4K/8K Ultra-High-Resolution

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Presentation transcript:

4K/8K Ultra-High-Resolution 2016, Autumn Visualization with 3D CG 4K/8K Ultra-High-Resolution Imaging System Masaki Hayashi

4K/8K Ultra High-Resolution Imaging System Content of the lecture 4K/8K Ultra High-Resolution Imaging System Basics of video & production 4K video equipment 8K video equipment (go to see 4K real-time CG)

8Kグラフィックワークステーション Basics of video

Resolution family in video 8K (Super Hi-Vision) 7680 X 4320 16 : 9 4K (QFHD) 3840 X 2160 Quad-Full-HD 16 : 9 2K (HDTV) 1920 X 1080 16 : 9 SD 720 X 480 Television: 4K (QFHD): 3840 X 2160, 16:9 Digital cinema: 4K: 4096 X 2160, 17:9(approx.) 256:135

Frame rate Temporal t ■Frame frequency (FPS) 24p 25p 30p 50i 60i 50p ....... standard now i: Interlace p: progressive t Temporal (time) resolution => Frame frequency (Hz) => Frame rate => FPS (Frame per second)

ppi (pixel per inch) 1 inch = 2.54cm Pixel density ppi (pixel per inch) 1 inch = 2.54cm (dpi: dot per inch, is for printer) Retina display (iPad Retina) 9.7 inch, 2048x1536 264 ppi 4K display 60 inch, 3840x2160 73 ppi even a 8K is not enough...

Pixel density 4K iMac (21.5-inch) 5K iMac (27-inch) (218 ppi)

Pixel density iPhone 6S HDTV resolution display Built-in 4K video camera

1.5H (4K) Viewing distance in TV H 3H Standard viewing distance = 3H (HDTV) 1.5H (4K) ~ H 3H (immersive sensation, presence point of view) 60-inch monitor ---> H=75cm ---> 1.5H = 112cm

Television Computer Two industries (Cinema) Old (1950 ~) Mass communication Broadcast Standard is strict Video production is only for professional people Top-down New (1990 ~) Tele communication Personal use Standard is loose Internet Video production is for everybody (YouTube etc.) Bottom-up top top people people

Basics of video production 8Kグラフィックワークステーション Basics of video production

Real-time or Offline Live production Offline Live (online, real-time) Shooting, switching and go      →Final video is real-time video stream. Offline Not live (post-production) Filming and edited      →Final video is a rendered one. News, Sports, Event, TV conference, etc. TV programs (Drama, Variety, Education, Documentary), DVD, Blu-ray, etc.

Video production Filming~ Editing ~ Transmitting Camera Transmitter Video production is : Camera Switcher Transmitter Recorder Non-linear editing Monitor

8Kグラフィックワークステーション 4K Video Equipment

Status of 4K video production 4K production has started but not yet done so much. Hollywood uses 4K already but not all. (Off line editing) Japan started 4K broadcast in 2014 (not successful). 4K broadcast was performed for the World Cup, Brazil. Also, maybe in Brazil, Korea, etc. Test live broadcast of 4K soccer game has been done in Japan in order to confirm the feasibility 4K test has been done in Europe, EBU etc. Medical use is under testing in Japan, also in USA. Video conference system needs ultra-high-resolution.

Camera Switcher Transmitter Recorder Non-linear editing Monitor

4K Camera overview Many available "Still camera" evolved to 4K movie / "Broadcast HD camera" evolved to 4K Most demand is cinema use, however recently a few for broadcast use. Record the RAW signal and transfer to editing system. Smooth data transfer to the non-linear editing, is very important. Live 4K camera is becoming popular now. Max size of real-time monitoring is still HD. (View finder). This causes a "focusing" problem.

4K camera RED 4K Camera RED Digital Cinema Released "RED ONE" in 2007, cheap Hollywood has been using it Enhancement of the still camera Both Still and Movie are OK Recently, released "EPIK", "SCARLET" replacing "RED ONE" 4K movie(4096×2160, 60p), 5K still Compressed RAW data are recorded Real-time monitor is HD (~ 300,000SEK)

4K Camera EOS C500 Digital Cinema 4K Camera CANON 4K/2K output Bayer RAW data is recorded. External debayering 4K movie 4096×2160  QFHD 3840×2160 Real-time monitor is HD Connect to an external debayering recorder for actual use.

4K Camera AH4413 4K Camera Astrodesign Real-time 4K debayering Handy like the HD broadcast camera. Just one cable is enough to operate QFHD 3840×2160 Live 4K output HDTV monitoring

4K Camera FDR-AX1 Consumer 4K Camera SONY For consumer use Cheap (30,000SEK) QFHD 3840×2160, 60p

Camera Switcher Transmitter Recorder Non-linear editing Monitor

Recorder overview Many available Record RAW output to HDD, SSD, various Cards Capability of real-time recording of uncompressed video signal, or exclusive to off-line use Several external recorder for EOS C500 are available

4K Recorder HR-7512-A 4K Record/Play Astrodesign SSD(Solid State Drive) Record/Play full-spec 4K uncompressed video signal. Capable of recording full-spec 8K by using 4 of this Uncompressed 4K(60p), Max 160 minutes

4K Recorder Portable 4K Uncompressed SSD Recorder"HR-7510" Astrodesign For Canon "EOS C500" Capable of recording 4K base-band signal Real-time debayering and real-time direct 4K monitoring High speed data transmission Small and light

