EE 638: Principles of Digital Color Imaging Systems

Slides:



Advertisements
Similar presentations
In InDesign, you can create a new file by pressing Command/Control-N.
Advertisements

BASIC COURSE IN PRINTING TECHNOLOGY
PRINTMAKING Going dotty for reproduction. Letterpress Printing press invented by Gutenberg in Relief printing – used wooden then metal block of.
How Do We Mix Color? How do determine complimentary color?
Printing processes.
Fundamentals of Digital Imaging
The eyes have three different kinds of color receptors; One kind is most sensitive to short wavelengths, one to middle wavelengths, and one to long wavelengths.
Color Mixing There are two ways to control how much red, green, and blue light reaches the eye: “Additive Mixing” Starting with black, the right amount.
2.01 Understand Digital Raster Graphics
Chapter 9: Color Color mixtures –Additive Mixing –Partitive Mixing –Subtractive Mixing Colored Inks and Paint –Watercolors –CMYK Printing –Halftones.
Commercial Printing Processes TPC November 2001 Barbara Manning.
Color Model AbdelRahman Abu_absah Teacher: Dr. Sana'a Alsayegh.
Color Systems. Subtractive Color The removal of light waves to perceive color: –Local or physical attributes of pigments, dyes, or inks reflect certain.
Screen Ruling, Print Resolution AM, FM and Hybrid Halftoning Sasan Gooran Linköping University LiU-Norrköping.
Co mputer Graphics Researched via: Student Name: Nathalie Gresseau Date:12/O7/1O.
07: Color in Interactive Digital Media
Graphic Communications
Color and Resolution Introduction to Digital Imaging.
CSC361/ Digital Media Burg/Wong
Color Models. Color models,cont’d Different meanings of color: painting wavelength of visible light human eye perception.
Printing Digital Images. Two Ways to Obtain Prints Print them yourself Use a printing service –Local –Online.
Printing methods – what you need to know 1.Colour separation 2.Process colours 3.CMYK 4.Registration marks and the order of application of colours 5.Digital.
Here ’ s Looking at hue, Kid You have probably noticed that the COLOR of an object can appear different under different lighting conditions.
1 of 32 Computer Graphics Color. 2 of 32 Basics Of Color elements of color:
Printing a SPOT COLOUR (5th colour) is added to the print process.
Communication Technology I overview. I will be able to explain the importance of communication in our technological society Essential Question: Explain.
UNITS OF MEASUREMENT 2.01 Understand Digital Raster Graphics.
BITMAPPED IMAGES & VECTOR DRAWN GRAPHICS
Additive & Subtractive Digital Color
ITEC2110, Digital Media Chapter 2 Fundamentals of Digital Imaging
© 2016 Pearson Education, Inc., Hoboken, NJ. All rights reserved.
Half Toning Dithering RGB CMYK Models
Digital & Interactive Media
Color Wheel Design Project
2.01 Understand Digital Raster Graphics
Color Theory.
2.01 Understand Digital Raster Graphics
COLOR space Mohiuddin Ahmad.
Colour theory.
Chapter 6: Color Image Processing
Viewing Graphics.
Viewing Graphics.
Chapter I, Digital Imaging Fundamentals: Lesson V Output
Communication Technology I
Chapter II, Digital Color Theory: Lesson II Creating / Displaying Digital Color
Communication Technology I
Introduction Production for Graphic Designers
Introduction to Computer Graphics with WebGL
COMS 161 Introduction to Computing
Colour Mixing Dr Huw Owens
Color Representation Although we can differentiate a hundred different grey-levels, we can easily differentiate thousands of colors.
Process Colors The World of Color Chapter 9 Non-Designer’s
School of Electrical and
School of Electrical and
Chapter 12 COLOR THEORY.
School of Electrical and
EE 638: Principles of Digital Color Imaging Systems
Ph.D. Course in Digital Halftoning
DIGITAL HALFTONING Sasan Gooran.
Colour Theories.
2.01 Understand Digital Raster Graphics
3.3 Screening Part 3.
Slides taken from Scott Schaefer
2.01 Understand Digital Raster Graphics
2.01 Understand Digital Raster Graphics
Output Chapter 6.
Color Model By : Mustafa Salam.
2.01 Understand Digital Raster Graphics
Sunny Lee / Mtafya & Jackson
Presentation transcript:

