Colour Theories & Some Applications

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Colour Theories “The purest and most thoughtful minds are those which love color the most.” — John Ruskin.
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Presentation transcript:

Colour Theories & Some Applications “The purest and most thoughtful minds are those which love color the most.” — John Ruskin

Interpretations of Colour Theory by artists Goethe’s Theory of Colours (1810) Built on wavelength theory of light (after Newton) Methods interesting Conclusion refuted Influential on artists Ex. Turner Colour theory weblink Goethe’s Colour Wheel

Research on Colour Theory & Nomenclature (names) by scientists for aesthetic ‘products’ Michel Eugène Chevreul--Chemist working in Gobelins carpet factory Noticed optical mixing of two adjacent colours De la loi du contrast simultané des couleurs 1839 Influential on artists

Complementary Colours in art & design 19th c. theories of “Simultaneous Contrast” and optical mixing Ex. Eugène Delacroix Women of Algiers

Complementary Colours in art & design optical mixing Ex. Pointillism (neo- expressionism)--Seurat

Colour Theory & Practical Applications in Design Video Clip from The Devil Wears Prada Part of Pantone color swatch set with samples of color trends for designers (fall 2008) www.pantone.com

Types of Colour Theories Subtractive Theory The subtractive, or pigment theory deals with how white light is absorbed and reflected off of coloured surfaces. Additive Theory The Additive, or light theory deals with radiated and filtered light.

Subtractive Theory Black absorbs most light White reflects most light Coloured Pigments absorb light and reflect only the frequency of the pigment colour. All colours other than the pigment colours are absorbed so this is called subtractive colour theory. The primary colours in Subtractive Theory are: Cyan ( C ) Magenta ( M ) Yellow ( Y ) Black ( K ) Subtractive or Pigment Theory is used in printing and painting.

Additive Theory The primary colours add together to make white Black radiates no light White (sun) radiates all light Video is the process of capturing and radiating light, therefore it uses Additive (Light) Theory not Subtractive (Pigment) Theory. The primary colours in Additive Theory are: Red ( R ) Green ( G ) Blue ( B ) The primary colours add together to make white Light Theory is also called Additive Theory. Light Theory is used in Television, theater lighting, computer monitors, and video production.

The Visible Spectrum

The Colour Wheel If the ends of the spectrum are bent around a colour wheel is formed:

The Colour Wheel Colours on the wheel can be described using three parameters: Hue: degrees from 0˚ to 360˚ Saturation: brightness or dullness Value: lightness or darkness (As suggested by Henry Albert Munsell in A Colour Notation, 1905)

The Colour Wheel: Hue Hue or Spectral Colour is represented as an angle. Primary Colours: 0˚ = Red 120˚ = Green 240˚ = Blue Secondary Colours: 60˚ = Yellow 180˚ = Cyan 300˚ = Magenta

The Colour Wheel: Saturation Saturation or Chroma is the intensity of a colour. A highly saturated colour is bright and appears closer to the edge of the wheel. A more unsaturated colour is dull. A colour with no saturation is achromatic or in the grey scale.

The Colour Wheel: Value "the quality by which we distinguish a light colour from a dark one." Albert Henry Munsell A Colour Notation 1905 Value represents the luminescent contrast value between black and white