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Presentation transcript:

The Writing Development Centre Contact: wdc@ncl.ac.uk Academic Writing The Writing Development Centre Contact: wdc@ncl.ac.uk @ncl_wdc Writing Development Centre Explore the possibilities

Two functions of writing Writing as tool for thinking Writing as tool for communicating Writing for yourself: what the first part of the session will focus on Writing for an audience: focus of the second part (+ how can you convert writing as thinking into writing as communicating). Not separating the two can be inhibiting.

The value of writing as a tool for thinking Can help prevent/manage perfectionism Can help avoid writer’s block Can help you to develop and explore your ideas further

Not “converting” drafts into “writing for an audience” can result in: Lack of clarity and/or depth Lack of criticality Problems with writing style

Writing as Process Part One

Writing as Process Use in conjunction with The Impact of the Writing Process

Writing as Process Draw your own writing process. Is it linear (timeline?) or circular (cycle) or something else? What are the steps? What order are they in –and does this change? Which are optional and which are essential?

About writing … “If you find that writing is hard, it’s because it is hard.” (Zinsser, p. 12) Show of hands: who finds writing hard? Research is (often) the fun part: lightbulb moments, making connections, breakthroughs, charting new territory, freedom, openness, discovery, feeling clever Writing is often the most unfun part: writing for an audience, having to be structured and logical, being judged, making sense of all your thoughts and expressing them clearly in a constrained space So it is quite natural to avoid writing as much as possible

Serial writing: developing a writing habit “Why would you want to become a serial writer? Serial writing is more comfortable, less stressful. It is possible to fit writing into our daily working lives. We find momentum by writing regularly and can develop our ideas over several writing moments rather than one final push. We do not feel like failures when we do not generate a ‘complete’ idea in one go. We can even begin to restructure the working day to include writing.” (Murray, p. 156) Better solution = breaking writing into manageable bite-sized chunks rather than avoiding it. Dual focus today: 1.) on getting some writing done but 2.) already looking BEYOND this writing retreat to develop techniques and strategies you can take away and use to become a more productive and effective writer.

Breaking down barriers: what prevents you from writing? Not feeling like you’ve got enough time? Feeling like you’re not ready to start yet? Procrastination? Writer’s block?

Developing a Writing Habit Free, generative writing: 5 minutes: Set goals. What do you intend to write in this session? 8 minutes: Write FREELY, without stopping, rereading or editing. 2 minutes: Review what you’ve just written. 30 minutes: WRITE 5 minutes: review what you’ve written and set up points to edit or goals for next session Writing regularly and feeling productive/a sense of accomplishment = important at PGR level. But it can be tricky to fit writing into a busy day. It can be hard to get motivated and get started, too. This is where challenging pre-conceived notions about writing can be helpful: you don’t have to wait for the Muse to descend, you don’t have to write for hours on end to be productive, and you don’t have to have long stretches of uninterrupted time.

Or you could phrase these as questions Keeping it on target Writing prompts What we already know about this topic is… The main new point I am making in this section is… My evidence for this is… The reason I think this point is worth making is…. The scholarship I’m using to back me up confirms… Possible objections to this argument include… Or you could phrase these as questions

Developing a routine: make it SMART Set SMART goals:   Specific – exactly which section or point will you work on? Measurable – how many words will you write? Achievable – are you sure? How ‘finished’ does it need to be? – bullet points, rough draft, polished version? Relevant – where does this section fit? Time-bound – how long will you write for?

Getting unstuck: writer's block Identify what’s blocking you Change medium– talk it through, mindmap, doodle or timeline, write by hand Write about writing – why are you stuck? Change strategy – choose an approach which is different from your usual working style Simplify it – ‘tweet your thesis’ Take the pressure off – deliberately write a rough version Step away – change task or have a break from it

Writing as Product Part Two

Step one: who are you writing for? What do you need to demonstrate External examiner – find out who they are Assessment processes Those bits of your community who might draw on your thesis Your wider scholarly discipline- and anyone who might hire you as academic Step one = identifying your audience(s)? Who are they? Who are you to them? Why are they reading your work? What are their expectations of you?

