Introduction To Greek Theatre and Tragedy

Genre: Greek Tragedy the word "tragedy" refers primarily to tragic drama: a literary composition written to be performed by actors in which a central character called a tragic protagonist or hero suffers some serious misfortune which is not accidental and therefore meaningless, but is significant in that the misfortune is logically connected with the hero's actions. Tragedy stresses the vulnerability of human beings whose suffering is brought on by a combination of human and divine actions, but is generally undeserved with regard to its harshness.

Essential Terms Review Tragedy Tragic Hero Hamartia Hubris Mimesis

Essential terms, cont’d Peripeteia Anagnorisis Catastrophe Catharsis

Theatre of Dionysus

Theatre of Dionysus

Orchestra: The orchestra (literally, "dancing space") was normally circular. It was a level space where the chorus would dance, sing, and interact with the actors who were on the stage near the skene. The center of the orchestra was a sacrificial altar. Theatron: The theatron (literally, "viewing-place") is where the spectators sat. The theatron was usually part of hillside overlooking the orchestra, and often wrapped around a large portion of the orchestra (see the diagram above). Skene: The skene (literally, "tent") was the building directly behind the stage. The skene was directly in back of the stage, and was usually decorated as a palace, temple, or other building, depending on the needs of the play. It had at least one set of doors, and actors could make entrances and exits through them. There was also access to the roof of the skene from behind, so that actors playing gods and other characters could appear on the roof, if needed. Parodos: The parodoi (literally, "passageways") are the paths by which the chorus and some actors (such as those representing messengers or people returning from abroad) made their entrances and exits. The audience also used them to enter and exit the theater before and after the performance.

The Orchestra Orchestra: The orchestra (literally, "dancing space") was normally circular. It was a level space where the chorus would dance, sing, and interact with the actors who were on the stage near the skene. The center of the orchestra was a sacrificial altar.

The Theatron Theatron: The theatron (literally, "viewing- place") is where the spectators sat. The theatron was usually part of hillside overlooking the orchestra, and often wrapped around a large portion of the orchestra (see the diagram above).

The Skene Skene: The skene (literally, "tent") was the building directly behind the stage. The skene was directly in back of the stage, and was usually decorated as a palace, temple, or other building, depending on the needs of the play. It had at least one set of doors, and actors could make entrances and exits through them. There was also access to the roof of the skene from behind, so that actors playing gods and other characters could appear on the roof, if needed.

The Parados Parodos: The parodoi (literally, "passageways") are the paths by which the chorus and some actors (such as those representing messengers or people returning from abroad) made their entrances and exits. The audience also used them to enter and exit the theater before and after the performance.

Greek Masks Functions of Greek Masks Portrayed different emotions Amplified voices Allowed actors to portray different characters

Attire The Chiton Chotharnus- elevating shoes Chalmys- short cloak Himation- long cloak Costume: A standard costume: sleeved, decorated tunic, full-length usually, derived from robes of Dionysian priests - called a chiton. Cotharnus is a high boot or soft shoe, perhaps elevated with a thick sole. A short cloak may also have been worn, called a chalmys, or a long one called a himation.

Qualities of Greek Drama Performed on special occasions or festivals for worshipping Dionysus Competitive- prizes awarded (maybe a goat!) Choral-singing was very important, Greek Theatre evolved from from a chorus singing Closely associated with religion and worshipping gods. Originally a single actor: The Protagonist Deuteragonist Tritagonist

Structure of Greek Drama and Sophocles’ Plays Here are a few characteristics of the structure of Greek Drama: Violence and Death Offstage Frequent use of messengers to relate information Usually a single place (setting) Stories based on myth or history, but varied interpretations of both Here are some characteristics of a Sophocles’ play: Emphasis on individual characters Reduced role of the Chorus Complex characters, psychologically well-motivated Characters subjected to crisis which leads to suffering and self-recognition Common Theme: The choices people make and consequences

The Greek Chorus The Chorus began in numbers as large as 50, then smaller sizes as actors become more predominate. They provided time for scene changes, introduced background and summary information. Their dance and chanting provided the visionary experience that separated audience from the actor and the essence of tragedy.

So What does all this mean? Big Theatre Big Characters Big Emotions Big Consequences- for one person!

THE TRAGIC HERO

Aristotle’s Tragic Hero Tragedy should evoke a sense of pity and fear in the audience Tragedy can only arouse the sense of pity and fear if the hero is neither completely good nor completely bad The tragic hero should be highly renowned and prosperous because the hero must fall from tremendous good fortune in order to feel pity and fear The hero experiences a downfall because of their “error or frailty. This means either: their tragic flaw ( a fundamental character weakness, such as destructive pride, ruthless ambition or obsessive jealousy.) or a single error of judgment

Tragic Hero Continued Regardless of how one interprets the “error or frailty”, the key point is that the hero is on some level responsible for their downfall. By the end of the play the hero comes to recognize their error and accept the consequences as their own fault The real tragic hero is humbled and enlightened b the tragedy The tragic hero evokes our pity because he is not evil and his misfortune is greater than he deserves, and he evokes our fear because we realize we are fallible and could make the same error