The Harlem Renaissance

Slides:



Advertisements
Similar presentations
Myths and Realities World War II. The “Good War”? “The title of this book was suggested by Herbert Mitgang, who experienced World War Two as an army.
Advertisements

Songs of the civil rights movement
Reverend Dr. Martin Luther King, Jr.
African Americans in the Progressive Era. Booker T. Washington & the Tuskegee Institute Born a slave in Virginia Named first director of Tuskegee Institute.
Lift Every Voice and Sing By James Weldon Johnson Lift every voice and sing, Till earth and heaven ring, Ring with the harmonies of Liberty, Let our rejoicing.
Toni Morrison’s The Bluest Eye Lecture 1. ‘The best art is political and you ought to be able to make it unquestionably political and irrevocably beautiful.
The Month of History By: Ricardo Lopez-Fajardo. Brief History of the Month Americans have recognized black history annually since 1926, first as "Negro.
POLITICS OF FULLFILMENT POLITICS OF TRANSFIGURATION (see Gilroy)
Battle Royal Background. Internal & External Conflict Double Consciousness: (W. E. B. Du Bois) “It is a peculiar sensation, this double-consciousness,
Black Twentieth Century Thought HUMANITIES A Faculty of Arts.
Window Cleaning, 1935 “I refuse to compromise and see blacks as anything less than a proud and majestic people.” Aaron Douglas
Booker T. Washington and W.E.B. DuBois: Two Paths to Ending Jim Crow
Martin Luther King Jr. && Madam CJ Walker December 5 th 2007.
A New Century a New Beginning African Americans in the 1900’s.
Leaders of Black America,
Critical Race Theory and African American Critical Lens Mr. Whitener.
James Weldon Johnsons June June by Yvonne Garcia and Rosi Solis.
LIFT EVERY VOICE AND SING. Lift every voice and sing, till earth and heaven ring, ring with the harmonies of liberty;
“The New Negro” (1925) Passing (1929) &
Analyze this Primary Source…
Philosophies of Education Mr. Rush Go Muskies Washington and Dubois Objectives Compare/ contrast Washington and Dubois Compare/ contrast Washington and.
Bellringer Look over the Omaha Platform. Do Now: Compare your answers to the questions from the back of “The Jungle” with the person sitting next to you.
Chapter 13 Section 4 Notes The Harlem Renaissance
O Beautiful for Spacious Skies
Welcome To Sabbath School
Alma Mater Original Version (up until 1960)
Black Twentieth-Century Thought
U.S. History Final Exam Materials
Perception versus Reality:
[ Announcements Here ]. [ Announcements Here ]
HARLEM RENAISSANCE.
Lift Every Voice and Sing
Race Relations & Reform
The Harlem Renaissance
Souls of Black Folk W.E.B Du Bois.
Segregation / Discrimination / Expanding Education
PATRIOTIC SONGS.
Chapter 13 Section 4 Notes The Harlem Renaissance
The Harlem Renaissance
Chapter 13 Section 4 Notes The Harlem Renaissance
Warm-up: Describe at least 3 things that helped create a national mass culture during the 1920s and explain how they accomplished this.
Harlem Renaissance Aim: How did the Harlem Renaissance have an enormous impact on African American society? Reminder: Castle Learning Benchmark 50 M/C.
Vocabulary/Identification
Quarter 3 Unit 1.
Harlem Renaissance
Harlem Renaissance A Community Makes Their Voice Heard.
Warm-up: Describe at least 3 things that helped create a national mass culture during the 1920s and explain how they accomplished this.
Shabazz palaces django jane prove it on me blues mississippi goddam we real cool all the things you could be i have a dream march highlights.
Quote of the Day Lift every voice and sing, Till earth and heaven ring, Ring with the harmonies of Liberty; Let our rejoicing rise High as the list’ning.
Souls of Black Folk W.E.B Du Bois.
The “Roaring” Twenties
African American Voices in the 1920’s
African American Leadership
THE GREAT MIGRATION & THE HARLEM RENAISSANCE
Every word of God is flawless; he is a shield to those who take refuge in him. Proverbs 30:5.
Why such a dramatic tone of “if we must die?”
Analyze this Primary Source…
The Harlem Renaissance
The Harlem Renaissance
Madam C.J. Walker Entrepreneur, Civil Rights Activist, Philanthropist Madam C.J. Walker was one of the first American women to become a self-made.
Topic 14 The 1920s.
African American Identity in the early 20th century
Two Paths: W.E.B. DuBois & Booker T. Washington
The Harlem Renaissance
Chapter 15.3 – African-American Culture
The Harlem Renaissance
The Harlem Renaissance
Booker T. Washington and W.E.B. DuBois
Two Paths: W.E.B. DuBois & Booker T. Washington
Presentation transcript:

