Michelangelo DAVID Marble, height 17' (5

Slides:

Advertisements

Similar presentations

Gardner’s Art Through the Ages, 13e

Advertisements

Chapter 24 Baroque, 1600 to 1700 (Italy and Spain)

IDS Brunelleschi, Duomo, 1417–36, Florence.

Renaissance art review. Masaccio Developed the rules for perspective Distributing of Alms and the Death of Ananias.

GB Represent a famous vision describe with frank clarity by Teresa arrow transporting her to a state of ecstatic oneness with God. Charged with.

Baroque Italy Kirby Fitzpatrick Laira Kelley Rachel Masterson Christina Pistilli Sydney Toth.

Done by: Chen Han Si Hongbo Zhang Tianwei

Michelangelo in the Renaissance Prof. Bergstein 2012.

Michelangelo Raphael da Vinci. Michelangelo David c marble This work of art is significant because:

The Renaissance 1300 – 1500, 14th – 16thcentury. Re-Birth, (1) revival of learning based on classical sources (Greece and Rome), (2) Courtly and papal.

Baroque Gianlorenzo Bernini ( ) Šv.Teresa iš Avilos Marble.

Raphael Raphael. Marriage of the Virgin, Oil on panel.

Titian. Madonna with Members of the Pesaro Family (detail)

Baroque Art in Italy and Spain. Italian Baroque.

~Lake Oswego Art Literacy~ Michelangelo 1475 – 1564 Italian Sculptor and Painter Portrait of Michelangelo, unfinished by Jacopino del Conte ca. 1540, oil.

~Lake Oswego Art Literacy~ Caravaggio 1571 – 1610 Italian Baroque Painter Sick Bacchus 1593, oil on canvas, 26” x 20-1/2”, Galleria Borghese, Rome Italy.

Raphael Portrait of Julius II 1512 Tempera on wood, 108,5 x 80 cm Galleria degli Uffizi, Florence Michelangelo Tomb of Pope Julius II, begun 1505, completed.

Michelangelo Italian Artist 1475 – 1564 Renaissance

Early Renaissance Painting Fig. 2.4, Massacio, The Holy Trinity with the Virgin, St. John, Two Donors, 1425, Fresco, S. Maria Novella, Florence A Rebirth.

Baroque Art in Italy and Spain William V. Ganis, PhD.

Renaissance Art. Why Should We Study Renaissance Art?

HWH Unit 3 Chapter 5.2. Baroque Art (late 1500s-late 1600s)  Major characteristics Rich, full-bodied colors ○ Uses light and contrast Full of energy.

ITALY, to High and late renaissance.

EL GRECO (“The Greek,” ), The Burial of Count Orgaz, Santo Tomé, Toledo, Spain, Oil on canvas, approx. 16’ x 12’. Spanish Mannerism, expressionism.

ART HISTORY 2051 Baroque: Italy & Spain. Baroque painting: Italy –Caravaggio ( ) style: “realist” tendency –rejection of Mannerism –interest in.

The Long Shadow of Italy: Painting in Seventeenth Century Europe.

Cinquecento Italian Art William V. Ganis, PhD. Leonardo da Vinci Virgin of the Rocks ca oil on wood 6 ft. 3 in. x 3 ft. 7 in.

Renaissance Art For your test you should be able to identify the artist and the name of the following pieces of art.

Jacopino del Conte, Michelangelo Buonarroti, ca (Oil on wood, 88.3 x 64.1 cm), MMA.

The High Renaissance in Rome: Michelangelo FA 0016 History of Western Art 2.

Renaissance Art. Medieval Art was religious and “flat.” Madonna Enthroned ~1280Giotto, Madonna Enthroned ~1310.

Raphael, Self-Portrait, 1506 Oil on wood, Uffizi Galleria. RAPHAEL Raffaello Sanzio, Raffaello Sanzi, and Raffaello Santi Place of Birth - Urbino, Italy.

Michelangelo ( “ m i c k e l - A N - j e l - o h ” ) Italian Painter & Sculptor.

P i c t u r e s The Creation of the Heavens (detail), , from the ceiling of the Sistine Chapel.

Mannerism Mannerism is a period of European painting, sculpture, architecture and decorative arts lasting from the later years of the Italian High Renaissance.

Chapter 20 Leonardo, Michelangelo, Raphael.   Some gunk turns them into mutants  Splinter gets real big and teaches them karate  Shredder is ugly.

Birth of Venus by Botticelli, oil on canvas, Uffizi Art Gallery, circa

Of Popes, Peasants, Monarchs, and Merchants: Baroque Art 17 th and Early 18 th Centuries in the West.

Of Popes, Peasants, Monarchs, and Merchants:

Baroque Visual Art. Influences Techniques and styles of the Renaissance started to fade as new theories and beliefs started forming –Sun being the center.

High Renaissance Italy, Chapter 22. DaVinci, Madonna of the Rocks, 1483.

Chapter 24 Italy & Spain Baroque The style began around 1600 in Rome, Italy, and spread to most of Europe The Baroque is often thought of as.

Antonio Pollaiuolo Monument of Sixtus IV, Bronze, Basilica di San Pietro, Vatican.

