Chapter I, Digital Imaging Fundamentals: Lesson II Capture

Slides:



Advertisements
Similar presentations
BY Kamran Yousaf BY Kamran Yousaf Display Technologies Color Graphics Adapter (CGA), 1981 four colors 320 * 200 pixels Enhanced Graphics Adapter (EGA)
Advertisements

HOW A SILICON CHIP CAPTURES AN IMAGE
Digital Images A basic image capture system – review The fundamental properties of the digital photographic image. Monochrome Images Color Images Sampling.
Lesson 1: The Art and Physics of Photography Digital Photography MITSAA IAP 2003 Rob Zehner.
DIGITAL IMAGE PROCESSING CMSC 150: Lecture 14. Conventional Cameras  Entirely chemical and mechanical processes  Film: records a chemical record of.
06/02/2008CCDs1 Charge Coupled Device M.Umar Javed M.Umar Javed.
Media: Digital Image. Representing Digital Images ● Pixel ● Resolution ● Aspect ratio.
Digital Images The nature and acquisition of a digital image.
1/22/04© University of Wisconsin, CS559 Spring 2004 Last Time Course introduction Image basics.
Digital Photography DeCal EECS98/198 Nathan Yan About this course -Technology of Camera Systems -Photographic Technique -Digital Lightroom About Me ^-doesn’t.
Digital Image Characteristic
Detecting Electrons: CCD vs Film Practical CryoEM Course July 26, 2005 Christopher Booth.
The Digital Image.
Digital Images Chapter 8 Exploring the Digital Domain.
SCCS 4761 Introduction What is Image Processing? Fundamental of Image Processing.
Digital Imaging Systems –I/O. Workflow of digital imaging Two Competing imaging format for motion pictures Film vs Digital Video( TV) Presentation of.
4/14: Scanners Roll Call Response to request Lecture: scanners –general –flatbed –sheet-fed –hand-held –OCR Image courtesy of Microtek
How A Camera Works Image Sensor Shutter Mirror Lens.
Comparing Regular Film to Digital Photography
Bit-Mapped Graphic Data: Input (Capture) Hardware Multimedia – Section 2.
© 1999 Rochester Institute of Technology Introduction to Digital Imaging.
DIGITAL Video. Video Creation Video captures the real world therefore video cannot be created in the same sense that images can be created video must.
Digital Image Fundamentals. What Makes a good image? Cameras (resolution, focus, aperture), Distance from object (field of view), Illumination (intensity.
Seeram Chapter #3: Digital Imaging
Digital Cameras And Digital Information. How a Camera works Light passes through the lens Shutter opens for an instant Film is exposed to light Film is.
Digital Cameras, Digital Video and Scanners Vince DiNoto
1 COMS 161 Introduction to Computing Title: Digital Images Date: November 12, 2004 Lecture Number: 32.
Intelligent Vision Systems Image Geometry and Acquisition ENT 496 Ms. HEMA C.R. Lecture 2.
10/26/20151 Observational Astrophysics I Astronomical detectors Kitchin pp
Lecture 3 The Digital Image – Part I - Single Channel Data 12 September
DIGITAL IMAGE PROCESING NASA LUNAR AND PLANETARY EXPLORATION.
The Physics of Photography
How digital cameras work The Exposure The big difference between traditional film cameras and digital cameras is how they capture the image. Instead of.
Digital imaging By : Alanoud Al Saleh. History: It started in 1960 by the National Aeronautics and Space Administration (NASA). The technology of digital.
Sounds of Old Technology IB Assessment Statements Topic 14.2., Data Capture and Digital Imaging Using Charge-Coupled Devices (CCDs) Define capacitance.
Digital Imaging Fundamentals Ms. Hema C.R. School of Mechatronic Engineering.
Digital imaging By : Alanoud Al Saleh. History: It started in 1960 by the National Aeronautics and Space Administration (NASA). The technology of digital.
Digital Imaging. Introduction Digital Imaging is used every day in life. Has become less expensive and easier to use than film.
Intelligent Vision Systems Image Geometry and Acquisition ENT 496 Ms. HEMA C.R. Lecture 2.
Fundamentals of Digital Images & Photography. Pixels & Colors The pixel (a word invented from "picture element") is the basic unit of programmable color.
HOW SCANNERS WORK A scanner is a device that uses a light source to electronically convert an image into binary data (0s and 1s). This binary data can.
Graphics II Image Processing I. Acknowledgement Most of this lecture note has been taken from the lecture note on Multimedia Technology course of University.
Scanner Scanner Introduction: Scanner is an input device. It reads the graphical images or line art or text from the source and converts.
An Introduction to Digital Image Processing Dr.Amnach Khawne Department of Computer Engineering, KMITL.
ITEC2110, Digital Media Chapter 3 Digital Image Processing 1 GGC -- ITEC Digital Media.
Digital Cameras in the Classroom Day One Basics Ann Howden UEN Professional Development
Scanner.
Digital Image Fundamentals
Electronics Lecture 5 By Dr. Mona Elneklawi.
EET 2259 Unit 12 Data Acquisition
Unit 1 The History of Photography & The Camera
Aerial Images.
"Digital Media Primer" Yue-Ling Wong, Copyright (c)2013 by Pearson Education, Inc. All rights reserved.
S-D analog to digital conversion
Chapter I, Digital Imaging Fundamentals: Lesson V Output
Digital 2D Image Basic Masaki Hayashi
EECS 373 Design of Microprocessor-Based Systems
Charge Coupled Device Advantages
I/O Organization and Peripherals
Chapter I Digital Imaging Fundamentals
I/O Organization and Peripherals
Scanners.
CIS 601 Image Fundamentals
Engineering Math Physics (EMP)
EEE 501 Applied Digital Image Processing Dr. Türker İnce
Lecture 2 Photographs and digital mages
© 2010 Cengage Learning Engineering. All Rights Reserved.
Chapter 4 : Input & Output devices Visit for more Learning Resources.
"Digital Media Primer" Yue-Ling Wong, Copyright (c)2013 by Pearson Education, Inc. All rights reserved.
Presentation transcript:

