Picturacy Film Narrative and The Primary Framework

Slides:



Advertisements
Similar presentations
In the Lesson we watched a few scenes from the original film Scarface where the song Tonys theme was being played. As a class we then had discussed how.
Advertisements

Created by P. Shoemaker for WLCS
Literacy Block Others Parts of the Day 90 Min. Reading Block
Margo Edgar Kate Story. Workshop Overview Background Educative Purpose of project Explicit teaching of critical and creative literacy through digital.
Writing Feedback – Technical Skill vs. Content HGIOS 5.2 – Teaching for Effective learning 5.4 – Assessment for Learning Literacy Toolkit.
Mike Fleming. Are there any language requirements specific to your subject area? How do you see the relationship between your specific subject area and.
E-asTTle Writing All you ever wanted to know……. “Launched in November 2007, the Revised New Zealand Curriculum sets the direction for teaching and learning.
Key Stage 3 National Strategy Standards and assessment: session 3.
Moving On Up …how to move up the levels What to do to get a L5 or higher.
1 The National Literacy Strategy Early Literacy Support Training day 1 Quality First Teaching.
Assessment Information Evening Trinity School Enjoy Learning – Learning for Life.
Parent Workshop ‘Writing is Exciting’ January 2014 Bonnygate Primary School Mrs Jarvis.
Picturacy Film Narrative and The Primary Framework Matt Poyton Primary Education Officer Film Education.
Session Two Raising Standards in Reading using APP.
Walled Lake Consolidated Schools Digital Storytelling Ms. Nestico - Problems of Democracy MOUNT CARMEL AREA HIGH SCHOOL.
Session 2 The Planning Process for Literacy. Aims of the session: To consider how to develop the phases of the planning process for a literacy unit of.
Multimodal Planning and Teaching Sequence The following sequence and suggested activities have been adapted from the planning model presented by Bearne.
Focus Education Assessing Reading: Exceeding Year 6 Expectations Year 6 Exceeding Expectations: Comprehension Explain the structural devices used.
Aims To revisit reading assessment focuses
Visual Literacy – using images Primary National Strategy Improving Writing using Visual Literacy and Drama © Crown Copyright 2004.
Using Visual Literacy as a Stimulus to Support High Quality Literacy Teaching and Learning. Jane Denyer.
An Example Multimodal Teaching Sequence for Key Stage 1
USING SHARED WRITING IN THE CLASSROOM
Leading Literacy Twilight Summer 2007 Focus on Film Presented by Lancashire’s Leading Literacy Teachers.
The Three Little Pigs Traditional Tales in Literacy to improve key competencies.
What must students cover
It could be:  An element of characterisation or a relationship between characters  One (or more) of the themes from your play  Make sure that your.
Assessing Reading Meeting Year 5 Expectations
Assessing Reading Exceeding Year 5 Expectations Focus Education Year 5 Exceeding Expectations: Reading Comprehension Express opinions about a text,
Literacy Curriculum Information for Parents 5 th March 2015.
Empowering Student Participation Lisa Sabella Karen Kondrick Allyson Bird Ripley Central School District.
Key stage 3 English Writing Presentation 1: Overview and implications for teaching and learning Analysis of pupil performance 2004.
Literacy Secretariat Literacy is everyone’s business Introduction to the Australian Curriculum: English Literacy as a general capability.
OctSeptAugJulJunMayAprMarFebJan Introductory session SMT meeting PDM1 Subject leader activity 1 LA training day 2 LA training day 3 LA training day 1 PDM2.
Renewed Primary Framework.
3 Aspects of Film Literary Elements Dramatic Elements
Film Techniques. Camera Shots and Movement in Film/Video “First and foremost, a film is visual rather than verbal. Thus, the feelings and ideas communicated.
Making Hampshire a better place for children and young people where all of them, including those who are vulnerable and/or disadvantaged, have the best.
Claire Ridsdale, Teaching & Learning Adviser (Literacy
Throckley Primary, ( Jenny Cross) Reading, Writing and Music.
Making Hampshire a better place for children and young people where all of them, including those who are vulnerable and/or disadvantaged, have the best.
Birmingham Primary Strategy Team Renewing the Frameworks Training Session 3 Literacy Theme 2 – Improving Writing.
Identity (James Mangold, 2003) The sound of the voice over gives the spectator enigmas straight into the opening of the films title sequence. Also the.
Credits: 3 Respond critically to significant aspects of visual and/or oral text(s) through close reading, supported by evidence English 3.9 Through their.
Planning a unit of work.
Entry Task: Add the an entry for 2.14 Mood and Tone (Wonka) in your spiral and add the following two words and definitions: Mood: the atmosphere or predominant.
FILM TECHNIQUES.
Exploring a film still As you take your seat you must explore the mise-en- scene in the film still I have given you. Consider and write brief bullet points.
Entry Task: Add the following two words to your vocabulary page: Mood: the atmosphere or predominant emotion in a literary work: the effect of the words.
GCSE English Language 8700 GCSE English Literature 8702 A two year course focused on the development of skills in reading, writing and speaking and listening.
Key Stage 2 SATs 2016 Childer Thornton Primary School.
By Sarah Sarfo-Adu.  The media product represents two sorts of women one old and one young.  The old lady in the opening sequence isn’t represented.
DEEP FOCUS (Great Depth of Field) The whole frame is in focus, the meaning of the scene thus develops in the deep space of the frame. Camera movement,
© Crown copyright 2006 Renewing the Frameworks Enriching and enhancing teaching and learning.
Key stage 3 English Reading Presentation 1: Overview and implications for teaching and learning Analysis of pupil performance 2004.
Building a Picture in English ‘The evidence gathering process’ November 2009.
Objective To look at how cross-curricular activities can provide opportunities for writing.
Assessment in Key Stage 2 Changes at Our Lady’s. Why? Due to Government initiatives which felt that levels were becoming too competitive and did not show.
Parents Writing Workshop. Aims of session How is writing taught at Seer Green CE School? What elements of writing does my child need to be competent in?
Aliens (1986) dir. James Cameron
Media Analysis.
Unit 9: Comic book/graphic novel conventions
Chicago (2002) dir. Rob Marshall
Introduction to FM1 Exploring Film Form.
Year 11 Media Mid Year Exam
Film Study Elements that Communicate
‘Kat Wolfe Investigates’
7268 Holistic Assessments.
The 3Ss and the 3Cs Setting Story Sound Colour Camera Character.
Chicago (2002) dir. Rob Marshall
Presentation transcript:

