What is a motif? A motif is a stylized design that sometimes repeats as pattern. It usually has a traditional or symbolic meaning. It can be pictorial.

Slides:



Advertisements
Similar presentations
OTTOMAN ART FORMS. OTTOMAN ARCHITECTURE Ottoman architecture is the architecture of the Ottoman Empire which emerged in Bursa and Edirne in 15th and 16th.
Advertisements

Islamic Achievements Section 4.
Although the process of decorating cloth through the process of batik is found in several regions in Africa or India and even in some South East Asian.
Islamic Civilization – ALI110 Session Four – March 16, 2006 Islamic Art and Architecture.
Patricia Ciricillo Quilts photographed by Greg Schaler
Islamic Art Textiles and Carpets
Islamic Art The spread of influence around the world.
Tughra of Sulaiman the Magnificent (r. 1520–66), 16th century; Ottoman.
Non-Western Art of Africa, Oceana, South America and Asia Visual Art II 2013.
*Created by Kay Wagner, Ph.D., Edina Public Schools, Edina, Minnesota Drawn images may be used freely, fair use laws apply to all other images.
Australian Aboriginal Dot Paintings
The Art and Architecture of Islam. Islam 101 Monotheistic religion-“Surrender” Worshipper of Islam =Muslim Believe in the teachings of Muhammad, God’s.
This Exploration of Tessellations will guide you through the following: Exploring Tessellations Definition of Tessellation Semi-Regular Tessellations.
4.2 Muslim Art, Architecture and Design, Mosques and palaces By Michelle Peck Williams, adapted by Dianne Siasoco 10/23/2012.
Islamic Art. Islam was born in 7 th cent. on the Arabian Peninsula (located in Southwest Asia at the junction of Africa and Asia consisting mainly of.
Art & Architecture of the Middle East and North Africa.
Islamic Architecture Architectural History ACT 322 Doris Kemp.
Islamic Architecture in Worship and Trade. Overview: There are many common features in Islamic architecture all over the world. Most are have a religious.
Patterns Symbols Color
Aboriginal Culture of Australia. What do you think this picture is about?
Islamic Achievements Standard 7.2. Muslim Learning All knowledge is sacred The development of paper and creation of a paper mill in Baghdad The development.
TESSELLATIONS Presentation By Allison Cornish ECA551 Primary Art Education Assignment One. Student No
BY: Die Baby Period 5 World history.  Main Idea- Society & family life changed to reflect the Values of Islam.
Spread of Islam Islamic Culture
Islamic Art. The Islamic World Islamic art includes art created after the 7th century in lands under Islamic rule. This means that any art created in.
Islamic Art & Architecture Islam is not only a religion but a way of life, Islam fostered the development of a distinctive culture with its own unique.
Golden Age of Islam. Topic: Golden Age of Islam Aim: Why is the Islamic Empire known as the “Goldenest”? Agenda: 1.Notes on page 19 2.Map on page 18 3.Reading.
A Quick Glance of Muslim Contributions. Astronomy Astrolabes were commonly used to locate the city of Mecca Wanted to learn more about the universe Realized.
Northern, Central and Middle Eastern Art, Culture and Religion
BY: HAGEN. Batik is both an art and a craft, which is becoming more popular and well known in the West as a wonderfully creative medium. The art of decorating.
Pattern ID. pattern - The repetition of any thing — shapes, lines, or colors. We see patterns all around us! Patterns occur both in the man-made and natural.
SS7G4 The student will describe the diverse cultures of the people who live in Africa. a. Explain the differences between an ethnic group and a religious.
India Innovations and Advancements on Technology
Section 9.2 – The Flowering of Islamic Civilization
IG Source Card 1) The Music of Islam 2) The Middle East Resources 3) Music 4) The Islamic World Volume II 5) Islamic Art 6) Art and Architecture 7) Art.
Muslim Achievement Chapter 10 Section 3.
Fiber Art Please get out notebook paper for Cornell Notes.
The Byzantine Empire - Geography
Art and Islam.
Southwest Asia’s Ethnic Groups
Ethnic Groups Southwest Asia’s Arabs, Persians, & Kurds
Modern Architecture.
Examples from the Abbasid, Umayyad, Ottoman and Mughal Empires
Forbidden City Pyramid
Ethnic Groups Southwest Asia’s Arabs, Persians, & Kurds
Indonesian Batiks.
The Difference Between Persian and Oriental Rugs
Southwest Asia’s Ethnic Groups
NATIONAL COLLEGE “STEFAN VELOVAN”, CRAIOVA
Southwest Asia’s Ethnic Groups
Radial Design & Symmetry
The Muslim World and Africa (730 B.C.-A.D. 1500)
Mandala Patterns The word Mandala (pronunciation mon- dah- lah) means "circle".   Mandalas are geometric patterns starting from a central dot, working.
Ensuring outstanding teaching in art & design
Islamic Achievements.
ISLAM DIVIDES AFTER MOHAMMED’S DEATH:
Art and Islam.
Painting a musical instrument
"God is beautiful and He loves beauty,"
The Byzantine Empire - Geography
GLOBAL CULTURES.
Islamic Achievements.
Symbol Symbol is a person, place, thing, or event that figuratively represents or stands for something else. Often, the thing or idea represented is.
Weaving Cultures and Traditions
Ethnic and Religious Groups
Chapter 5: Shape, Form, Space
Art Appreciation Silk Road “ The Art of Rug Making”
Presentation transcript:

What is a motif? A motif is a stylized design that sometimes repeats as pattern. It usually has a traditional or symbolic meaning. It can be pictorial (meaning you can recognize a concrete image like a dog or a house) or it can be an abstract design. Often a motif appears throughout the many art forms that a culture produces – for example, you can see the same motif repeated in architecture, ceramics, painting, and textiles. Can you guess which culture produced this “key” motif?

