into a specific sequence to tell a story with clarity and impact.

Linear Editing Copying sections of the source tapes to the edit master tape in the desired sequence.

You must access material consecutively. Linear Editing You must access material consecutively.

In Television production, VTRs are used Linear Editing In Television production, VTRs are used

Cannot access material randomly Linear Editing Cannot access material randomly

NON-LINEAR EDITING File Management

NON-LINEAR EDITING Randomly access files

Done entirely by computer. NON-LINEAR EDITING Done entirely by computer.

Can display various camera shots side by side. NON-LINEAR EDITING Can display various camera shots side by side.

Editing can be used to combine, condense, correct, and build. EDITING FUNCTIONS Editing can be used to combine, condense, correct, and build.

COMBINE Simplest kind of editing Combine various tape segments Generally in chronological order

EXAMPLE Vacation Video

Reduce overall length Concentrate on what you need to show and say. CONDENSE Reduce overall length Concentrate on what you need to show and say.

EXAMPLE News Story

Editing to fix production mistakes Most difficult CORRECT Editing to fix production mistakes Most difficult

Talent mispronounces a word EXAMPLE Talent mispronounces a word

Most satisfying Build a show from many carefully planned shots

EXAMPLE Commercial

CONTINUITY EDITING Creates seamless transitions from one event detail to the next so that the story seems to flow. Dominant style of editing in The U.S.

Spatial Continuity Preserves the location and motion of objects over a series of shots to help viewer establish & maintain where things should be & where they should move.

Establishing Shot Usually a wide shot that shows all of the important elements of a scene. Often referred to as the master shot, it can be cut to during the scene to reestablish spatial relations.

180 degree rule This rule states that the camera should always be placed on one side of an imaginary line that connects the subjects in a scene. Violating this rule can disorient the viewer. Example: a basketball game

Temporal Continuity Concerned with maintaining continuity of an action over time. Can be used to condense or extend time.

Jump Cut Objects or characters seem to jump in time and space. Occurs when two shots are too similar in composition.

Matching Action A series of shots cut together to create the illusion of seamless movement. The character must repeat the same motion for each shot.

Montage Editing Concerned with creating a relationship between seemingly unrelated shots by cutting between them. Juxtaposition: the act or an instance of placing two or more things side by side. Example: Battleship Potemkin

Montage Editing In the United States, montage editing is usually used to condense the passage of time. Example: Rocky training scene.