Tape Composition and Fundamental Concepts of Electronic Music

Slides:



Advertisements
Similar presentations
About Video Media Concepts The Spill Resource Page.
Advertisements

Fundamentals of Audio Production. Chapter 16 1 Fundamentals of Audio Production Chapter Sixteen: Sound for Pictures.
From Sound to Music CSC 161: The Art of Programming Prof. Henry Kautz 11/16/2009.
Chapter 3 Early Electronic Music in the United States Contents Louis and Bebe Barron John Cage and the Project of Music for Magnetic Tape Cage in Milan.
CDMP 118 Class 3. Class Business -Recap last class -Understanding the spec sheet -Intro to new project -Hand back Paragraphs.
Michael Morgan. Basic Info  A guitar is a wooden instrument that has a fretted neck and usually has 6 strings.  Some Guitars have four, seven, eight,
Smart Class Group Process and Technology in Classroom *Teresa Slaughte r Von Rippon *Amanda Shimkin *Sara Cohen *Nayun Ha.
Musical Sound Processing Student Name: 鄭建健
Chapter 2 Introduction to Digital Concepts. Analog Representation Voltage, current, movement.
BPC: Art and Computation – Summer 2007 Digital Media - Audio Glenn Bresnahan
Computers in the Second Language Writing Classroom
Electronic Music Includes a great variety of forms – arguably very little is now unaffected by electronic as recording is every present. A broad spectrum.
Promoting Literacy through Technology and the Performing Arts By: Caroline Barnes, Gianna Limone, and Wei-Ju Chen.
My Music Career Path By: Michael Rhoden. Recording Engineer They record, edit, and mix sound through their choice of microphones, setting levels and sound.
Fundamentals of Audio Production. Chapter 15 1 Fundamentals of Audio Production Chapter Fifteen: Field Recording.
Archana More (9414). What is post production ? Post-production is part of the film & news making process. It occurs in the making of motion pictures,
Imagination and Technique : Process Based Art and Minimalism.
Video Editing Mr.Gorman Media Literacy Harrison Prep
As video art has matured from its earliest, performance-based roots, artists have embraced an idea-driven process that although still possessing strong.
Methods For Web Page Design 6. Methods Why use one? What it covers –Possibly all stages Feasibility Analysis Design Implementation Testing –Maybe just.
Home entertainment. The hardware, software and techniques used for sound MP3 players: play music files stored digitally in MP3 file format are small and.
Rock, Space Age Pop, and Turntablism
Kealy, From craft to art Modes of Collaboration in Record Production Craft Union Mode … [A] by-product of rationalization in the recording industry. Unionization.
Grade 8 Unit 1 – Lesson 1 Grade 8 Unit 1 – Lesson 1.
STAGE 1: Compose chords and a melody 1.2 Select and use a combination of audio and MIDI sound sources for the intended music composition 1.3 Arrange and.
Technology in Music & Art Chapter 13 Summary. Why Integrate Technology into the Arts? -Expand modes of expression -Literacies for an Information Age -Creative.
Chapter 14 Classical and Experimental Music Contents Perspectives on Electronic Music Varèse and the Listener’s Experiment Composing Electronic Music Stockhausen:
AP STUDIO ART COURSE DESCRIPTION. Links to College Board 2D DESIGN HOMEPAGE STUDENT SAMPLES DRAWING HOMEPAGE STUDENT SAMPLES 3D DESIGN HOMEPAGE STUDENT.
Comments on the ‘Proposed content of census questions for international use’ Xingyan Wen Ros Madden Australian Institute of Health and Welfare.
$100 $200 $300 $400 $100 $200 $300 $400 $300 $200 $100 Place value up to 10,000 Place value up to 1,000,000 Comparisons up to 1,000,000 Prime / composite.
ELECTRONIC EDITING Book: “Modern Radio Production” by Hausman, Benoit, Messere, & O’Donnell: Chapter 6 Pertemuan 5 Matakuliah: O Dasar-Dasar Produksi.
Chapter 10 Early Computer Music ( ) Contents Foundations of Computer Music The Role of Computers in Music Computer Composition and Scoring Computer.
Lesson 4: Manipulating Sound. Last lesson we learned how to manipulate/fake images. Sounds can be manipulated or faked, too. READ the Introduction and.
MuMet 140 Computer Music 1. The Business End Instructor: Dr. Keith Kothman Class Website: kkothman.iweb.bsu.edu/mumet140.
IMPACT OF EDITING Mitchell Waters. TIME LINE  Lumiere Brothers were the pioneers of the moving image production.  Georges Melies revolutionized film.
Chapter 2 Early Electronic Music in Europe Contents Before the Tape Recorder Musique Concrète in France Elektronische Musik in Germany Other Early European.
In the Second Half of the Twentieth Century. Total control Radical objectivism — extension of serial technique Integral serialism — precompositional control.
 Sound effects  Our project  Background & techniques  Applications  Methodology  Results  Conclusion.
Technology in Music and Art Instruction Chapter 13 By: Laura Coberly, Terri Gregory, Janai Beck, Rochel Jeffery.
EXAMPLES OF DIGITAL ARCHIVES AND LIBRARIES Advanced Techniques in Processing Images Advanced Techniques in Processing Images Chapter 6. Slide 57.
Purpose Audience participation adds a new dimension to musical performance. Audience members not only enjoy the music making of the performers, but actually.
Chapter 18 continued… Technological developments after WWII? General compositional developments: ► Newer musical systems were developed.  electronic music.
For use with WJEC Performing Arts GCSE Unit 1 and Unit 3 Task 1 Music Technology Technical issues.
Classical Music Modernism. Different from any other music and it didn’t use any of the past music Contributors: visual artists, architects, composers,
FRBR Group 1 entities Melvyn Yabut LIBR Dr. Robert Ellett September 4, 2009.
Reflections on sound Created by Brett Oppegaard for Washington State University's DTC 375 class, fall 2009.
Fundamental Digital Electronics
My research on was partly an attempt to capture the attention society. How does a filmmaker grab an audiences attention?
3 Steps Of Pre Edit Process Reviewing Script Logging Preparing an Edit Script.
Electromagnet Principles
SOUND RECORDING BY: Martin miralles facs SOUND (Sound) waves are made due to vibrating air molecules These waves enter our ears and our brain translates.
Culture and the Individual Intelligence. Psychological Approaches: Intelligence Spearman’s General Intelligence “g” = positively intercorrelated set of.
Summary: Style as a Formal System
Chapter 8 Sound FX Composition. Chapter 8 Sound FX Composition.
Sound and music.
The History of European Art Music
Creating Desktop Video and Animation
Prof .Dr. Hamzah Salman Al-Mamoori
ICT III VIDEO PRODUCTION AND EDITING.
Fundamentals of Law and Government
FACTS and FIGURES LESSON 4- CHAPTER 1.
Brought to you by Mike and Mike Inc.
15.3 Sound, Perception, and Music
Introduction to Acoustics
Chapter 2: Digital Image Fundamentals
Understanding 20th and 21st Century Music Technology
Chapter 2: Digital Image Fundamentals
Prime and Composite Numbers
Database Processing: David M. Kroenke’s Chapter Five:
POST PRODUCTION.
Presentation transcript:

