Scene 1

Symbolizes the crumbling grandeur of Southern plantations Blanche Symbolizes the crumbling grandeur of Southern plantations

Blanche : frivolous, hysterical, insensitive and self-obsessed individual who derides her sister’s lesser social status has a craving for drink and attempts to disguise her drinking – dishonest “Moth” attracted to light – desires glamour. Destructive – light kills moths. Will her desire for life and glamour lead to her destruction?

Blanche Dubois She is aware of social distinctions; looks down on those she considers her inferiors - Eunice and the neighbour – expects them to behave a certain way toward a “lady.” Her attitude towards these women foreshadows her criticism of Stella and Stanley’s way of life.

Blanche Dubois She is vain and needs flattery. Afraid of growing old and losing her looks; relies on flattery to banish these terrors – fantasy and denial. Vulnerable, yet she is very much the older sister, treating Stella as a child and expecting her to run errands.

Stanley Stanley is the new American in the new America He is an immigrant who believes he can achieve the American Dream

Stanley Kowalski Stanley makes an impact The description contained within the stage direction “gaudy seed-bearer” conveys his sexual magnetism and his masculinity His entrance with the package of meat symbolises his primitive qualities as it is if he were bringing it back to his cave fresh from the kill

Stanley Kowalski Stanley’s cocky interactions with Blanche show him to be insensitive - he barely lets Blanche get a word in as he quickly assesses her beauty Yet, he is unpretentious and has a zest for life (more sympathetic than the snobby Blanche?) An intense sexual bond with Stella

Setting - New Orleans

Setting New Orleans - cosmopolitan city where all races mingle freely – the New America, represented by the character of Stanley (a mix, not elitist) Refinement mixed with the grit of poverty and modern life; decay and corruption alongside the regenerative powers of desire and procreation.

Setting Elysian Fields - in Greek mythology, the equivalent of paradise or the home of the blessed dead (the heroes) Irony - Stanley is clearly at home in Elysian Fields, but the Kowalskis’ home and neighbourhood are not Blanche’s idea of heaven

A streetcar named ‘desire’ takes Blanche to ‘Elysian Fields’(the afterlife, or heaven) Does Blanche “desire” death?

Setting Windows and door of the apartment are left open - Stanley and the others leave everything out in the open. Belle Reve translates as “beautiful dream”. Appropriate since the “dream” is now all that remains of it.

Stage Directions Stage directions contrast with the uneducated language used by most of the characters on the stage (except Blanche and Stella) Blanche’s quotation from Poe’s poem reminds us that she is an English teacher

Blanche / Stanley

Symbolism/Imagery Blanche: white clothes - virginal connotations (irony) constant drinking symbolises her inability to cope with reality and her desire to forget the past aristocratic and sensitive - symbolises the old South hearing the Polka - thinking about her dead husband obsession with her appearance - inability to cope with reality

Symbolism/Imagery Stanley: animal sexuality is symbolised by numerous stage directions butcher’s package - blood, danger, violence and his primitive qualities brash, loud and arrogant - symbolic of the New South

Plot Blanche – critical of poor conditions Stella lives in; disapproves of Stanley Belle Reve has been lost – sentimental Blanche stayed in the South; Stella abandoned it (moving on) Blanche, though just as poor as Stanley and Stella, looks down on them with pretentiousness (tension)

Plot Desire is central to the play. Blanche is unable to come to terms with her desire. She is repelled and fascinated by Stanley at the same time (partly jealous of Stella’s escape from the South) Obsessed with the idea of Stella sleeping with her "Polack." Stella has chosen a life built around her sexual relationship with Stanley.

He appraises women based on their physical looks (sex objects) Plot Stanley is comfortable with desire and satisfying his physical needs. Sex is part of what makes him tick. He appraises women based on their physical looks (sex objects)

Plot The play is haunted by mortality. Desire and death and loneliness all combine. Decay in setting - the dying Old South and the dying DuBois family Blanche's first monologue is a graphic description of tending to the terminally ill. The specter of Blanche's husband, who died when they were both very young; Blanch still refers to him as a "boy." Rot underneath the surface – Blanche (mental and moral)

Conflicts Introduced: Stanley’s jealousy and suspicion Scene Two Conflicts Introduced: Stanley’s jealousy and suspicion Blanche’s ignorance of the effect her behaviour has on people

Blanche Compassion for Blanche: Destitution All her belongings equal a trunk full of cheap dresses, fake furs and costume jewelry

Baths Blanche needs baths to “calm her nerves” Symbolizes her need for spiritual, mental and emotional cleansing She feels “dirty” or “soiled” in some way

This habit is irritating to others – tension Foreshadows the revelation of her sordid past – impurity Wants to start clean; get rid of social blemishes and her previous reputation

The red bathrobe Flirting and provocative Arouses Stanley’s suspicions (and something else) More a prostitute than a school teacher “If I didn’t know that you were my wife’s sister I’d get ideas about you!”