EE 638: Principles of Digital Color Imaging Systems Module 32

Recall: Primaries Additive systems (display devices) Ideal block model for primaries Subtractive color model - Reflectance

Consider ideal block subtractive primaries Let Consider ideal block subtractive primaries Assume spatially non-overlapping primaries i.e. at any point on paper have either Cyan, Magenta, Yellow, or no colorant; can write for locally average absorptance: C=B+G M=B+R Y=G+R c, m, y – fractional area coverage of each colorant

Printing technologies Problem: Real colorants have non-ideal overlapping absorptances Are spatially non-overlapping colorant realistic? Printing technologies Traditional analog printing technologies  plate-based technologies (1) letter press (oldest) http://vandercookpress.info/vanderblog/timeline/ The information about the VanderCook press was provided by Steve Brune, HP Inc., Boise, ID (6/26/17)

Where is letterpress today? text https://www.honors.purdue.edu/community/news/news-archive/honors-college-and-cla-launch-print-labratory/index.php

(2) gravure (3) intaglio ink is contained in wells ink is goes here tone is controlled by locally varying density on ink Used for National Geographic (3) intaglio printed under great pressure Used for currency ink is contained in wells ink is goes here plate

(4) offset lithography - ink - water Printing plate Most common high speed/high volume printing technology - ink - water Printing plate Blanket transfer roller improves quality of transfer paper

Traditional halftone printing Rotate screens with respect to each other by 15º Recall M-D equation for one colorant C Typical halftone print (2 color) Cyan Magenta Average reflectance

text From work of Alty Jumabayeva

text From work of Alty Jumabayeva

Let be total fractional area coverage of Cyan Neugebauer primaries Let be total fractional area coverage of Cyan Let be total fractional area coverage of Magenta Unknown and depends on half-toning algorithm known

Want an expression for in terms of In general, this will depend on the color halftoning algorithm. Assume uniform, independent placement of colorant dots Pick an arbitrary point in square and compute probability that each of four different Neugebauer occurs there: { Cyan is printed at & magenta is not printed at }

Assume independent, random placement of colorants Assume independent, random placement of colorants. For example, for a_c the probability that a pixel is covered by cyan only is probability that it is covered by cyan times the probability that it is not covered by magenta. Note that this does not reflect the structure of any particular halftoning algorithm. De Michel coefficient

Assume independent, random placement of colorants Assume independent, random placement of colorants. For example, for a_c the probability that a pixel is covered by cyan only is probability that it is covered by cyan times the probability that it is not covered by magenta. Note that this does not reflect the structure of any particular halftoning algorithm. De Michel coefficient

is spectral reflectance of a solid patch of cyan  Next step: Find CIE XYZ coordinates corresponding to our printed patch with colorant amounts C & M and spectral reflectance Assume illuminant power spectral density is spectral reflectance of a solid patch of cyan 

For example, are the Tristimulus coordinates for solid cyan printed on a particular media and viewed under illuminant I. What do we have? Have model for Note: are measurements of appropriate colorant combinations made when they are printed on a particular media (substrate) (Forward printer model) C, M, Y, K Printer XYZ by extension

What about dot gain? Mechanical dot gain adjust, C, M, Y, K or more directly adjust etc. Optical dot gain apply Yule-Nielsen model: N – empirically determined parameter of the model

Extension to 3-color printing Neugebauer primaries C, M, Y CM, CY, MY CMY, W B G R Kc For four color printing, just extend model straight forwardly by adding a fourth primary Kp process black Why use 4-color system? Kp is cheaper than Kc Minimizes mis-registration impact (important for text) Bigger gamut (specifically darker or graphics colors can be printed. CMYK yields rich black) || || || || primaries secondary tertiary pros

cons No longer have unique 1-to-1 mapping from printer-colorant-in to CIE-XYZ-out More expensive cons

Y M C W Neugebauer model Assume random placement of colorant De Michel coefficient