Baroque Art in Italy and Spain. 지안로렌초 베르니니, 성베드로 대성당의 제단 위 Gianlorenzo Bernini baldacchino Saint Peter’s Vatican City, Rome, Italy gilded bronze.

Chapter 19 – The Renaissance Through the Baroque Thinking Ahead: 1. Why does the Renaissance take its name from a word meaning “rebirth”? 2. What distinguishes.

Slide Identification Summative Examination on Baroque Art in Europe and Eighteenth-Century Art in Europe and North America Stokstad chapters 19 and 26.

ART HISTORY 132 Baroque: Italian.

Baroque Art 6. How do you become a professional artist?

CHAPTERS REVIEW. CHAPTER 22 ITALY HIGH AND LATE RENAISSANCE & MANNERISM 1. Last Supper Da Vinci 2. Philosophy (School of Athens) Raphael.

Baroque Art in Italy & Spain

Michelangelo Italian Artist 1475 – 1564 Renaissance

Leonardo da Vinci, Mona Lisa, oil on wood, ca

Cinquecento Italian Art (High Italian Renaissance)

Michelangelo Merisi (Caravaggio)

Leonardo da Vinci VITRUVIAN MAN c Ink, 13-1/2" × 9-5/8" (34

SEVENTEENTH-CENTURY EUROPE [Map 23-01]

Raphael THE SMALL COWPER MADONNA c. 1505

Giotto, Lamentation, , Arena Chapel, Italy

WHO? Cerasi Chapel, Santa Maria del Popolo Pontormo ( )

WHO? chiaroscuro Bronzino ( ) Pope Paul III (pont ) Veronese ( )

WHO? sfumato Leonardo da Vinci ( ) Raphael ( ) Agnelo Doni

WHO? Leonardo da Vinci ( ) Raphael ( ) Agnelo Doni Maddalena Strozzi

Virgin of the Rocks Da Vinci.

High Renaissance Italy,

Chapter 24 Italy & Spain

As a formal style, Baroque is characterized by

Presentation transcript:

Michelangelo DAVID. 1501-1504. Marble, height 17' (5 Michelangelo DAVID *** 1501-1504. Marble, height 17' (5.18 m) without pedestal. Galleria dell'Accademia, Florence. [Fig. 21-10] Michelangelo DAVID 1501-1504. Marble, height 17' (5.18 m) without pedestal. Galleria dell'Accademia, Florence. [Fig. 21-10]

Michelangelo CREATION OF ADAM. , SISTINE CHAPEL CEILING 1511-1512 Michelangelo CREATION OF ADAM ***, SISTINE CHAPEL CEILING 1511-1512. Fresco, 9'2" × 18'8" (2.8 × 5.7 m). [Fig. 21-13] Michelangelo CREATION OF ADAM, SISTINE CHAPEL CEILING 1511-1512. Fresco, 9'2" × 18'8" (2.8 × 5.7 m). [Fig. 21-13]

Michelangelo Temptation and Expulsion ***, SISTINE CHAPEL CEILING

Raphael, The Betrothal of the Virgin,***1504

Raphael, The School of Athens Raphael, The School of Athens *** fresco in the Stanza della Segnatura, Vatican, Rome. c. 1510-1511. 19' × 27' (5.79 × 8.24 m). A CLOSER LOOK: The School of Athens by Raphael, fresco in the Stanza della Segnatura, Vatican, Rome. c. 1510-1511. 19' × 27' (5.79 × 8.24 m).

Caravaggio THE CALLING OF ST. MATTHEW Caravaggio THE CALLING OF ST. MATTHEW **** Contarelli Chapel, church of San Luigi dei Francesi, Rome. 1599-1600. Oil on canvas, 10'7-1/2" × 11'2" (3.24 × 3.4 m). [Fig. 23-11] Caravaggio THE CALLING OF ST. MATTHEW Contarelli Chapel, church of San Luigi dei Francesi, Rome. 1599-1600. Oil on canvas, 10'7-1/2" × 11'2" (3.24 × 3.4 m). [Fig. 23-11]

Caravaggio THE CONVERSION OF ST. PAUL Caravaggio THE CONVERSION OF ST. PAUL *** Cerasi Chapel, Santa Maria del Popolo, Rome. c. 1601. Oil on canvas, 7'6" × 5'8" (2.3 × 1.75 m). [Fig. 23-12] Caravaggio THE CONVERSION OF ST. PAUL Cerasi Chapel, Santa Maria del Popolo, Rome. c. 1601. Oil on canvas, 7'6" × 5'8" (2.3 × 1.75 m). [Fig. 23-12]

Bernini ST. TERESA IN ECSTASY Bernini ST. TERESA IN ECSTASY **** Cornaro Chapel, church of Santa Maria della Vittoria, Rome. 1645-1652. Marble, height of the group 11'6" (3.5 m). [Fig. 23-01] Gianlorenzo Bernini ST. TERESA OF ÁVILA IN ECSTASY Cornaro Chapel, church of Santa Maria della Vittoria, Rome. 1645-1652. Marble, height of the group 11'6" (3.5 m). [Fig. 23-01]

Bernini DAVID. 1623. Marble, height 5'7" Galleria Borghese, Rome. [Fig Gianlorenzo Bernini DAVID 1623. Marble, height 5'7" (1.7 m). Galleria Borghese, Rome. [Fig. 23-04]