Camera Switcher Transmitter Recorder Non-linear editing Monitor

Switcher 4K M/E (Mixer/Effect, Keyer) is available but few. 4K live production is still not handy yet. Decompose one 4K signal into 4 HDTV lines and process them when real-time is required. There's few real-time 4K digital processing system. (eg. "Pablo" by Quantel, color correction)

4K Switcher ATEM Production Studio 4K Blackmagic design Software control or a hardware panel Multi View Monitoring Transitions, Digital Video Effects, Multi Layering, Keyers 6G-SDI Audio Mixer Cheap (20,000SEK)

Camera Switcher Transmitter Recorder Non-linear editing Monitor

Non-linear editing Off line editing on PC is done, then to transfer it via network or to burn DVD. Most of the non-linear editing software can handle 4K resolution. Adobe Premiere Pro, Apple Final Cut Pro, Avid Media Composer, Sony Vegas Pro, etc. Editing procedure is matured because of cinema use (eg. Red one+Premier Pro) Many have DVD and Blu-Ray authoring function

Non-linear editing Premier Pro CS6 Abobe High-performance editing workflow Enhanced Mercury Playback Engine using GPU for real-time preview Digital multi-effects Adobe After Effect integration

Video signal transfer Real-time 4K video signal HD-SDI X4 3G-SDI X2, 6G-SDI X1 DVI X4(X2) HDMI X4, HDMI2 X1 DisplayPort X2, DisplayPort1.2 X1 Transmit Direct connect to encoder. Compressed by H.264 etc. and transmitted. Pro-use BNC connector

Camera Switcher Transmitter Recorder Non-linear editing Monitor

Encoder/Decoder IP-9610 HD/SD Codec Fujitsu 4:2:2、10bit、H.264 compression 1080 60p ×2 (2 HDTV lines) 3G-SDI output Capable of 4K transmission with 2 sets

Camera Switcher Transmitter Recorder Non-linear editing Monitor

Monitor 4K Projector Many available Japan, Korea (Toshiba, Sony, Sharp, Astrodesign, Samsung, LG) SDI for pro-use. HDTV input for consumer, up-converting to 4K with special resolution enhancement function. Mostly large, 84 inch, 60 inch. On the other hand, 30 inch for desktop use. 4096 for cinema, 3840 for broadcast. Support both. 4K Projector Several available DLP 4K Projector for Theater(BARCO、Christie, etc.)  4096x2160 For consumer, 4K LCD projector, JVC, etc. 3840x2160

4K Monitor REGZA 55X3 4K Television Toshiba Large 55 inch QFHD 3840×2160  HDMI X4 Built-in BS/CS digital broadcast receiver Built-in up-converter with resolution enhancement Capable to record full-spec 4K video by attaching breakout box "THD-MBA1"

4K Monitor DM-3410-A 56inch 10bit 4K Monitor Astrodesign Large 56 inch QFHD 3840×2160 10 bits SDI、DVI Professional use

4K Projector DP4K-32B 4K DLP Cinema Projector BARCO社 32 meter screen 4096×2160 Contrast 2000:1 SDI、DVI Theater use

Summary of 4K video production ・Off-line production is established ・Cinema production has been done in Hollywood ・Live production is available but few. ・Up-conversion of 2K to 4K is often used.

8K Video Production

Super Hi-Vision (8K) specifications Resolution: 7680 × 4320 Aspect ratio: 16:9 Viewing distance: 0.75 H (1.5H) Viewing angle: 100° Frame rate: 120 Hz progressive Bit depth: 12-bit Color system: BT.2020 Audio system: 22.2 ch surround sound Sampling rate: 48/96 kHz Bit length: 16/20/24 bit Upper layer: 9 ch Middle layer: 10 ch Lower layer: 3 ch LFE: 2 ch

Super Hi-Vision

Status of 8K video production 8K real-time production is available (if compared to 4K). The reason is NHK promote it. Public viewing of Rio & London Olympic Three live 8K cameras, switched on the site, transfer un-compressed signal to studio in BBC via optical fiber, recorded in BBC and encode in H.265 and transmit to Japan and US. Practical test of 8K broadcast is done in 2016. Event use in NHK Studio Park, real-time 8K production

8K video equipment (Ikegami) (Hitachi) SwitcherSR-8422 Telop SC-8206 Made by Astrodesign if not specified Camera Switcher Transmit CCU VP-8404 Color correction VP-8407 Recorder Recorder HR-7512 Codec (Fujitsu) Monitor Compact projector(JVC) PDP(Panasonic) LCD (Sharp) SHV Non-linear Editing (Sapporo BUG)

Summary of Super Hi-Vision (8K) ・System for both off-line and on-line is developed ・Small amount of production experience ・Current target is Tokyo Olympic ・Needs other application besides video production

Ultra High Resolution 4K/8K Real-time CG

4K Game "Battle Field" Electronic Arts Inc. "Devil May Cry" CAPCOM

4K Game 4K Game has big impact Generally, 4K(2K) game is not so many due to the production cost However, it is still very good when displaying PC game (for HD) in 4K system Developing "Serious game" is also a key

Software Unity (Free version) 4K real-time CG system 60” 4K Monitor Hardware PC QuadCore Windows 7 DisplayPort ×1 GPU card V7900 (AMD) Software Unity (Free version) Mouse

Let's go to CMLab