Picturacy Film Narrative and The Primary Framework Julie Green Film Education

Film and the Primary Framework for Literacy The narrative and non-fiction units within the renewed Framework encompass both paper and on-screen texts and are intended to cover the full range of texts envisaged within the National Curriculum for English. www.standards.dfes.gov.uk/primaryframework/literacy

Film and the Primary Framework for Literacy For example; Year 4 Non-fiction - Unit 4 Persuasive Texts Watch a trailer for a popular children's film. Discuss how the soundtrack, sound effects, voice-over and moving images were used. Demonstrate how to combine words, music and images (to engage an audience). www.standards.dfes.gov.uk/primaryframework/literacy/planning/Year4/Nonfiction/unit4

Film and the Primary Framework for Literacy Year 5 Narrative - Unit 5 Film Narrative Use key points in a film to discuss features and themes. Explore approaches made by the filmmaker to create moods, pace and viewpoint. Develop children's film language by identifying how colour, light, sound and camera angles have been used to tell the narrative... Children work as part of a group to use drama strategies to explore characters in depth. Develop a storyboard for a narrative by capturing and importing key images into a presentation program. Children write their own version of a narrative, organising writing into paragraphs, and create a multimodal presentation of this version including images, voice-over, soundtrack and written text. www.standards.dfes.gov.uk/primaryframework/literacy/planning/Year5/Narrativestories/unit5/

Learning Objectives linked to Film Narrative Y3: Identify how texts are organised on screen Y3: Identify features that writers use to provoke reactions

Year 4 Compare the different contributions of music, words and images Explore the use of figurative and expressive language to create images and atmosphere Combine words and images and other features for particular effects

