Love Poems about Love Poetry

Slides:



Advertisements
Similar presentations
When words in the middle of a line of poetry rhyme with each other, this is called an internal rhyme. Below is part of a poem by Samuel Taylor Coleridge.
Advertisements

SONNET 130 By: Joe Vicciardo, Christiana Shovlin,
Poetry Analysis Shakespearean Sonnet.
Sonet 130 by William Shakespeare Evan Miller and Jake Weidman.
Rhyme & Meter.
The Sonnet.
1 of x The Language of Assessment of Reading Autumn 2013 Copyright © AQA and its licensors. All rights reserved. Version 3.0 Regional Support Network Meetings.
E.Q.: E.Q.: How can elements of poetry help me better understand a poet’s (Shakespeare’s) meaning? Remember: Think-Tac-Toe is due Friday! Poetry Term Teams.
What is the name of the person above?
Sonnet 130 by William Shakespeare
Sonnet Exploration.
English Support: Period 1 All Write – P Finish Animal Farm IN Worksheets Writing Assignment.
Sonnet 130 by William Shakespeare
Shakespearean Sonnets All That You Needed To Know…and MORE!
Similes You probably know more similes than you think…. Can you complete the following? As white as… As black as… As soft as… As deaf as… As cold as… However.
Sonnet 130 by William Shakespeare
William Shakespeare Sonnet Form Sonnet 130 To be or not to be, that is the question… By: Robby Ray and Robin Miller.
William Shakespeare. Early Life Shakespeare was born on April 23, Born in Stratford-Upon-Avon. Parents names are John Shakespeare and Mary Aden.
OBJECTIVES: - TO DEFINE AND APPLY VOCABULARY NEEDED FOR UNIT 4 English 9 Day 1.
Do Now: View the following clips with the class. Write a journal entry discussing your reaction to the clips. What are they saying about the message that.
“ Beauty is in the eye of the beholder.” Sarah Holliday ED 480W ISL Presentation.
My mistress’ eyes are nothing like the sun; sun CoralCoral is far more red than her lips’ red: Coral If snow be white, why then her breasts are dun; If.

The Shakespearean Sonnet
By Meah and Morgan. My mistress' eyes are nothing like the sun; Coral is far more red than her lips' red; If snow be white, why then her breasts are dun;
Partner Poetry Project Introduction. My mistress’ eyes are nothing like the sun; sun CoralCoral is far more red than her lips’ red: Coral If snow be white,
Poetry Project Introduction. My mistress’ eyes are nothing like the sun; sun CoralCoral is far more red than her lips’ red: Coral If snow be white, why.
Sonnets. Shakespearean (Elizabethan) Sonnet 14 Lines 3 Quatrains (4 lines each) – Usually rhymes abab cdcd efef 1 Couplet (2 rhyming lines) Rhyme is gg.
Sonnet 130 William Shakespeare
 William Shakespeare is known as one of the original Sonneteers. He wrote 154 sonnets!
“Sonnet 130” by William Shakespeare
MY MISTRESS’ EYES My mistress' eyes are nothing like the sun;
SHAKSEOSNPNEEATREANSHAKSEOSNPNEEATREANE. The Sonnet Form and Iambic Pentameter The Shakespearean sonnet always follows the same format. It has 14 lines,
Name: ______________________________________________ Period: __________ Mrs. Britte English 10 Iambic pentameter: a line of poetry that has 10 syllables.
“ He was not of an age but for all time”. Ben Jonson, an English dramatist ( )
A 14 line stanza written in iambic pentameter, that employs the rhyme scheme abab, cdcd, efef,gg, and can be divided into three quatrains and a couplet.
My mistress’ eyes are nothing like the sun; sun CoralCoral is far more red than her lips’ red: Coral If snow be white, why then her breasts are dun; If.
Sonnets. Sonnets show two related but differing things to the reader in order to communicate something about them. Each of the three major types of sonnets.
  MONDAY NOVEMBER 14, 2016 AIM: What is the structure of the sonnet? What are simile, metaphor, rhyme scheme, assonance, and alliteration? How do we analyze.
Shakespeare’s Sonnets
The Sonnet.
POETRY It’s rhyme time!.
Shakespeare vs. Petrarch
With a little help from Shakespeare
Lesson 3: Free Verse Limerick Sonnet
An Introduction to Sonnets
Shakespearean Sonnets
Sonnets.
Can you write a poem? You have ten minutes!!! Ok…let’s hear ‘em!
Sonnet 130 My mistress' eyes are nothing like the sun; Coral is far more red than her lips' red; If snow be white, why then her breasts are dun; If hairs.
Welcome! October 13th, 2017 Friday
SONNETS.
Sonnet 130 My mistress' eyes are nothing like the sun; Coral is far more red than her lips' red; If snow be white, why then her breasts are dun; If hairs.
Do Now: View the following clips with the class.
With a little help from Shakespeare
Notebook Set-up: Sticky Notes
Sonnets 116 and 130 A Review.
What is a Sonnet? Understanding the forms, meter, rhyme, and other aspects of the sonnet.
Valentine´s Day Feb 14, 2014.
Haiku Haiku are poems The pattern is this: With a specific pattern Five syllables, then seven Using syllables Then five once again They can.
What technique is this? What imagery is being used?
Sonnet 130 Shakespeare.
Shakespearean Sonnets
What is a Sonnet? Understanding the forms, meter, rhyme, and other aspects of the sonnet.
Writing Blank Verse 2 things to remember: - iambic pentameter
William Shakespeare
Shakespeare’s Sonnets.
William Shakespeare “ He was not of an age but for all time”.
Poetic Imagery.
The importance of form and structure
Presentation transcript:

