The Legality of Peer-to-peer under EU Law IPG Meeting Berlin, November 4, 2005 Thibault Verbiest ULYS Partner University of Paris I (Sorbonne) www.ulys.net.

Slides:



Advertisements
Similar presentations
Legal issues involved in digitisation
Advertisements

Extended Collective License – what, when, where?
Licensing Digital Content Negotiation Interpretation Application.
Rightsrouter and DOI Presentation to IDF Members Meeting 22nd June 2004 Gordon Rintoul - Director of Operations.
Oxford Media Convention 2006 Rights and revenue models: what IP model for public service communications?
Dubai Conference May 2004 Molengraaff Institute Center for Intellectual Property Law (CIER) 2 WIPO NATIONAL SEMINAR ON INTELLECTUAL PROPERTY FOR FACULTY.
Yukiko Ko Binding Corporate Rules – Global Implications Conference on Cross Border Data Flows and Privacy October 16, 2007.
Copyright and the EU Directive By Emanuella Giavarra LLM Chambers of Prof. Mark Watson-Gandy Amsterdam and London
ON-LINE INFRINGEMENT OF MUSICAL COPYRIGHT: THE UK LEGAL PERSPECTIVE Presentation to British Computer Society Seminar on “IT’s Music Industry” on 18 October.
ULYS Avocat – Advocaten – Law firm ON LINE CONTRACTS Introduction to the European regulatory framework by THIBAULT VERBIEST
IP enforcement and privacy rights: Let's keep the balance! Etienne Wéry Partner, Ulys ( Attorney at Law – Paris’
MP3 Critics Web-Based Music Downloading Services CSCI 110 Dr. Bowring Matt Lyons Jarrett Bouchette Brittany Bridges.
MULTI-TERRITORY LICENSING: MULTI-TERRITORY LICENSING IN THE LIGHT OF THE JULY 16th EC DECISION (Case COMP/C2/ – CISAC) Colman Gota Thompson SGAE.
In Harmony, In the Cloud: Harmonizing Data Protection Rules In a Cross-Border World Steve Mutkoski Worldwide Director Policy Microsoft Corporation.
The European Commission's proposal for a draft directive on the collective management of rights Towards the reform of collective rights management and.
Tackling Online Piracy without Harming Consumer Rights IES - IBBT Workshop Strengthening the European Information Society - Consumers in Media Policy and.
MEDIA LAW Copenhagen University SESSION 10 Dirk VOORHOOF Ghent University (->contact)
Port 21 (Distribution and Promotion Remix) Brian Geoghagan Winter 2005 COM546 Professor Gill.
Preserving and Accessing Our Cultural Heritage – The Role of Copyright Law, Digitisation and the Internet The Community Dimension Dr. Jens Gaster King’s.
Hear IT- An introduction to internet audio media..
Gaming Laws and Advertising Laws in Europe Latest Developments Thibault VERBIEST Partner – ULYS Casino Affiliate.
Kernochan Center for Media Law and the Arts - Columbia Law School Collective Management of Copyright: Solution or Sacrifice? New York, 28 January 2011.
Clearance of rights for availability on demand of heritage feature films RAI CINEMA EXPERIENCE DIFFICULTIES IN RIGHTS CLEARANCE FOR FILMS PUBLIC DOMAIN.
Enforcing online rights Ute Decker Senior Legal Adviser, Legal Policy and Regulatory Affairs.
© Folens 2008 Cultural changes in music Brought about by ICT.
Boosting the creative sectors
WIPO Copyright Sector 1.  Fundamental or constitutional rights or public interest: freedom of speech, access to information, right for education, enjoyment.
New copyright challenges for the users digital works Dragutin Nemec Library of the Faculty of law in Zagreb LIBRARIES IN THE DIGITAL AGE (LIDA) 2007.
Emergency Briefing Remote Gambling - European Update THIBAULT VERBIEST Attorney-at-law at the Brussels and Paris Bars Founding Partner of ULYS LawFirm.
Publisher’s digitisation initiatives in Europe Federation of European Publishers Copenhaguen,24th -26th October 2007.
NRCCL (University of Oslo, Faculty of Law) Hyperlinks and search engines(I) Jon Bing Norwegian Research Center for Computers and Law Master Lecture 16.
Copyright & Licensing Practices in Mainland China Focus on Online Usage Chunyan Wang Associate Professor, School of Law Renmin University of China.
Promoting digital contents in the European Union October 22nd 2013 Dalhousie University Pr. Annie Blandin European Jean Monnet chair Telecom Bretagne.
The Changing Face of Exclusive Rights on Digital Cultural Content after the 2013 PSI Directive 3 rd LAPSI 2.0 Meeting – 10 th October 2014.
The Development of Copyright within the European Union By Harald von Hielmcrone Head of Research, State and University Library of Aarhus. Danish representative.
1 Re–use of PSI – Challenges and Opportunities ePSIplus National Meeting Greece 21 May 2008 Athens.
French Legislation on CRIS Jacques Millet
1 Kernochan Centre for Law, Media and the Arts Columbia Law School Collective Management of Copyright: Solution or Sacrifice? January 28, 2011 “Cross-Border.
P2P file-sharing and collective management Séverine Dusollier University of Namur CRID.
MoU On Out of Commerce Books and Learned Journals Jerker Rydén Senior Legal Adviser National Library of Sweden.
IFRRO Legal Issues Forum Brussels – 9 June 2011 Martin Delaney Legal Director.
Access to Genetic Resources & Traditional Knowledge The Bellagio compulsory cross-licensing proposal for benefit sharing consistent with more competition.
Representing the recording industry worldwide. Market and regulatory outlook in the music industry Lauri Rechardt Director Licensing & Litigation IFPI.
1 Wizards of OS 3 The Future of the Digital Commons Berlin - June 10 to 12, 2004 International Copyright in the Digital Era Geidy Lung WIPO Copyright Law.
Chapter 9: The Internet and World Wide Web Two contrasting views: Media Critic Marshall McCLuhan: the Internet would help create a “global village” of.
Why the Data Protection Act was brought in  The 1998 Data Protection Act was passed by Parliament to control the way information is handled and to give.
STUDY CONCERNING MULTI-TERRITORY LICENSING FOR THE ONLINE DISTRIBUTION OF AUDIOVISUAL WORKS IN THE EUROPEAN UNION Presentation Europa Distribution 7th.
Digital Audio. Analog versus Digital Analog Sound waves “similar” or “copy” Electrical impedance creates noise Digital Sound encoded in binary form Sampled.
Exam Unit G % of A2 - 2 hour exam marks - (50/50) Section A: Theoretical Evaluation of Production Section B: Contemporary Media Issues (Online.
Facilitate Authors’ Rights Access for Audiovisual Media in Europe.
Collective Management: The Role of RROs and IFRRO Presenter name and job title Date Venue, country.
Introduction to Copyright & Related Rights Lucinda Jones WIPO-INSME International Training Program on Intellectual Property and Management of Innovation.
European legal update Excellence in Gaming Law 29th November 2006 Evelyn Heffermehl ULYS law firm www/ulys.net.
E XTENDED C OLLECTIVE L ICENSING : DIFFERENT MODELS AMONG S CANDINAVIAN COUNTRIES AND LONG TERM PRACTICES OF STATES Warsaw, March 16, 2016 Johan Axhamn,
Korean Association of Phonogram Producers November 2007.
Keynote on the new EU Directive on collective management of copyright and related rights and multi-territorial licensing of rights in musical works for.
Extended Collective Licensing 1 Warsaw,, 17 March 2016 Lauri Rechardt, Director, Licensing & Legal Policy IFPI.
Human Rights and the European Harmonisation of Intermediary Liability in Copyright Christina Angelopoulos, Centre for Intellectual Property and Information.
Professor Niklas Bruun
IFRRO AGM 2009 OSLO Speaker: Dr. Anke Schierholz
Interactive Gaming Council Board Meeting I-Gaming Legal status
European Economic and Social Committee Preliminary Draft Opinion on the Green Paper on online gambling in the Internal Market Stefano Mallia EESC.
Online platforms Brussels, September 2016.
Legal aspects of copying audiovisual work onto portable media devices
Munich Intellectual Property Law Center (MIPLC)
EU Sports Law and Policy Summer School
Commission proposal for a Directive on
Enforcement of Intellectual Property Rights in the Community Benoît Lory European Commission, DG Internal Market and Services Enforcement of Intellectual.
Helsinki University Porthania III
THE EU LEGAL FRAMEWORK ON EMPLOYEE INVOLVEMENT
Presentation transcript:

