Jas Sadhra & Ellie de Wild

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Presentation transcript:

Jas Sadhra & Ellie de Wild ‘Maybe you can live on the moon in the next century’

She was shortlisted for the Turner Prize in 1991. British painter. Born in Hong Kong. She completed a foundation course at Croydon College of Art (1983–4), and a BFA at Goldsmiths College, London (1984–7). Her reputation was quickly established; a year after her inclusion in the exhibition Freeze (curated by fellow artist Damien Hirst in 1988), she showed at the Waddington Galleries in London. She was shortlisted for the Turner Prize in 1991. Rae makes highly coloured, vivid abstract paintings. Travel of the love story 2008 Oil, acrylic and gouache on canvas 76,5 x 66 cm/ 30 x 26 in. https://www.youtube.com/watch?v=Ql0BOaYopFU

Mixing feelings and time 2012 © Fiona Rae

The sun throws my sorrow away 2012 Oil and acrylic on canvas © Fiona Rae

Abstract expressionism is a post–World War II art movement Abstract expressionism is a post–World War II art movement. According to Rosenberg the canvas was "an arena in which to act". While abstract expressionists such as Jackson Pollock, Franz Kline and Willem de Kooning had long been outspoken in their view of a painting as an arena within which to come to terms with the act of creation, earlier critics sympathetic to their cause, like Clement Greenberg, focused on their works' "objectness." To Greenberg, it was the physicality of the paintings' clotted and oil-caked surfaces that was the key to understanding them as documents of the artists' existential struggle. It was somehow meant to encompass not only the work of painters who filled their canvases with fields of color and abstract forms, but also those who attacked their canvases with a vigorous gestural expressionism We go in search of our Dream 2007 Oil and acrylic on canvas © Fiona Rae

‘Its really daunting coming in in the morning, and being faced with a blank canvas but I just think somehow I have to get the conversation going so I almost feel like if I can accidently brush against it and leave some kind of mark then that’s enough for me to pick up the baton and get going’

express something about what it feels like to be alive now in this particular time with the myriad of possibilities , and visual distractions and excitements and difficulties and inspirations going on around us.’

Exhibition of greyscale paintings and charcoal drawings at Timothy Taylor Gallery, London.