Chapter I, Digital Imaging Fundamentals: Lesson II Capture http://www.kodak.com/country/US/en/digital/dlc/book3/chapter1/digFundCapture1.shtml

A basic image capture system contains a lens and a detector A basic image capture system contains a lens and a detector. Film detects far more visual information than is possible with a digital system.

With digital photography, the detector is a solid state image sensor called a charge coupled device...CCD for short.

On an area array CCD, a matrix of hundreds of thousands of microscopic photocells creates pixels by sensing the light intensity of small portions of the film image.

To capture images in color, red, green and blue filters are placed over the photocells.

Film scanners often use three linear array image sensors covered with red, green and blue filters.

Each linear image sensor, containing thousands of photocells, is moved across the film to capture the image one-line-at-a-time.

Other types of scanners are drum scanners, flatbed scanners and document scanners.

Drum-scanners are high-end scanners used by the printing industry Drum-scanners are high-end scanners used by the printing industry. They use photomultiplier tubes as detectors - a technology different from the image sensors we will be considering.

Flat bed scanners used for capture of drawings and documents, and high speed document scanners use CCD detectors much like film scanners.

As we learned in Module 1, the quality of a scanned image is determined by pixel size, or spatial resolution; and by pixel depth, or brightness resolution.                              This relates to the two basic steps in the digital capture process: In step one, sampling determines pixel size and brightness value. In step two, quantization determines pixel depth. When a scanner samples the photographic image, it divides the image into pixels. The size of pixels depends upon the number of photocells.

                             This is an example of a CCD with few photocells, samples at low resolution. At extremely low resolution, pixels can be seen with the unaided eye. This is called pixelization.

This is an example of a CCD with more photocells, it samples at higher spatial resolution. In this kind of image individual pixels can no longer be seen.

In a scanner using a matrix of photocells, vertical and horizontal resolution are sampled at the same time.

In a scanner using a linear array, vertical resolution is determined by the size of the photocell. Horizontal resolution is determined by the rate at which the CCD moves across the image. For example, a film scanner can use linear CCDs to sample 2048 photocell sites, as it moves along 3072 lines.

The process by which the CCD converts film images into electronic images is called photoelectric conversion.                             

This brings us to the second step in digital capture, quantization. In a scanner using a matrix of photocells, vertical and horizontal resolution are sampled at the same time.

The more bits the analog-to-digital converter can process, the more digital values it can represent. An 8-bit converter represents 256 brightness levels. A 12-bit converter represents over 4000 brightness levels. The ADC compares the analog input signal to a reference voltage. A lookup table in permanent memory then maps this input value to a digital output.

In a color image, each pixel is assigned three 8-bit numbers for the red, green and blue brightness values. For example, this pixel is created by assigning a red brightness level of 227, a green level of 166, and a blue level of 97.

In addition to spatial and brightness resolution, other factors influencing the quality of a scanned image are dynamic range, noise and artifacts. Dynamic range indicates how well the scanner can differentiate between light levels. Film excels at distinguishing small changes in light level, while digital capture systems have limited brightness range. To accurately render highlights and shadows, scanner exposure must be controlled precisely. With low dynamic range, shadows lose detail and saturated areas are washed out.

Noise is another factor Noise is another factor. The information captured by a sensor contains both image data and noise. Noise appears as small, random variations in brightness or color.

Sensor sites with low signal-to-noise ratio, introduce noise. Sensor sites with high signal-to-noise ratio represent the image accurately.

Artifacts, another factor in digital image capture, are distortions, such as the moiré pattern that occurs when an image is undersampled.

The sampling rate should be based on the spatial frequency of the image. Spatial frequency is the rate at which the brightness of the image changes. For example, the teeth in this photo show slow changes in brightness levels, or a low spatial frequency. The hair shows rapid changes in brightness levels, or a high spatial frequency.

To eliminate moiré in this photo, the sampling rate should be twice as high as the spatial frequency of the hair. In other words, pixels should be small enough so that each detail is represented on two pixels.

Lesson Review Let's review what we've just learned. Select 1 or 2 on the image to indicate which image capture process determines pixel size, or spatial resolution.

Lesson Review 2 Let's review what we've just learned. Select 1, 2, or 3 on the image indicate which type of image quality problem this represents.