"Digital Media Primer" Yue-Ling Wong, Copyright (c)2013 by Pearson Education, Inc. All rights reserved.

Slides:



Advertisements
Similar presentations
MULTIMEDIA TUTORIAL-II SHASHI BHUSHAN SOCIS, IGNOU.
Advertisements

Chapter 6 Review.
Digital Media Dr. Jim Rowan ITEC 2110 Video. Works because of persistence of vision Fusion frequency –~ 40 frames.
Video Representation Université Pierre-Mendès France Digital multimedia.
Lecture 7: Video Intro to IT COSC1078 Introduction to Information Technology Lecture 7 Video James Harland
Digital Processing of Analog Television Lior Zimet EE392J Final Project Winter 2002.
Chapter 6 Fundamentals of Digital Video
Digital Video Chapter 6.
SWE 423: Multimedia Systems Chapter 5: Video Technology (1)
Comp :: Fall 2003 Video As A Datatype Ketan Mayer-Patel.
Lecture 7: Audio Intro to IT COSC1078 Introduction to Information Technology Lecture 7 Video James Harland
CSc 461/561 CSc 461/561 Multimedia Systems Part A: 3. Video.
Standards, Devices, and Software Applications B.Sc. (Hons) Multimedia ComputingMedia Technologies Video Capture and Editing.
3 Digital Video Editing By Muhammad Hanafi Husop
Chapter 5 Fundamental Concepts in Video
Understanding Video.  Video Formats  Progressive vs. Interlaced  Video Image Sizes  Frame Rates  Video Outputs  Video as Digital Data  Compression.
School of Computer Science & Information Technology G6DPMM - Lecture 10 Analogue Video.
Digital Media Dr. Jim Rowan ITEC 2110 Video. Works because of persistence of vision Fusion frequency –~ 40 frames.
Video Media Department of Computer Education KMUTNB.
Filming Technology CE Anne Tilling. TV Standards PAL – Television broadcast standard Not compatible with NTSC or SECAM Not compatible with NTSC.
CS Spring 2014 CS 414 – Multimedia Systems Design Lecture 5 – Digital Video Representation Klara Nahrstedt Spring 2014.
Digital Media Dr. Jim Rowan ITEC 2110 Video.
Fundamentals of video.
© 2011 The McGraw-Hill Companies, Inc. All rights reserved Chapter 6: Video.
Video Production for Education & Training Bill Duff, Jr. Copyright 1999 College of Human Resources & Education West Virginia University.
Lecture 7: Video Intro to IT COSC1078 Introduction to Information Technology Lecture 7 Video James Harland
ITBIS351 Multimedia Systems and Hypermedia Yaqoob Al-Slaise
DIGITAL Video. Video Creation Video captures the real world therefore video cannot be created in the same sense that images can be created video must.
Videos Mei-Chen Yeh. Outline Video representation Basic video compression concepts – Motion estimation and compensation Some slides are modified from.
1 CP586 © Peter Lo 2003 Multimedia Communication Video Fundamentals.
But, how does all of this really work? Zettl Chapter 4.
Ch5: TELEVISION.
Digital Video Digital video is basically a sequence of digital images  Processing of digital video has much in common with digital image processing First.
Digital Media Dr. Jim Rowan ITEC 2110 Video.
Objective Understand concepts used to create digital video. Course Weight : 5%
Concepts Used to Create Digital Audio & Video Objectives &
IS502:M ULTIMEDIA D ESIGN FOR I NFORMATION S YSTEM F UNDAMENTAL CONCEPTS IN VIDEO Presenter Name: Mahmood A.Moneim Supervised By: Prof. Hesham A.Hefny.
Digital Video Representation Subject : Audio And Video Systems Name : Makwana Gaurav Er no.: : Class : Electronics & Communication.
TOPIC 6 - VIDEO.
Chapter 5 Fundamental Concepts in Video
Objective % Explain concepts used to create digital video.
Fundamental concepts in video
© 2016 Pearson Education, Inc., Hoboken, NJ. All rights reserved.
© 2016 Pearson Education, Inc., Hoboken, NJ. All rights reserved.
AMCOM Digital Archive Design Review - Week 4.
CSI-447 : Multimedia Systems
Objective % Explain concepts used to create digital video.
Understanding Analogue and Digital Video Lesson 1
EXPLAINING PICTURE FORMATION SYSTEM
"Digital Media Primer" Yue-Ling Wong, Copyright (c)2011 by Pearson Education, Inc. All rights reserved.
Digital Media Dr. Jim Rowan ITEC 2110 Video.
"Digital Media Primer" Yue-Ling Wong, Copyright (c)2013 by Pearson Education, Inc. All rights reserved.
"Digital Media Primer" Yue-Ling Wong, Copyright (c)2013 by Pearson Education, Inc. All rights reserved.
"Digital Media Primer" Yue-Ling Wong, Copyright (c)2013 by Pearson Education, Inc. All rights reserved.
© 2016 Pearson Education, Inc., Hoboken, NJ. All rights reserved.
Digital Media Dr. Jim Rowan ITEC 2110 Video.
Objective % Explain concepts used to create digital video.
"Digital Media Primer" Yue-Ling Wong, Copyright (c)2013 by Pearson Education, Inc. All rights reserved.
"Digital Media Primer" Yue-Ling Wong, Copyright (c)2013 by Pearson Education, Inc. All rights reserved.
Video.
ICT III VIDEO PRODUCTION AND EDITING.
Chapter 6: Video.
Objective % Explain concepts used to create digital video.
Concepts in Video MMA Lecture 08 Prepared by Faraz khan.
Chapter 6 Fundamentals of Digital Video
Digital television systems - (DTS) Lectures
Objective Explain concepts used to create digital video.
"Digital Media Primer" Yue-Ling Wong, Copyright (c)2013 by Pearson Education, Inc. All rights reserved.
"Digital Media Primer" Yue-Ling Wong, Copyright (c)2013 by Pearson Education, Inc. All rights reserved.
Faculty of Science Information Technology Safeen Hasan Assist Lecturer
Presentation transcript:

"Digital Media Primer" Yue-Ling Wong, Copyright (c)2013 by Pearson Education, Inc. All rights reserved.