The Legality of Peer-to-peer under EU Law IPG Meeting Berlin, November 4, 2005 Thibault Verbiest ULYS Partner University of Paris I (Sorbonne)

Legality of P2P under EU Law  P2P  Case study: Music online  EU Initiative  Copyright protection  Directive 2001 on the harmonisation of certain aspects of copyright and related rights in the information society  Internet licensing  Recommandation 2005 on collective cross-border management of copyright and related rights for legitimate online music services

P2P  What’s P2P?  From user to user  implies that either side can initiate a session and has equal responsibility  confusing term, because it has always been contrasted to a central system that initiates and controls everything  In practice, two users on a peer-to-peer system often require data from a third computer  The two major categories of peer-to-peer systems are file sharing and CPU sharing

P2P  P2P success story?  Napster popularized P2P in 1999  Called a "peer-to-peer network," but its use of a central server to store the public directory made it both centralized and peer-to-peer  P2P second generation: Kazaa  From Kazaa to large files protocols: BitTorrent, eDonkey

P2P

Case study: Music online  Music online  Global music industry sales declined by some 22% over five years to 2003, a reduction of over US$ 6 billion  870 million unauthorised music files on the internet (all services), January 2005  8.6 million concurrent users on P2P networks offering unauthorised music files as of January 2005 (6.2 million in January 2004)  36 million of the 40 million people downloading (9/10) in Europe are still not paying for music they download

The collapse of music industry ?