Love Poems about Love Poetry Engl1001/UNBSJ/12-1-17/Dr. M. Jones

Today William Shakespeare, Sonnet 130, p493 Scansion Interpretation Eavan Boland,“Against Love Poetry,”p736 bpNichol,“[dear Captain Poetry],” p738

analysis of verse into metrical patterns SCANSION “ analysis of verse into metrical patterns ”

William Shakespeare The Cobbe portrait (1610), The Chandos portrait (early 1600s) and the Droeshout portrait (1622)

My mistress’eyes are nothing like the sun; Coral is far more red, than her lips’ red; If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head; I have seen roses damasked, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound; I grant I never saw a goddess go; My mistress when she walks treads on the ground. And yet, by heaven, I think my love as rare As any she belied with false compare.

My mistress’eyes are nothing like the sun; Coral is far more red, than her lips’ red; If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head; I have seen roses damasked, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound; I grant I never saw a goddess go; My mistress when she walks treads on the ground. And yet, by heaven, I think my love as rare As any she belied with false compare. a b c d e f g

My mistress’ eyes are nothing like the sun; Coral is far more red, than her lips’ red; If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head; I have seen roses damasked, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound; I grant I never saw a goddess go; My mistress when she walks treads on the ground. And yet, by heaven, I think my love as rare As any she belied with false compare. a b c d e f g

My mistress’ eyes are nothing like the sun; Coral is far more red, than her lips’ red;

˘ ′ ˘ ′ ˘ ′ ˘ ′ ˘ ′ ′ ˘ ˘ ′ ˘ ′ ˘ ′ ˘ ′ ˘ ′ ˘ ′ ˘ ′ ˘ ′ ˘ ′ My mist / ress’ eyes / are no / thing like / the sun; ′ ˘ ˘ ′ ˘ ′ ˘ ′ ˘ ′ Coral / is far / more red, / than her / lips’ red;

Eavan Boland b. 1944 in Dublin lived in London, NYC, Killiney Trinity College Dublin Professor at Stanford U prolific author of poems and literary criticism

— Eavan Boland to Alice Quinn, the New Yorker online Against Love Poetry pub. 2001 “ So much of European love poetry is court poetry, coming out of the glamorous traditions of the court…There’s little about the ordinariness of love. — Eavan Boland to Alice Quinn, the New Yorker online ”

