Noli me tangere

1308-11 Maestà - Scènes de la Passion Apparition à Marie-Madeleine (Noli me Tangere) -- Duccio di Buoninsegna -- Museo dell’Opera del Duomo, Sienne

Fra Angelico

Domaine peinture Type d'objet tableau Auteur / Exécutant BACCIO DELLA PORTA, BARTOLOMEO FRA (dit) Ecole Italie ; Florence Titre NOLI ME TANGERE Source représentation Nouveau Testament Période 1er quart 16e siècle Matériaux / Techniques peinture à l'huile ; toile Dimensions 57 H ; 48 L Sujet représenté scène biblique (Apparition à Madeleine) ; scène biblique (Résurrection du Christ) ; scène biblique (Les Saintes Femmes au tombeau) ; fond de paysage Statut juridique propriété de l'Etat ; musée du Louvre département des Peintures N° inventaire INV 39 Attribution ALBERTINELLI (VILLOT I, HAUTECOEUR) ; ALBERTINELLI, ATTRIBUE (RICCI) Ancienne appartenance Louis XII (?, 1506, ?) ; François Ier ; Louis XIV ; Couronne de France Bibliographie VON DER GABELENTZ P 141 ; KNAPP P 265 ; VILLOT I 25 ; RICCI 1115 ; HAUTECOEUR 1115 ; C.S.I. 1981, P 147 Lieu de conservation Paris ; musée du Louvre | 17 BARTOLOMEO FRA NOLI ME TANGERE.jpg

Noli me Tangere by Bramantino This is a Fresco at Civico Museo d'Arte Antica, Castello Sforzesco, Milan

Noli me tangere (1524); Hans Holbein the Younger

Bronzino

Noli Me Tangere, 1581 by Lavinia Fontana Located at the Uffizi in Florence

Noli me tangere, par Paul Veronèse Noli me tangere, par Paul Veronèse

Tintoretto

Noli me Tangere, 1630, by Jan Brueghel the Younger Noli me Tangere, 1630, by Jan Brueghel the Younger. Musée Historique Lorrain, Nancy, France

Louis de Silvestre (1675-1760), fait en 1735

Le doute de Thomas

1125, cloître Santo Domingo

Christ and St. Thomas (1467-83) by Andrea del Verrocchio - Orsanmichele

Hendrick ter Brugghen was born in 1588, probably in The Hague Hendrick ter Brugghen was born in 1588, probably in The Hague. His parents, Jan Egbertsz. ter Brugghen and Feysgen Dircx, came from Utrecht, but his father had been bailiff of the States of Holland since about 1585, and we may assume that his family lived with him in The Hague. Jan ter Brugghen is last recorded there in 1602. A year later he was living in the village of Abcoude, halfway between Utrecht and Amsterdam, as assistant marshall of the Nederkwartier district. By that time Hendrick ter Brugghen may already have been apprenticed to Abraham Bloemaert, although it is unclear exactly when and for how long Ter Brugghen studied with him. In the spring of 1607 a certain "Henrick ter Brugge" is named as a cadet in the army of Count Ernst Casimir of Nassau-Dietz. This soldier is probably our artist, whom we sometimes find addressed as the "honorable and steadfast" (erent-festen) Hendrick ter Brugghen, an epithet used only for soldiers. Assuming that the cadet and the artist are one and the same person, 1607 would then be the first year in which he could possibly have traveled to Italy. After his return to Utrecht in the fall of 1614, Ter Brugghen himself declared that he had spent "several" (ettelicke) years in Italy. If there is any truth in Cornelis de Bie's statement that Ter Brugghen met Rubens in Rome, then Ter Brugghen must have left soon after April 1607, since Rubens returned to Antwerp in October 1608. Unfortunately, there are no documents concerning Ter Brugghen's years in Italy. The only thing we know for certain is that in the summer of 1614 he stayed in Milan with the Utrecht painter Thijman van Galen. From there they traveled home through Switzerland, crossing the Alps through the St. Gotthard Pass, in the company of the Utrecht painter Michiel van der Zande and his apprentice Frans van Knibbergen. In Utrecht Ter Brugghen and Van Galen were registered as master painters in 1616. In October of that same year Ter Brugghen married Jacomijna Verbeeck, the stepdaughter of his elder brother, the innkeeper Jan Jansz. ter Brugghen. Their marriage took place in the Reformed Church, where at least four of their eight children were later baptized. Hendrick ter Brugghen himself was probably not a member, however, and his wife did not join the congregation until a month after her husband's death. We may assume that Ter Brugghen considered himself a Protestant but that he rejected orthodox Calvinist principles. His treatment of explicitly Catholic subjects in his paintings suggests that he was not unsympathetic to their message.

Caravaggio

John Granville Gregory John Granville Gregory, ca 1990, still doubting

Peter Paul Rubens 1577 – 1640 Doubting Thomas

Rembrandt