Chapter 6 Fundamentals of Digital Video Part 1 The Properties of Broadcast Video

In this lecture, you will learn: the basic terminology of broadcast standards that will prepare you to learn digital video terminology and standards

Video motion a sequence of pictures

Video motion a sequence of pictures frames

Frame Rate How fast the pictures are captured How fast the frames are played back is determined by Frames per second (fps)

Broadcast Standards Digital video resolution Color spaces Frame rate Influenced by analog TV broadcast standards

Standards for Analog Color TV NTSC: designated by U.S.'s National Television Systems Committee U.S., Japan, Taiwan, parts of the Carribean, South America PAL: Phase Alternating Line Australia, New Zealand, Western Europe, Asian SECAM: Séquentiel Couleur avec Mémoire France, former Soviet Union, Eastern Europe

Frame Rates of Different Broadcast Standards Video Type Frame Rate (frames per second) NTSC (black-and-white) 30 NTSC (color) 29.97 PAL 25 SECAM Motion-picture film 24

How CRT Monitors and TVs Display Pictures Picture displayed on CRT is made up of horizontal lines NTSC: 525 lines (about 480 lines are picture) PAL and SECAM: 625 lines (about 576 lines are picture) Lines are traced across the screen one line at a time from top to bottom

Ways of Tracing Lines From Top to Bottom Progressive scan: from top to bottom in one pass Interlaced scan: in two passes: even-numbered lines odd-numbered lines

Video Display: Interlaced Scan versus Progressive Scan Also see the interactive tutorial: Video Display: Interlaced Scan versus Progressive Scan An interactive animation that illustrates two-pass scanning in interlaced scan and one-pass scanning in progressive scan.

Field Set of lines in the same pass 2 fields in interlaced scan: even-numbered lines odd-numbered lines Upper field: the field that contains the topmost scan line Lower field: the other field

Undesirable Side Effects of Interlaced Scan The two fields in a frame are captured at a slightly different moment in time Discontinuities will become apparent for fast moving objects in video shot in the interlaced mode Comb-like artifacts

Comb-like Artifacts

Upper Field

Lower Field

Video Recording: Interlaced Mode versus Progressive Mode Also see the interactive tutorial: Video Recording: Interlaced Mode versus Progressive Mode An interactive animation that illustrates how the interlace artifact may be produced in fast-action videos.

Upper Field and Lower Field Also see the interactive tutorial: Upper Field and Lower Field An interactive demo shows the upper field and the lower field of a video frame.

Fast-Action Digital Video Showing the Interlace Artifact Also check out the video: Fast-Action Digital Video Showing the Interlace Artifact The soccer practice video clip from which the example is using here to show the comb-like interlace artifact.

Interlace Artifacts Not visible during normal playback of most videos

Deinterlace To remove the interlace artifact Common method: discard one field fill in the gaps by duplicating or interpolating the other field

Deinterlaced Result

Color Format for Videos Luminance-chrominance color models Luminance: brightness Chrominance: color or hue

Luminance-chrominance Color Model Examples YUV: Y: luminance component U and V: chrominance components used for PAL YIQ: I and Q: chrominance components used for NTSC

Review Questions Note to instructor: Depending on your preference, you may want to go over the review questions at the end of this lecture as an instant review or at the beginning of next lecture to refresh students' memory of this lecture.

Review Question Which of the following is the television broadcast standard for the U.S. and Japan? NTSC PAL SECAM A

Review Question Which of the following is the television broadcast standard for most of the Asian countries? NTSC PAL SECAM B

Review Question In the YUV color model, the Y-component is ___, the U-component is ___, and V-component is ___. luminance; luminance; chrominance luminance; chrominance; luminance luminance; chrominance; chrominance chrominance; chrominance; luminance chrominance; luminance; luminance C

Review Question The frame rate for the NTSC system is ___ fps. 24 25 28.9 29.97 30 D

Review Question The frame rate for the PAL system is ___ fps. 24 25 28.9 29.97 30 B

Review Question The frame rate for the the motion-picture film is ___ fps. 24 25 28.9 29.97 30 A

Review Question The scan mode of a CRT computer monitor is ___. interlaced progressive A

Review Question The scan mode of a CRT television set is ___. interlaced progressive A

Review Question Interlaced scan displays the frame by scanning the lines of a frame ___. in one pass from top to bottom in two passes: even-numbered lines in one pass and odd-numbered lines in the second B

Review Question Progressive scan displays the frame by scanning the lines of a frame ___. in one pass from top to bottom in two passes: even-numbered lines in one pass and odd-numbered lines in the second A

Review Question The comb-like artifact in a digital video, as shown here, occurs in the ___ video. interlaced progressive both A and B A