Birth of Venus – Botticelli, 1485

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Presentation transcript:

Birth of Venus – Botticelli, 1485

Michelangelo’s Pieta

Raphael’s Madonnas

The School of Athens – Raphael, 1510 -11 Da Vinci Raphael Michelangelo

The School of Athens – Raphael, details Plato: looks to the heavens [or the IDEAL realm]. Aristotle: looks to this earth [the here and now].

Averroes Hypatia Pythagoras

Zoroaster Ptolemy Euclid

David Michelangelo Buonarotti 1504 Marble

What a difference a century makes!

Charateristics of Renaissance Art

1. Realism & Expression Expulsion from the Garden Masaccio 1427 First nudes since classical times.

First use of linear perspective! The Trinity Masaccio 1427 Perspective! Perspective! Perspective! Perspective! Perspective! Perspective! Perspective! First use of linear perspective!

The “Classical Pose” “Venus” 3. Classicism Greco-Roman influence. Secularism. Humanism. Individualism  free standing figures. Symmetry/Balance The “Classical Pose” “Venus”

Perugino’s Delivery of the Keys

4. Geometrical Arrangement of Figures The Dreyfus Madonna with the Pomegranate Leonardo da Vinci 1469 The figure as architecture!

5. Light & Shadowing/Softening Edges Sfumato Chiaroscuro

The Sistine Chapel Michelangelo Buonarroti 1508 - 1512

The Sistine Chapel’s Ceiling Michelangelo Buonarroti 1508 - 1512

The Sistine Chapel Details The Creation of the Heavens

The Sistine Chapel Details Creation of Man

Joe Gallo in the New York Daily News, 2004 A Modern “Adaptation” Joe Gallo in the New York Daily News, 2004

The Sistine Chapel Details The Fall from Grace

The Sistine Chapel Details The Last Judgment

Portrait of the Artist with a Friend, 1518 Raffaello Sanzio (1483-1520) Self-Portrait, 1506 Portrait of the Artist with a Friend, 1518

Baldassare Castiglione by Raphael, 1514-1515 Castiglione represented the humanist “gentleman” as a man of refinement and self-control.

Betrothal of the Virgin Perspective! Betrothal of the Virgin Raphael 1504

Raphael’s Canagiani Madonna, 1507

Raphael’s Madonnas (2) Madonna della Sedia Alba Madonna

Primavera – Botticelli, 1482 Depicted classical gods as almost naked and life-size.