Year 5 Infer writers’ perspectives from what is written and what is implied Use a range of ICT programs to present texts, making informed choices of which electronic tools to use for different purposes

Year 6 Consider the overall impact of a recorded performance, identifying dramatic ways of conveying characters’ ideas and building tension Understand underlying themes Integrate words, images and sounds imaginatively

Assessing Pupil Progress Picturacy™ gives opportunities for assessment by revisiting a genre in literacy through film work Using the resource as a stimulus provides firm evidence of independence and consistency in pupil attainment without the teacher scaffolding given assessment focus points

For example: APP in Writing and Film Narrative Primary Framework strands and Assessment Focuses: Strand 9 – AFs1, 2 & 7: dealing with aspects of composition and effect Strand 10 – Afs 3 & 4: dealing with aspects of structure and organisation Strand 11: Afs 5 & 6: dealing with aspects of sentence work and punctution

Word - sentence - text (Literacy) Shot - sequence - text (Picturacy) ‘The places here were laid with gold, not silver, and the 14 seats were not oak benches but mahogany chairs with velvet cushions.’ The Northern Lights, Philip Pullman

Actively reading film Improves reading and enjoyment of all texts Knowledge and understanding of filmmaking so pupils can develop skills as filmmakers

From screen to page Deeper understanding of genre, narrative, character, audience… Allows comparison of composition and effect in film and writing

CHARACTER SETTING MOOD PACE VIEWPOINT PASSING OF TIME/ FLASHBACKS FILM WRITING CHARACTER SETTING MOOD PACE VIEWPOINT PASSING OF TIME/ FLASHBACKS

Direct and reported speech Verbs and adverbs Descriptive language FILM WRITING CHARACTER Acting and dialogue Use of camera Costume and make up Direct and reported speech Verbs and adverbs Descriptive language SETTING Set design Special effects Figurative language MOOD Light and colour Music and sound PACE Editing - Transitions Length of shots Sequence of shots/scenes Sentence length/structure Paragraphs and chapters Vocabulary VIEWPOINT Voiceover narration 1st and 3rd person narration PASSING OF TIME/ FLASHBACKS Editing Tense Time connectives Paragraphs and chapters

Camera How are the effects of these shot types achieved in writing?

Camera How are the effects of these shot types achieved in writing?

Camera How are the effects of these shot types achieved in writing?

Task 1 - 20/25 mins You are going to tell your own version of a scene’s narrative. Choose 12 key images from the clip ‘First time I had ever seen a fox so close’ (The Fox and the Child, Jacquet 2007). Pause the video at each chosen moment and create a screen grab. This is harder than you think! Sequence your screen grabs into a storyboard. Empty the screen grab bank of any images you don’t need Use the first image with Bubbles to add speech and/or thoughts as well a text box with a couple of sentences. Use punctuation with speech and powerful verbs and adverbs in text boxes. Create a new screen grab of the finished image. Repeat 3 for each image in turn and create a new storyboard from your screen grab bank Each pair read another pair’s finished work.

Task 2 - 40/45 mins Meanwhile… You play the parents (or aunts/uncles) of the child. You are discussing her behaviour at home, one of you thinks her relationship with the fox is a positive thing, the other is worried that she is becoming obsessed and that humans cannot form relationships with wild animals. The discussion turns into an argument which is brought abruptly to an end when you see the girl coming towards the house in the distance. She is covered in blood…

Task 2 With your narrative you need to: Demonstrate knowledge and understanding of the different shot types and their effect. Establish character visually and by using speech and thought bubbles Use text boxes to add a sentence or two to accompany each frame. Use time connectives, powerful verbs and adverbs etc.

Task 2 - 45 mins Pairs into fours Plan - sketch a storyboard. 12 frames max (10 mins) Off to take photos. Back in 15 mins Back into pairs Import photos onto laptops and then into Picturacy Add bubbles, text boxes, adjust light and colour etc. Make screen grabs of each final image Sequence in a storyboard Pairs swap laptops to read the others’ narrative.

Tips The 180 degree rule Shot reverse shot