The Empire strikes back!  Industry response  Record companies have digitised and licensed over a million songs in 2004  Number of online services where consumers can buy music has increased four-fold to more than 230 worldwide –and over 150 of those are in Europe  In 2004 downloaded tracks rose more than ten- fold over 200 million in the US, UK and Germany combined

The Empire strikes back!

EU Initiative  Copyright protection  Directive 2001/29/EC on the harmonisation of certain aspects of copyright and related rights in the Information Society  Gradually implemented in all the countries of the European Union!

Copyright protection  Rights  Reproduction right  Right of communication to the public of works and right of making available to the public other subject-matter  Distribution right

Copyright protection  Exceptions  Temporary acts of reproduction  Libraries, educational establishments, museums  Hospitals, prisons  For teaching or scientific research  Quotations for purposes such as criticism or review  Use for the purposes of public security  ….

Copyright protection  Back door to P2P: exception for private use art. 5, §2 (b) of the Directive  Reproduction  made by a natural person  for private use  and for ends that are neither directly nor indirectly commercial,  on condition that the rightholders receive fair compensation

Copyright protection  Exception for private use  Implemented in many national legislations  France, Belgium, Germany,…  Exception invoked by many P2P users dowloading and/or uploading unauthorised music files  No clear case law  Most recent example in France  TGI de Meaux 21 April 2005  P2P users sanctioned for having uploaded illegal files but released for the dowloading of illegal files on the exception for private use

Copyright protection  Action against ISP & P2P server administrators  Article 8, § 3 of the Directive  Member States shall ensure that rightholders are in a position to apply for an injonction against intermediaries whose services are used by a third party to infringe a copyright or related right

Copyright protection  Landmark case in Belgium (2004)  SABAM v. TISCALI  Action grounded on Article 8, §3 of the Directive  Illegal music file-sharing through P2P  TISCALI sanctioned as ISP whose services are used by a third party to infringe music copyright

Internet Licensing  Improving cross-border licensing for music services  Absence of EU-wide copyright licences for online content services  makes it difficult for legitimate online music services to take off  Increase the revenue gap between the US and the EU US online music market is expected to grow to €1.27 billion by 2008 >< € 559 million in the EU by 2008

Internet Licensing  July 2005 Study on a community initiative on the cross-border collective management of copyright  October 2005 Commission recommandation on collective cross-border management of copyright and related rights for legitimate online music services

Internet Licensing  Online music service includes any music service provided on the Internet such as  simulcasting  webcasting  streaming  dowloading  online « on-demand » service  or provided to mobile phones

Internet Licensing  Services provided by collective rights managers (CRM) include  The grant of licences to commercial users  The auditing, monitoring of rights by ensuring payment and terms of licensing; and pursuing infringers (enforcement)  The collection of royalties  The distribution of royalties to rights-holders

Current situation in Europe Services provided by collective rights managers (CRM) include –The grant of licences to commercial users; –The auditing, monitoring of rights by ensuring payment and terms of licensing; and pursuing infringers (enforcement); –The collection of royalties; –The distribution of royalties to rights-holders

Top ten CRMs Services provided by collective rights managers (CRM) include –The grant of licences to commercial users; –The auditing, monitoring of rights by ensuring payment and terms of licensing; and pursuing infringers (enforcement); –The collection of royalties; –The distribution of royalties to rights-holders

Market share of CRMs Services provided by collective rights managers (CRM) include –The grant of licences to commercial users; –The auditing, monitoring of rights by ensuring payment and terms of licensing; and pursuing infringers (enforcement); –The collection of royalties; –The distribution of royalties to rights-holders

Issues and Answer  Commercial online services require a licence for more than one territory which gives legal certainty and insurance against infringements suits for all territories (multi-territorial licence)  This demand for a multi-territorial licence cannot be satisfied within the currrent structure of traditional reciprocal arrangements  Right holders should benefit from digital transmission technologies by having a choice as to which collecting society to join and to give mandate to for the multi-territorial online management of their rights Give right-holders the choice to authorise collecting societies of their choice to online rights for the entire EU!!!

Objectives of the EU initiative

Legality of P2P under EU Law  Conclusion  EU Initiative  Harmonization of copyright protection exception for private use: back door for P2P users? Injonction against intermediaries: potential actions against ISP and P2P server administrators?  Encouragement to multi-territorial online licensing and multi-territorial CRMs Facilitate the growth of legitimate online services is the most efficient answer to P2P

Legality of P2P under EU Law