We were married in summer, thirty years ago. I have loved you AGAINST LOVE POETRY We were married in summer, thirty years ago. I have loved you deeply from that moment to this. I have loved other things as well. Among them the idea of women's freedom. Why do I put these words side by side? Because I am a woman. Because marriage is not freedom. Therefore, every word here is written against love poetry. Love poetry can do no justice to this. Here, instead, is a remembered story from a faraway history: A great king lost a war and was paraded in chains through the city of his enemy. They taunted him. They brought his wife and children to him—he showed no emotion. They brought his former courtiers—he showed no emotion. They brought his old servant—only then did he break down and weep. I did not find my womanhood in the servitudes of custom. But I saw my humanity look back at me there. It is to mark the contradictions of a daily love that I have written this. Against love poetry.

bpnichol 1944 — 1988 b. Vancouver known best for concrete poetry: “poetry in which the meaning or effect is conveyed partly or wholly by visual means, using patterns of words or letters and other typographical devices.” collaborative work

Captain Poetry originally published in 1970 via mimeograph

'dear Captain Poetry' dear Captain Poetry, your poetry is trite. you cannot write a sonnet tho you've tried to every night since i've known you. we're thru!! Madame X dear Madame X Look how the sun leaps now upon our faces Stomps & boots our eyes into our skulls Drives all thot to weird & foreign places Till the world reels & the kicked mind dulls, Drags our hands up across our eyes Sends all white hurling into black Makes the inner cranium our skies And turns all looks sent forward burning back. And you, my lady, who should be gentler, kind, Have yet the fiery aspect of the sun Sending words to burn into my mind Destroying all my feelings one by one; You who should have tiptoed thru my halls Have slammed my doors & smashed me into wall love Cap Poetry

Look how the sun leaps now upon our faces Stomps & boots our eyes into our skulls Drives all thot to weird & foreign places Till the world reels & the kicked mind dulls, Drags our hands up across our eyes Sends all white hurling into black Makes the inner cranium our skies And turns all looks sent forward burning back. And you, my lady, who should be gentler, kind, Have yet the fiery aspect of the sun Sending words to burn into my mind Destroying all my feelings one by one; You who should have tiptoed thru my halls Have slammed my doors & smashed me into wall

Look how the sun leaps now upon our faces Stomps & boots our eyes into our skulls Drives all thot to weird & foreign places Till the world reels & the kicked mind dulls, Drags our hands up across our eyes Sends all white hurling into black Makes the inner cranium our skies And turns all looks sent forward burning back. And you, my lady, who should be gentler, kind, Have yet the fiery aspect of the sun Sending words to burn into my mind Destroying all my feelings one by one; You who should have tiptoed thru my halls Have slammed my doors & smashed me into wall a b c d e f g

Look how the sun leaps now upon our faces Stomps & boots our eyes into our skulls Drives all thot to weird & foreign places Till the world reels & the kicked mind dulls, Drags our hands up across our eyes Sends all white hurling into black Makes the inner cranium our skies And turns all looks sent forward burning back. And you, my lady, who should be gentler, kind, Have yet the fiery aspect of the sun Sending words to burn into my mind Destroying all my feelings one by one; You who should have tiptoed thru my halls Have slammed my doors & smashed me into wall a b c d e f g

Look how the sun leaps now upon our faces Stomps & boots our eyes into our skulls

˘ ′ ˘ ′ ˘ ′ ˘ ′ ˘ ′ ˘ ′ ˘ ′ ˘ ′ ˘ ′ ˘ ′ ˘ ′ ˘ ′ ˘ ′ ˘ ′ ˘ ′ ˘ Look how / the sun / leaps now / upon / our faces ′ ˘ ′ ˘ ′ ˘ ′ ˘ ′ Stomps & / boots our / eyes in / to our / skulls

'dear Captain Poetry' dear Captain Poetry, your poetry is trite. you cannot write a sonnet tho you've tried to every night since i've known you. we're thru!! Madame X dear Madame X Look how the sun leaps now upon our faces Stomps & boots our eyes into our skulls Drives all thot to weird & foreign places Till the world reels & the kicked mind dulls, Drags our hands up across our eyes Sends all white hurling into black Makes the inner cranium our skies And turns all looks sent forward burning back. And you, my lady, who should be gentler, kind, Have yet the fiery aspect of the sun Sending words to burn into my mind Destroying all my feelings one by one; You who should have tiptoed thru my halls Have slammed my doors & smashed me into wall love Cap Poetry