Sultans of Swing This is a minor key song. Most of it falls into the Aolean Mode. Again Start with the chords. We will work on the various parts.

Slides:



Advertisements
Similar presentations
Class 4A Wed only Guitar I and Guitar II
Advertisements

Thrill Is Gone This is a standard minor blues: Form is:
Caged Across – I IV and V The 3 principle chords in a major key
Caged Across – I IV and V Main chords.
Guitar III & Guitar IV 17th night Spring 2005
Guitar Styles Of Eric Clapton
Parker Blues Some common Parker tunes and other Jazz Blues songs.
Hermit’s Hermits Unique Guitar tone for some songs.
Purple Haze Hendrix Chord. From the book Purple Haze to start. This song is entirely based upon E7 – G to A with the end only going to other chords. The.
Frank Markovich1 Script for Scales Tape Frank Markovich Acuson.
Guitar III & Guitar IV 8th night Spring 2005 Moving date of performance night Review of Scale stuff Have a Marshall Rep (David Spann)coming next week.
La Bamba Using Chords For Riffs.
Windy and Warm Chet Atkins Fingerpicking Piece. Overall Information Song is mainly in the key of A minor, but at one point goes to C major and at another.
Wish You Were Here Playing chords without playing the whole chord.
Freddie The Freeloader
5 basic forms for these. By: F. Markovich
Guitar Styles Of Eric Clapton Class III Covered tonight –Finish Sunshine of Your Love Start of Solo –Pentatonic Scales Review –Boom Boom – from early Yardbirds.
Guitar Styles Of Eric Clapton Class IV Covered tonight –Pentatonic Scales Review –Review Boom Boom – Hear students new song –Wonderful Tonight –Start of.
Articulation F. Markovich. Some thoughts to start Most instruments have slurs. Woodwind and brass instruments don’t tongue notes to slur, strings use.
LYRICS: WE ARE NEVER GETTING BACK TOGETHER THAT’S WHAT MAKES YOU BEAUTIFUL BY: Allison Clary “What Are you Listening to?” A deeper look into the poetry.
Agenda Read through the following sections of the power point and take notes in your notebook: Intro to Jazz & Blues Ragtime: What is a Rag Delta Blues.
Surfin’ USA. You will see many songs written out this way. The chords are just repeated over & over again. This song is in 4/4 time. Each chord will get.
Rhiannon Exercise in intervals of a 3 rd. This whole background is based off of intervals of a 3 rd.
Shuffle Will do to an old tune Linda Lou – but much more than originally meets the eye.
By Paul Clews / First Steps For Guitar.
Guitar I and Guitar II Class 6 E major and Am chords. Review the A and E7 chords. As a review there are so far 3 types of chords – Major, Minor, and Dominant.
BLACKBIRD BY THE BEATLES Link to original song
Tequila Example of a simple fun instrumental song.
Stand By Me Various ways..
Class 12 Guitar I and II Lots of stuff F Chord review and practice Playing up the neck. Arpeggio Fingerpicking 8 Days a Week with Intro - review. Final.
Walk Don’t Run Study in A Aeolian – Old Time Rock Instrumental.
Guitar III and Guitar IV 4th night Spring 2004 Have fun learning new songs, techniques etc. on the guitar Increase your technical skills on guitar Increase.
Still life drawing.
So What This tune is totally in the Dorian Mode. Solo and all starts in D Dorian and then moves up to Eb Dorian. The chord rules as most of the solo notes.
Class 8 Guitar I and II Review the following – Very Brief as did last week. 12 – Bar Blues in A and E Blues backup like Chuck Berry Blues Scale in 5th.
How compose a to MeLody.
Major Scales Using The CAGED Format
Song - Today New Chords Sing Along songs 2 new chords.
75% 1/5 Speed.
Class 11 Guitar I and II Lots of stuff
Guitar III & Guitar IV 12th night Spring 2003
Choosing the Right Wedding Bands for Your Wedding Music
Class 10 Guitar I and II Lots of stuff
Kinks Power Chords.
Guitar III & Guitar IV 14th night Spring 2003
Here Comes The Sun Class project.
Wade In The Water Learn in all positions.
Guitar III & Guitar IV 11th night Spring 2003
Moondance Modern Swing.
Peter Gun Bass and Melody.
Guitar III & Guitar IV 15th night Spring 2003
Supporting Children’s Language and Listening Skills
Guitar I and Guitar II Class 15
Landslide.
Europa.
Clapton did this but the original by John Lee Hooker.
Really more of a drum thing. This is just a blues in the key of C.
Singing Grades K-4 2 (C) 3 (B) 4 (A) 1 (D) Student uses speaking or
Moving Bass Lines and ¾ picking
Playing chords without playing the whole chord
Pipeline 60’s Surf Sound.
I Feel Fine Arrangement.
Bass Line Bass line should be a walking bass pattern. That was the style at the time this was recorded. For guitar this is the place to start. Later musicians.
Nobody Knows You When You’re Down And Out
Words of Love In Book at 334 A I IV V song..
Moving Bass Lines and ¾ picking
All Along the Watchtower
Pride and Joy Power Trio Blues and Rock
Book on page 49 and 50. Only thing on 49 is the intro (3 measures).
Esperanza Spalding – ‘Samba Em Preludio’
Presentation transcript:

Sultans of Swing This is a minor key song. Most of it falls into the Aolean Mode. Again Start with the chords. We will work on the various parts.

You have choices on many of these You have choices on many of these. But it is best if you can get both down.

Get the Chords Perfect You need to get the chords perfect before moving on. Do them in both positions. Be sure that you sing this song. Even if you can’t carry a tune sing. Listen to the record, the vocals aren’t as much singing as talking.

Notice that this is almost all chord tones Notice that this is almost all chord tones!!! To play like the record you must use your fingers on your picking hand and not your pick. Some of the lines just can’t be played properly with a pick. Sound is also incorrect with a pick. Next couple of pages covers the main riffs done in this song. Work on them before putting the song together.

Note that you must work on this quite a bit to really get it Note that you must work on this quite a bit to really get it. I have not included the solo yet but have the main idea in the riffs pages.

OK That Is It You could work the whole thing out or just do it by various parts that you like. Remember though that the fingers are used and not a pick. We won’t go over every part as that would take the whole term (I have done that before) but even so work on the main ideas. Particularly work on the intro and the final part of the solo. Adding in a breakdown area really helps in breaking up the tune and adding interest.