Tape Composition and Fundamental Concepts of Electronic Music Chapter 5 Tape Composition and Fundamental Concepts of Electronic Music Contents Seven Fundamental Traits of Electronic Music Tape Composition Methods and Techniques

Chapter 5 Tape Composition and Fundamental Concepts of Electronic Music Many of the basic aesthetic concepts and artistic choices that were invented by early composers of tape music remain at the core of electronic music still being produced today. Chapter 5

Chapter 5 Tape Composition and Fundamental Concepts of Electronic Music The seven fundamental traits of electronic music are: The sound resources available to electronic music are unlimited. Electronic music can expand the perception of tonality. Electronic music exists in a state of actualization. Electronic music has a special relationship with the temporal nature of music. In electronic music, sound itself becomes the material of composition. Electronic music does not breathe—it is not affected by the limitations of human performance. Electronic music often lacks a point of comparison with the natural world of sounds, providing a largely mental and imaginative experience. Chapter 5

Chapter 5 Tape Composition and Fundamental Concepts of Electronic Music Many modern practices and techniques found in modern electronic music had their origins in the classic tape studio. Classic tape techniques that have successfully transferred to the tapeless digital domain include editing (cutting and pasting of sounds), tape echo, reverberation, sound loops, delay, reversal of sounds, and tape speed manipulation. Chapter 5

Chapter 5

Chapter 5

Chapter 5

Chapter 5