Ancient Elements of ARCHITECTURE Renaissance Architecture a look back at the Classical Influences

Origins Our word “architecture” comes from the Greek architecton, which means “master carpenter.” Early Greek architecture therefore employed wood, not stone. These early structures, as well as those of mud- brick, have not survived.

Wood Features in Stone By the 6th Century BC, stone replaced wood in the construction of important temples. Designs still reflected their origins in wood, however.

Origins In moving from wood to stone, builders had to adapt to the differing properties of their building materials. Stone has greater compressive (resistance to crushing) strength than wood, but lacks tensile strength (resistance to bending or twisting). Therefore, while columns/posts might be relatively thin, the entablature/beams, must be quite thick.

Origins Greek temples, like Egyptian temples, used basic post- and-beam construction. “Post & Lintel”

Origins Temple of Hera, Paestum Early temples had massive pillars as architects worried about their ability to support the weight above. Later temples appear more elegant. Hephaistion, Athens

Some experts feel that the entasis, the outward bulging in the middle of Greek columns, may originally have been an imitation of the effect of great compression in wooden posts. It also serves as a kind of correction to an optical illusion, however.

Entasis Entasis counteracts the tendency of the eye to reach upward, forcing it to travel up and down the shaft. Columns that are straight appear thinner in the middle when seen against light, making the supports appear flimsy. The middle bulge counteracts this. The upper 2/3 of the shafts to the right are tapered.

Temple Forms Greek temples, like Egyptian ones, tended to follow set patterns, which were regarded as ideal forms. Variations are few in any given period, tending to reflect the choice of a particular classical order, rather than new and novel design.

The Classical Orders The three classical orders are: Doric Ionic Corinthian

The Doric Order Doric columns are the heaviest in appearance The capital is plain. The shaft is thick – though it loses some of its mass over time. There is no base.

The Ionic Order These have greater elegance. The capital has distinctive volutes. The shaft is thinner than its Doric equivalent. A base is apparent.

The Corinthian Order This is also a tall, elegant form. The capital has distinctive acanthus leaf decoration. A base is also employed.

Parts of a Greek Temple There are four distinct parts to a Greek temple. The bottom, horizontal part is the steps. Most Greek temples had three of them. This part is called the stylobate.

Parts of a Greek Temple The next section is vertical and is the column. Most columns had a base (though not the Doric), at the bottom, a shaft in the middle, and a capital at the top. The shaft may be smooth or fluted.

Parts of a Greek Temple The top section is angled and is called the pediment. The sloping top part is called the sloping cornice. The triangular part below is called the tympanum. This is often carved and decorated. Sometimes there are caved features sticking up from the room. These are called antifixae or acroterions.

Plans of Greek Temples The grandeur and evident expense of a temple can be seen in the number of columns employed. Simple temples have blank walls around a naos, or chapel. With an open area or porch in front, called a pronaos, with two or four supporting columns.

Designs of Greek Temples

Designs of Greek Temples Grander temples, like the Parthenon, had both a front and back porch, as well as a colonnade surrounding the entire structure. This is called a peripteral temple. Reconstruction of the Parthenon in Nashville.

Designs of Greek Temples

Designs of Greek Temples Artist’s reconstruction of the Temple of Artemis, Ephesus, Turkey Grander still, and generally from the Hellenistic age, are dipteral temples. They have a double colonnade surrounding them.

Designs of Greek Temples

Important Structures – The Acropolis The most famous Greek buildings topped the Athenian Acropolis. These include: the Propylaea, the Temple of Athena Nike, the Parthenon, and the Erectheum.

Temple of Athena Nike This is a small temple dedicated to the victorious Athena. The ratio of height to diameter of the columns is 7:1 and not the 9:1 or 10:1 generally found in Ionic temples.

The Parthenon This is the most important and perfectly formed temple on the acropolis. Dedicated to Athena, it housed an enormous cult image.

Parthenon This building is the culmination of Classical Greek architecture. Optical refinements are many, and the result is a building reflecting the Greek concept of arete, perfection.

The Parthenon One of the Parthenon’s most impressive features was not seen by most worshippers – the great frieze showing the Panathenaic Procession. The color of this reconstruction is indicative of what much of the structure would have looked like before being bleached by centuries of Mediterranean sun.

The Greek Heritage Greek architecture had a lasting impact on the world. The Romans adopted it as an ideal, but modified it to meet their practical needs.

The Greek Heritage Today, elements of Greek architecture surround us everywhere, from the Doric columns on homes to the great Ionic capitals of the Vancouver Art Gallery.

The Supreme Court of the United States The Greek Heritage The Supreme Court of the United States Greek forms have become an integral part of the vocabulary of world architecture

Etruscan Temples

Etruscan Temples An Etruscan temple, to meet religious requirements, was located on a north-south axis and stood on a high podium with a four- columned porch in front of three doors leading to three parallel rooms for the three chief Etruscan gods. The brilliantly painted terracotta statuary that decorated the roof along the eaves, ridge pole, and at the gable ends also served the practical purpose of hiding and protecting tile joints and rafter ends. Plaques with low-relief figures adorned the entablature.

Early Roman House Looking at the back…

Early Roman House A – Ala / ??? C – Atrium / ater=black E – Cubiculum / A bedroom. I – Hortus / _______(Horticulture) K – Impluvium / cistern P – Tablinum / den (Men only!) Q – Triclinium / _______

Early Roman House

Early Roman House – IN REALITY

Late Roman Villas This ain’t your daddy’s hut! We’ve moved out to the posh areas/country.

Late Roman Houses What’s new here? F - Culina / _________ (Nom nom) L - Peristylium / A range of columns M - Piscina / Pool or fountain

Late Roman House / Villa

Let’s look again at Romanesque & Gothic How do they differ? What classical elements will we see come back as Europe transitions to the Renaissance?

Romanesque

Let’s look again at Romanesque & Gothic Rounded Arches. Barrel vaults. Thick walls. Darker, simplistic interiors. Small windows, usually at the top of the wall.

Gothic

Gothic Began in France in the 12c. Pointed arches. Flying buttresses. Stained glass windows. Elaborate, ornate interior. Taller, more airy lots of light. Lavish sculpture larger-than-life.

How do you know what is Renaissance ?