Your voice, your authority Why is this happening? “Many a doctoral thesis has left an examiner underwhelmed because it doesn’t seem to be written by an expert researcher. The writing is hesitant and deferential at the very times when the writer should be showing that they are assured and assertive. It’s as if the nearly doctor is possessed by an inner doctoral “student” whose writing is tentative, distant, impersonal, formal. And that “student” needs to be got rid of.” Pat Thompson, ‘Exorcise the inner doctoral student from your writing’ (blog post June 8th, 2015)

Where does this text sound hesitant Where does this text sound hesitant? What stages in the process have been missed? What is it on the page that creates this effect?

Academic writing style A bit too formal and overly complicated … “The very liminality of this transitional pedagogic threshold compounds an unstable heteroglossia within the student authorial voice as it switches between identities and the discourses of authoriativeness appropriate to each.” Too informal … “It’s tough when you go from school to uni. Your writing goes a bit weird as you figure it out.”

Academic writing style: happy medium? “When students progress to Higher Education, they may sustain familiar school practices as they are developing their new university level identity. Consequently, their writing may initially be uneven in style, authorial voice and authority.”

Editing for Structure Skim the text. What structural issues can you spot? What techniques did you use to spot them?

Summary Writing as tool for thinking Writing as tool for communicating Writing for yourself: what the first part of the session will focus on Writing for an audience: focus of the second part (+ how can you convert writing as thinking into writing as communicating). Not separating the two can be inhibiting.

The Writing Development Centre Develop your academic skills Revise effectively Critically review literature Structure essays Use drafting & editing techniques Make the most of lectures & seminars Manage your dissertation or PhD thesis Avoid plagiarism Improve your exam technique Take effective notes Think critically Interpret essay questions Understand assessment criteria Read efficiently Argue convincingly Plan assignments Manage your time Express ideas confidently No need to read out the whole range – it’s impressionistic. Key points -We cover a range of academic skills topics, not limited to writing. We cover specifically writing for learning and assessment, not other types. We look at both the process of learning/studying/writing, and also the product ie from interpreting an assignment question through planning/structuring, reading/critiquing/building argument to drafting/editing. We don’t teach English as a second language, though we can help explain minor grammar and style issues where they relate to academic writing. Our approach is developmental – we don’t check or correct work for you (no proofreading) but we help you to develop the skills to become an effective, independent learner.

The Writing Development Centre Level 2, Philip Robinson Library Undergraduate - Masters - PhD Our team of expert tutors offers: - One to one tutorials - Online resources including our Blog - Activities including Write Here, Write Now Visit us online: http://www.ncl.ac.uk/students/wdc/ HASS – SAgE - FMS We work with all levels, and across all subjects. Our role is not to be subject experts, but experts in learning and academic skills. Our provision is non-judgmental and confidential. You might also see us delivering sessions as part of your course. We are based in the Robinson Library level 2, and work mon-fri 9-5 (vacations too) but tutorials are by appointment only. Tutorials and workshops are booked online. Seriously, no proofreading.

Notice and Take Down Policy Newcastle University seeks to observe the highest standards of compliance with the law and the rights of rights holders, while publishing research and teaching resources to support our students and staff and contribute to academic practice. If you are a rights holder and are concerned that you have found material on our website or legitimately under our name elsewhere, for which you have not given permission, or is not covered by a limitation or exception in laws of the UK or other countries (as relevant), please contact us in writing stating the following: your contact details the full bibliographic details of the materials the exact URL or other location where you found the material proof that you are the rights holder and a statement that, under penalty of perjury, you are the rights holder or are an authorised representative Contact details Email: noticeandtakedown@ncl.ac.uk Web: http://www.ncl.ac.uk/info/legal/takedown.html