Where do you think these motifs originate?

Motifs in Carpet Design As an art form, carpet making incorporates all kinds of stylized designs. Many are symbolic representations, or motifs, of what is important to a culture. Sometimes the original meaning of these motifs is lost to time or becomes disconnected from the artists who use them. To weavers like Iqbal - who were not allowed to be artists, only labourers - the carpets they created contained designs and motifs that probably meant nothing to them. They were just part of the patterns laid out for them to copy.

Making Carpets Today The motifs used in carpets created in the ancient worlds of Persia, Anatolia, Turkestan, the Causcaus and the Orient are still used today in the carpets produced in the modern worlds of Iran, Turkey, India, Pakistan, Central Asia and China. Although he may not have known their traditional meanings, most certainly Iqbal would have been familiar with many of the following motifs:

Boteh The boteh motif is connected with life and eternity. It originated in ancient Persia and India. In Europe it became known as the Paisley or Persian Pickle design.

Boteh In the 1960s the boteh motif became wildly popular as a symbol of youth and rebellion. John Lennon had his Rolls Royce painted with a paisley pattern. Fender Guitars even made a “Pink Paisley” version of one of their guitars.

Gul The gul motif appears as a rectangle, octagon, hexagon or rhomboid shape. Often it contains a cross or 8 pointed star. No one is sure if it has any symbolic meaning.

Chintamani This is the “thunder and lightning” motif. It usually consists of 2 small wavy lines beneath 3 small circles. The chintamani is thought to be connected to the symbolism of pre-Islamic religions. The pattern resembles the spotted skins of animals used by shamans in their sacred rites.

Arabesque The arabesque coils around itself with ends that become more arabesques. This motif can extend in all directions without beginning or end. Some philosophers say it expresses the infinite or the search for the divine.

Arabesque When the arabesque suggests intertwining plant or flower forms, it is sometimes called the Islimi motif since it is found in all kinds of Islamic art, not just carpet-making.

Herati Motif This motif has so many variations that it is sometimes hard to recognize. It probably gets its name from the ancient city of Herat, which is now in Afghanistan. The herati is basically a rosette in the middle of a diamond shape. Surrounding the diamond are narrow, longish leaves. They can look a bit like small fish, so this motif is also known as mahi, which comes from the Persian word for fish. One legend connected with this motif says that at the time of the full moon, the fish rise to admire their reflection in the lake. This interpretation would make the herati a picture motif.

Palmette The palmette motif said to be inspired by the fan-shaped leaves of the palm or lily. Its basic shape is a bit like a pointed tulip viewed from the side.

Rosette The rosette has an oval or roundish shape with various petal shapes radiating from the centre. This motif is said to reflect a philosophy that life is like a rose: beautiful but full of thorns.

Rosette The rosette and palmette motifs are shown together in this carpet.

Mihrab A mihrab is the prayer arch found in the architecture of a mosque. A mosque is a place of worship for Islamic people. In Islamic culture, religious and artistic life merge together. A work of art must be both an object of beauty and a means to help people think about the spiritual meaning in life. Islamic carpet-making reflects this idea.

Prayer Rugs Prayer rugs are important to practicing Muslims who must kneel to pray on clean ground 5 times a day. Prayer rugs feature the mihrab motif. This motif echoes the prayer arch in a mosque, which can be a curving or angular form.

Persian Garden Design The Persian Garden design originated in what is now Iran. There the country is very dry. Keeping a garden watered was the gardener’s biggest concern, so they created rectangular gardens fed by a network of streams. The Persian Garden carpet design reflects this design perfectly. The walls of the garden become the borders of the carpet. The streams are a grid across the field of the carpet - sometimes they even contain small fish. In the squares that lie between the grid are flowers, plants, and trees; sometimes animals, and occasionally a house.

More Cultural Traditions in Carpet Making Many carpets in Central Asia are produced by people that are nomadic. These tribes move from place to place in search of pasture for their animals. Their carpets are woven from the wool or hair of their grazing animals. The colours they use come from dyes they make from plants, animals, and minerals. The size of their carpets is determined by the size of the loom that is convenient for them to pack up and carry. Nomadic people do not plan their lives and, similarly, they do not plan their rugs. The rug simply evolves. Sometimes it is just finished when the wool runs out. Kilims are an example of this kind of carpet. They are very valued for their expression of individuality and unique beauty.

By contrast, carpet weavers living in cities are part of societies that include architects, musicians, writers, and philosophers. Here their designs reflect the complexity of urban life. In cities, carpets are woven on huge looms in factories. From the first knot to the last, everything is planned in advance. Working with pre-dyed combinations of wool, silk and cotton, the weaver knows exactly what the finished carpet will look like before it is even started. These carpets are very valued for their intricate, beautifully planned designs.