FIFTEENTH-CENTURY NORTHERN EUROPE [Map 19-01]

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Presentation transcript:

FIFTEENTH-CENTURY NORTHERN EUROPE [Map 19-01]

Robert Campin, MÉRODE ALTARPIECE. (TRIPTYCH OF THE ANNUNCIATION) c Robert Campin, MÉRODE ALTARPIECE *** (TRIPTYCH OF THE ANNUNCIATION) c. 1425-1430s Metropolitan Museum of Art, New York. The Cloisters Collection, 1956 (56.70) [Fig. 19-10] Workshop of the Master of Flémalle MÉRODE ALTARPIECE (TRIPTYCH OF THE ANNUNCIATION) (OPEN) c. 1425-1430s. Oil on wood panel, center 25-1/4" × 24-7/8" (64.1 × 63.2 cm); each wing approx. 25-3/8" × 10-3/4" (64.5 × 27.6 cm). Metropolitan Museum of Art, New York. The Cloisters Collection, 1956 (56.70) [Fig. 19-10]

Detail of the right wing of the Mérode Altarpiece Workshop of the Master of Flémalle A FLEMISH CITY Detail of the right wing of the Mérode Altarpiece (FIG. 19-10). [Fig. 19-11]

Jan van Eyck GIOVANNI ARNOLFINI AND HIS WIFE *** 1434. [Fig. 19-01] Jan van Eyck DOUBLE PORTRAIT OF GIOVANNI ARNOLFINI AND HIS WIFE 1434. Oil on wood panel, 33" × 22-1/2" (83.8 × 57.2 cm). The National Gallery, London. [Fig. 19-01]

Jan van Eyck DETAIL OF MIRROR AND SIGNATURE IN GIOVANNI ARNOLFINI AND HIS WIFE 1434. Oil on wood panel. The National Gallery, London. [Fig. 19-13] Jan van Eyck DETAIL OF MIRROR AND SIGNATURE IN A DOUBLE PORTRAIT OF GIOVANNI ARNOLFINI AND HIS WIFE (FIG. 19-1) 1434. Oil on wood panel. The National Gallery, London. [Fig. 19-13]

Jan van Eyck MAN IN A RED TURBAN 1433 Jan van Eyck MAN IN A RED TURBAN 1433. Oil on wood panel National Gallery, London. [Fig. 19-12] Jan van Eyck MAN IN A RED TURBAN 1433. Oil on wood panel, 13-1/8" × 10-1/4" (33.3 × 25.8 cm). National Gallery, London. [Fig. 19-12]

Jan and Hubert (?) van Eyck GHENT ALTARPIECE (CLOSED), ANNUNCIATION WITH DONORS Completed 1432. Oil on panel, height 11'5" (3.48 m). Cathedral of St. Bavo, Ghent. [Fig. 19-14] Jan and Hubert (?) van Eyck GHENT ALTARPIECE (CLOSED), ANNUNCIATION WITH DONORS Completed 1432. Oil on panel, height 11'5" (3.48 m). Cathedral of St. Bavo, Ghent. [Fig. 19-14]

Jan and Hubert (?) van Eyck GHENT ALTARPIECE (OPEN), ADORATION OF THE MYSTIC LAMB Completed 1432. Oil on panel, 11'5-3/4" × 15'1-1/2" (3.5 × 4.6 m). Cathedral of St. Bavo, Ghent. [Fig. 19-15 A Broader Look] Jan and Hubert (?) van Eyck GHENT ALTARPIECE (OPEN), ADORATION OF THE MYSTIC LAMB Completed 1432. Oil on panel, 11'5-3/4" × 15'1-1/2" (3.5 × 4.6 m). Cathedral of St. Bavo, Ghent. [Fig. 19-15 A Broader Look]

Rogier van der Weyden DEPOSITION From an altarpiece commissioned by the crossbowmen's guild, Louvain, Belgium. Before 1443, possibly c. 1435-1438. Oil on wood panel, 7'2-5/8" × 8'7-1/8" (2.2 × 2.62 m). Museo del Prado, Madrid. [Fig. 19-16] Rogier van der Weyden DEPOSITION From an altarpiece commissioned by the crossbowmen's guild, Louvain, Belgium. Before 1443, possibly c. 1435-1438. Oil on wood panel, 7'2-5/8" × 8'7-1/8" (2.2 × 2.62 m). Museo del Prado, Madrid. [Fig. 19-16]

Rogier van der Weyden ST. LUKE DRAWING THE VIRGIN AND CHILD c Rogier van der Weyden ST. LUKE DRAWING THE VIRGIN AND CHILD c. 1435-1440. Oil and tempera on wood panel, 54-1/4" × 43-5/8" (137.7 × 110.8 cm). Museum of Fine Arts, Boston. [Fig. 19-17] Rogier van der Weyden ST. LUKE DRAWING THE VIRGIN AND CHILD c. 1435-1440. Oil and tempera on wood panel, 54-1/4" × 43-5/8" (137.7 × 110.8 cm). Museum of Fine Arts, Boston. [Fig. 19-17]