The Harlem Renaissance

Ida B Wells Writer/Journalist Fought for Anti-Lynching Laws to pass through literature Had her office and house burned or threatened by white supremacists before she left to Harlem

LYNCHINGS

Harlem Business

Philanthropist and Activist

Madam CJ Walker 1910 “I am a woman who came from the cotton fields from the South. From there I was promoted to the washtub. From there I was promoted to the cook kitchen. From there I promoted myself into the business of manufacturing hair foods and preparations. I have built my own factory from my own ground.”

Level 3 Questions Realize that the standard of beauty is euro-centric. Do you think that hair straighteners and surgery to look more white makes is good/bad?

Marcus Garvey

UNIA – Universal Negro Improvement Association

The Black Star Line

The African Orthodox Church

Level 3 Question If you lived in the 1920s, would you follow Marcus Garvey’s movement? Explain Back to Africa Support only black businesses No interracial mixing We are beautiful! Black Pride!

BOOKER T.WASHINGTON Believed Black Community will win respect through economic success Created the Tuskegee Institute to train A.A. for vocational jobs

Tuskegee Institute

Level 3 Question Booker T. Washington felt that the best way for African Americans to gain respect is to work hard through manual labor and skilled work. What is your plan?

W.E.B. Dubois Believed Black community will gain respect by getting a higher education (college) Believed the Talented 10th should lead the AA group to a respectable level “Souls of Black Folk” – Double Consciousness

After the Egyptian and Indian, the Greek and Roman, the Teuton and Mongolian, the Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world,--a world which yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double-consciousness, this sense of always looking at one's self through the eyes of others, of measuring one's soul by the tape of a world that looks on in amused contempt and pity. One ever feels his twoness,--an American, a Negro; two warring souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder. The history of the American Negro is the history of this strife,--this longing to attain self-conscious manhood, to merge his double self into a better and truer self. ...

Level 3 Question Reflect on the term “double consciousness” – where you are looking at yourself through the eyes of society. Do you catch yourself doing this? Are you acting a certain way because that is how society views you?

Savoy Ballroom

The Cotton Club – Whites Only

CAB CALLOWAY

LENA HORNE

Duke Ellington

Dorothy Dandridge

Billy “Bojangles” Robinson Tap dancer Actor

Ethel Waters

Level 3 Question If you were one of the only persons of your race at your college, what would you do to stay mentally strong and in the game?

Level 3 Question Do you think race-specific colonies in the United States would be a beneficial set up for a racist America? Explain

James Weldon Johnson – writer and activist

Lift every voice and sing, till earth and Heaven ring, Ring with the harmonies of liberty; Let our rejoicing rise, high as the listening skies, Let it resound loud as the rolling sea. Sing a song full of the faith that the dark past has taught us, Sing a song full of the hope that the present has brought us; Facing the rising sun of our new day begun, Let us march on till victory is won. Stony the road we trod, bitter the chastening rod, Felt in the days when hope unborn had died; Yet with a steady beat, have not our weary feet, Come to the place for which our fathers sighed? We have come over a way that with tears has been watered, We have come, treading our path through the blood of the slaughtered; Out from the gloomy past, till now we stand at last Where the white gleam of our bright star is cast. God of our weary years, God of our silent tears, Thou Who hast brought us thus far on the way; Thou Who hast by Thy might, led us into the light, Keep us forever in the path, we pray. Lest our feet stray from the places, our God, where we met Thee. Lest our hearts, drunk with the wine of the world, we forget Thee. Shadowed beneath Thy hand, may we forever stand, True to our God, true to our native land.

Level 3 Question Do you think music made by African Americans today uplifts or degrades the people? What is your opinion of popular artists today and their music?