The Romantic Period 1785-1830 Whitechapel High Street,

The Romantic Period Began in/around 1785, the year Blake and Burns published their first poems (text notes it as 1780) Ended in 1830, by which time the major writers of the preceding century were either dead or no longer productive. It was a turbulent time period, when England changed from a primarily agricultural society to a modern industrial nation. Wealth and power shifted from the landholding aristo- cracy to large-scale employers, who found themselves against a large, restive working class.

Reaction to Revolution In response to the French Revolution, the English government prohibited public meetings, suspended habeas corpus (the release from unlawful restraint), and advocates of even moderate political change were charged with high treason. Yet economic and social changes created a desperate need for corresponding political changes, and new social classes were demanding a voice in government. Viaduct across the Great Northern Railway,

The Industrial Revolution Resulted from the invention of power-driven machinery replacing hand labour. Open fields and farms were enclosed into privately owned agricultural holdings. A new labour population massed in the sprawling mill towns that burgeoned in central and northern England. The new landless class migrated to the industrial towns or remained as farm labourers, subsisting on starvation wages. Megg's almshouses, 1800s

Results of the Industrial Revolution The landscape began to take on its modern appearance, with rural areas divided into a checkerboard of fields enclosed by hedges and stone walls. Factories of the industrial and trading cities cast a pall of smoke over vast areas of jerry-built houses and slum tenements. The population polarized into two classes of capital labour, the large owner or trader and the possessionless wage-worker, the rich and the poor.

Governmental response to the Industrial Revolution A laissez-faire attitude encouraged government to not interfere The results were inadequate wages, long hours of work under harsh discipline in sordid conditions, and the large-scale employment of women and children for tasks that destroyed both the body and the spirit.

Colonialization While the poor were suffering, the landed classes, the industrialists, and many merchants prospered as the British Empire expanded aggressively both westward and eastward. During this time period, the British Empire became the most powerful colonial presence in the world. The British East India Co. ruled the entire Indian sub- continent, and black slave labour in the West Indies generated great wealth for British plantation owners.

The “Spirit of the Age” -Ethos Writers during this time period did not think of themselves as “romantic.” Many writers, however, felt that there was something distinctive about their time – a pervasive intellectual and imaginative climate which they called “the spirit of the age.” They described it as a release of energy, experimental boldness, and creative power that marked a literary renaissance, an age of new beginnings when, by discarding traditional procedures and outworn customs, everything was possible. Attacked all forms of tyranny and evils of industrialism (urban blight, polluted environment, alienation from nature & each other)

Poetry Wordsworth described all good poetry as “the spontaneous overflow of powerful feelings.” He believed that the source of all poetry was not in external things, but in the individual poet. The lyric poem, expressing the poet’s own feelings and temperament, became a major Romantic form. The natural scene became a primary poetic subject, and poets described natural phenomena with an accuracy of observation that had no earlier match. Poets bestowed attitudes and sentiments on the landscape that earlier writers had felt only for God, parents or a beloved. Humble, rustic life and plain style were elevated and the wonder of ordinary things was exalted.

Characteristics Indifferent to form and structure Direct expression of strong personal feelings and emotions Imagination =reality/possibility Passion Many poems were intimate self-revelation of poet Took themselves as heroes Often portrayed as the “struggle of genius against all limitations” Sometimes withdrew from society to “brood” upon themselves

The Romantic Period Characteristics of the Byronic Hero A Byronic hero exhibits several characteristic traits, and in many ways he can be considered a rebel. is a rebel (against convention, society, etc.) has a distaste for society and social institutions is isolated from society (a wanderer, an exile) is not impressed by rank and privilege (though he may possess it) is larger-than-life in his ability--and his pride has a hidden curse or crime suffers from titanic passions  tends to be self-destructive One of the key connections to understanding the Byronic Hero is that he is, in some ways, like the Romantic conception of Satan in Paradise Lost--the rebel who fights against a tyrannical establishment but is destroyed by his own overwhelming pride.  This figure is an unconventional hero--dangerous and destructive, but admirable because he is larger than life.

England’s Lake District Themes in Literature Nature Isolationism Exile – especially of a disinherited mind that cannot find a spiritual home in its native land Fascination with the outlaws of myth, legend, or history Mysticism Results of the industrial revolution England’s Lake District

Authors from the Romantic Period William Blake Poetical Sketches Songs of Innocence and Experience The Book of Thel The Marriage of Heaven and Hell Jerusalem

Robert Burns Tam o’ Shanter Various songs and poems William Wordsworth Lyrical Ballads, with a Few Other Poems The Prelude

Samuel Taylor Coleridge The Rime of the Ancient Mariner Dejection: An Ode Kubla Khan Christabel George Gordon, Lord Byron Childe Harold’s Pilgrimage Don Juan Various poems

Percy Bysshe Shelley Alastor Prometheus Unbound Adonais Various poems John Keats Endymion The Eve of St. Agnes