"From Material to Architecture" (1929),

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Presentation transcript:

"From Material to Architecture" (1929), Laszlo Moholy-Nagy "From Material to Architecture" (1929), ARCH 222 Beyza Şener

Laszlo Moholy-Nagy

MA Founder : Lajos Kassák MA group in Vienna, 1922

Red Collage,1921

ELEMENTARIST ART Raoul Hausmann Hans Arp Ivan Puni

Laszlo Moholy-Nagy and Bauhaus

From Material to Architecture

Kinetic Art Light – Space Modulator

Photograms The Mirror, circa 1928 print from a 1922-23 photogram. 1928 ca Photogram with Eiffel Towe

Paintings Composition Q, 1922-23, collage with watercolor and pen and black ink over graphite on carbon paper 1924 Composition A I

1924 The Benevolent Gentleman Photomontages 1925 Human Mechanics 1924 The Benevolent Gentleman

Photographys 1927 A Study of Bauhaus negative 1928 From the Radio Tower Berlin

Key Ideas Moholy-Nagy believed that humanity could only defeat the fracturing experience of modernity - only feel whole again - if it harnessed the potential of new technologies. Artists should transform into designers, and through specialization and experimentation find the means to answer humanity's needs.

His interest in photography encouraged his belief that artists' understanding of vision had to specialize and modernize. Artists used to be dependent on the tools of perspective drawing, but with the advent of the camera they had to learn to see again. They had to renounce the classical training of previous centuries, which encouraged them to think about the history of art and to reproduce old formulas and experiment with vision, thus stretching human capacity to new tasks.

Moholy-Nagy's interest in qualities of space, time, and light endured throughout his career and transcended the very different media he employed. Whether he was painting or creating "photograms" (photographs made without the use of a camera or negative) or crafting sculptures made of transparent Plexiglass, he was ultimately interested in studying how all these basic elements interact.

“The true artist is the grindstone of the senses; he sharpens eyes, mind, and feeling; he interprets ideas and concepts through his own media.” "The reality of our century is technology: the invention, construction and maintenance of machines. To be a user of machines is to be of the spirit of this century. Machines have replaced the transcendental spiritualism of past eras.’’ Laszlo Moholy-Nagy

Thank you..