Stanley Becomes suspicious of Blanche Hostility due to his awareness of the class differences between himself and Blanche (and by extension Stella) Wants to pull Blanche down to his level

Thinks Blanche has cheated him and Stella out of $$ Thinks she spent it on herself Not aware that Blanche’s costume jewelry is fake Feels insecure when Stella mocks him for it

Napoleonic Code References – forbids privileges based on birth Show Stanley’s ignorance Belle Reve, in Mississippi, would not fall under New Orleans law Gender showdown – Stanley feels that as a man, whatever Stella has belongs to him Hates that Blanche is a woman with a higher social status than him – must bring her down

Symbolism Red robe – the scarlet woman of the Bible (Revelations 17) “The blind are leading the blind” (Matthew 15:14) – impending disaster Stella tells Stanley how to treat Blanche – ashamed at her husband’s behavior The baby – unites the Kowalskis but isolates Blanche Blanche’s trunk – a façade, fantasy of riches

Symbolism of letters Business papers = reality (Stanley handles them) Love letters = fantasy (Blanche handles them) – maintains her illusions of the past.

The Poker Scene

Scene 3 – Pivotal Scene Cements Stanley’s role as the villain Highlights the primal nature of Stanley and Stella’s relationship Stanley dominates over his friends, making all the decisions Tenderness of friends – look after the drunk Stanley Stella chooses Stanley over Blanche

Blanche Her vanity makes her lie about Stella’s age Her inability to deal with reality makes her say that she’s come to help Stella Her lies are NOT malicious; she lies to protect herself

Seductive posturing when men are around – flirts instinctively She’s half undressed in the gap Contradiction: genteel lady: expects men to stand up when she comes in; can’t stand a rude remark or vulgar action cheap seductress

Chinese Lantern Blanche puts the lantern over the harsh light bulb – symbolic of her inability to face reality Light threatens to reveal her lies Chinese lanterns have a softer light, more fantastical

Stanley Stanley is loud and domineering; wears loud shirts – emphasizes his manliness Stanley throwing down the watermelon emphasizes his disregard for the house and Stella – FORESHADOW VIOLENCE Stanley drinking – destructive behavior (domestic violence)

Shower symbolizes his attempt to wash his sins away (hitting Stella)

Stella and Stanley Stella and Stanley’s reunion conveys their desire for one another Stella’s desire for Stanley is so great she is willing to forgive anything Their “animal-like” moans when they embrace on stairs = “animal-like” passion

There is a sense of King Kong, or a brute, about Stanley when he carries Stella away - Primitive

Even though Stanley is abusive, something about Stanley excites Stella when he is at his most beast-like. Their making-up is completely wordless: no plea for forgiveness, no promise of better behavior. They make up by coupling like animals. The bond between Stanley and Stella is not intellectual, but physical.

Blanche and Mitch Mitch is the opposite of Stanley: kind, understanding, shy, sympathetic Their conversation shows their class differences – Mitch is trying to overcome the gap Description of dancing symbolizes that they are ill suited for one another: “Mitch dances clumsily, mimicking Blanche’s grand movements.

Scene 4 Turning Point: Stanley overhears Blanche’s opinion of himself Will not rest until he has destroyed and disposed of her

There is no turning back for Blanche Streetcar Metaphor There is no turning back for Blanche Headed for disaster

Blanche Blanche tells Stella that sheer desire is no basis for a marriage. The streetcar “that bangs through the Quarter, up one old narrow street and down another” is what she believes Stella feels Blanche fails to understand Stella’s passionate relationship with her husband. It seems that with all her sexual experience she has never experienced true love.

“{The streetcar} brought me here, where I’m not wanted and where I’m ashamed to be……” Literally, Blanche arrived on a streetcar named “Desire” Metaphorically, Blanche’s search for sexual desire led to her expulsion from Laurel; her family’s need to shroud desire and cover up “epic fornications” led to the break-up of the Belle Reve estate and impoverishment

Blanche is a cold cynic Doesn’t believe in love Laughs at Stella’s attraction and affection for her husband Uses money and men – calculating and selfish

One of Blanche’s most famous speeches: “There’s even something – sub-human - something not quite to the stage of humanity,” meaning: Stanley is too much of a beast for the evolved Stella.

Stella Lost patience with Blanche’s hysterics; becomes ironic “I’m not in anything I have a desire to get out of” Lost patience with Blanche’s hysterics; becomes ironic The difference in the sisters’ attitudes to passion shows that despite their common background and social values, they are very different characters

Scene 5 A threatening undertone runs throughout this scene Opens with a violent row between Eunice and Steve

Blanche Fear of truth: her telegram to Shep (all lies) Past catches up with her (Stanley has investigated): Nights at a hotel of ill repute with men Sought comfort in men, physically Stained purity, just like her stained white dress Less healthy desire than the marriage?

Blanche and the Young Man Emphasizes Blanche’s loneliness and inappropriate desire – desperate and destructive Wants to marry Mitch, but risks her future to flirt with a boy Can she settle down with one man? Is that why she is jealous of Stella?

Hypocrite: She condemns Stanley and Stella’s sexual relationship, but she is prepared to engage in a inappropriate sexual encounter with a young boy. Her behavior with him makes Stanley and Stella’s relationship appear almost normal

Astrology Ironically, Blanche’s sign is “Virgo,” the virgin Does she want to reclaim her virginity, spiritually and emotionally? A new life Stanley’s sign is Capricorn – ‘the ram’ – goats are supposed to be promiscuous and stubborn. He is both. Capricorn and Virgo are opposites – they either conflict or…opposites attract?

Stella Also escapes to fantasies: Stops listening whenever Blanche is morbid Puts up with an abusive husband Reads comics - childlike