Figure Legend: From: The color lexicon of the Somali language

Slides:



Advertisements
Similar presentations
Date of download: 6/24/2016 Copyright © 2016 SPIE. All rights reserved. Correlation between Commission Internationale de l’Eclairage (CIE) L*a*b* coordinates.
Advertisements

Figure Legend: From: Human grasp point selection
Date of download: 9/18/2016 The Association for Research in Vision and Ophthalmology Copyright © All rights reserved. From: What determines the relationship.
Journal of Vision. 2016;16(10):14. doi: / Figure Legend:
From: Statistics for optimal point prediction in natural images
Journal of Vision. 2016;16(10):9. doi: / Figure Legend:
Journal of Vision. 2003;3(5):3. doi: /3.5.3 Figure Legend:
From: Visual illusions based on single-field contrast asynchronies
Journal of Vision. 2004;4(9):3. doi: /4.9.3 Figure Legend:
From: Occlusion-related lateral connections stabilize kinetic depth stimuli through perceptual coupling Journal of Vision. 2009;9(10):20. doi: /
From: What are the units of storage in visual working memory?
Journal of Vision. 2011;11(13):27. doi: / Figure Legend:
From: Breaking object correspondence across saccades impairs object recognition: The role of color and luminance Journal of Vision. 2016;16(11):1. doi: /
From: Event-related potentials reveal an early advantage for luminance contours in the processing of objects Journal of Vision. 2011;11(7):1. doi: /
Figure Legend: From: Fixations on low-resolution images
Journal of Vision. 2015;15(2):4. doi: / Figure Legend:
From: Illumination discrimination in real and simulated scenes
Figure Legend: From: The modern Japanese color lexicon
Journal of Vision. 2011;11(4):15. doi: / Figure Legend:
Figure Legend: From: Key characteristics of specular stereo
From: Illumination assumptions account for individual differences in the perceptual interpretation of a profoundly ambiguous stimulus in the color domain:
Figure Legend: From: Adaptation to blurred and sharpened video
From: Metacontrast masking within and between visual channels: Effects of orientation and spatial frequency contrasts Journal of Vision. 2010;10(6):12.
From: Metacontrast masking within and between visual channels: Effects of orientation and spatial frequency contrasts Journal of Vision. 2010;10(6):12.
From: Hue shifts produced by temporal asymmetries in chromatic signals
Journal of Vision. 2017;17(4):9. doi: / Figure Legend:
Figure Legend: From: An escape from crowding
Journal of Vision. 2012;12(6):33. doi: / Figure Legend:
Journal of Vision. 2008;8(3):33. doi: / Figure Legend:
From: What do we perceive in a glance of a real-world scene?
Figure Legend: From: Color constancy and hue scaling
Journal of Vision. 2004;4(6):4. doi: /4.6.4 Figure Legend:
From: Surface color perception and equivalent illumination models
Figure Legend: From: A short-term memory of multi-stable perception
Figure Legend: From: Gating of remote effects on lightness
Figure Legend: statistical inference
From: Maximum likelihood difference scales represent perceptual magnitudes and predict appearance matches Journal of Vision. 2017;17(4):1. doi: /
From: Perception of light source distance from shading patterns
Journal of Vision. 2015;15(6):4. doi: / Figure Legend:
Figure Legend: From: Dynamics of oculomotor direction discrimination
Journal of Vision. 2017;17(2):1. doi: / Figure Legend:
Journal of Vision. 2010;10(12):1. doi: / Figure Legend:
Journal of Vision. 2009;9(1):19. doi: / Figure Legend:
From: Probing visual consciousness: Rivalry between eyes and images
From: Optimizing wavefront-guided corrections for highly aberrated eyes in the presence of registration uncertainty Journal of Vision. 2013;13(7):8. doi: /
From: Optimizing wavefront-guided corrections for highly aberrated eyes in the presence of registration uncertainty Journal of Vision. 2013;13(7):8. doi: /
Journal of Vision. 2016;16(1):17. doi: / Figure Legend:
From: Rapid visual categorization of natural scene contexts with equalized amplitude spectrum and increasing phase noise Journal of Vision. 2009;9(1):2.
From: Variability of eye movements when viewing dynamic natural scenes
Journal of Vision. 2015;15(10):5. doi: / Figure Legend:
Figure Legend: From: The modern Japanese color lexicon
Journal of Vision. 2016;16(6):12. doi: / Figure Legend:
From: What's color got to do with it
Journal of Vision. 2006;6(10):3. doi: / Figure Legend:
Journal of Vision. 2016;16(15):21. doi: / Figure Legend:
From: Perceived surface color in binocularly viewed scenes with two light sources differing in chromaticity Journal of Vision. 2004;4(9):1. doi: /4.9.1.
From: Rethinking ADA signage standards for low-vision accessibility
Figure Legend: From: Fixations on low-resolution images
Journal of Vision. 2016;16(10):9. doi: / Figure Legend:
Figure Legend: From: The resolution of facial expressions of emotion
Journal of Vision. 2017;17(8):6. doi: / Figure Legend:
Journal of Vision. 2013;13(7):20. doi: / Figure Legend:
Figure Legend: From: Measuring visual clutter
From: Four types of ensemble coding in data visualizations
Figure Legend: From: Spatial structure of contextual modulation
From: Objects predict fixations better than early saliency
Figure Legend: From: Crowding and eccentricity determine reading rate
Journal of Vision. 2006;6(5):2. doi: /6.5.2 Figure Legend:
Figure Legend: From: The color constancy of three-dimensional objects
Journal of Vision. 2015;15(9):20. doi: / Figure Legend:
Presentation transcript:

Figure Legend: From: The color lexicon of the Somali language Journal of Vision. 2016;16(5):14. doi:10.1167/16.5.14 Figure Legend: The WCS color samples and the four motifs. (A) The Munsell color samples shown in the chart used throughout this paper. (B–E) The four motifs of the WCS, shown as concordance maps, for stimuli whose true Munsell hues, chromas, and values of the stimuli (small rectangles) are keyed to the samples in the corresponding positions in panel A. The false colors in panels B through E correspond to the majority color terms, and the lightnesses indicate the fraction of informants, within each motif, who used the majority color terms for the corresponding color samples. Here, gray is false-colored chartreuse and black is false-colored orange. Date of download: 11/7/2017 The Association for Research in Vision and Ophthalmology Copyright © 2017. All rights reserved.