Internal Conflict Defines the Two Sides of Guy Montag

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Internal Conflict Defines the Two Sides of Guy Montag Plot Analysis Internal Conflict Defines the Two Sides of Guy Montag

Conflict, whether internal or external, is central to any good plot Conflict, whether internal or external, is central to any good plot. In Fahrenheit 451, the external war indicated by the fighter jets buzzing overhead parallels Montag’s own internal conflict triggered by Clarisse’s appearance. As you review Part One, notice how contradiction and conflict surround Montag.

In the following quotes, observe how the two sides of Montag begin to emerge.

“…he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black…He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house.”

“Darkness. He was not happy. He was not happy “Darkness. He was not happy. He was not happy. He said the words to himself. He recognized this as the true state of affairs. He wore his happiness like a mask and the girl had run off across the lawn with the mask and there was no way of going to knock on her door and ask for it back.”

Search for two more quotes that illustrate the two sides of Montag Search for two more quotes that illustrate the two sides of Montag. Write them on your paper Include page number. Now choose a descriptive word that defines each side of Montag and explain each. Montag is __________.