Ground Rules Come for lecture IN time. Must carry: Note book, pen, book. Attendance Maintain discipline. Mobiles MUST not ring during the lecture. You can NOT leave or enter the lecture room at your own will, seek permission! Assignments MUST be submitted IN time.

Copywriting Moriarty, S. et al. (2009). Advertising: Principles and Practice (8th Edition). Pearson Prentice Hall Ch.13

Lecture Outline Copywriting: The Language of Advertising Copywriting for Print How to Write Radio Copy How to Write Television Copy Writing for the Web Copywriting in a Global Environment

Copywriting: The Language of Advertising Advertising is highly visual Four types of ads in which words are crucial If the message is complicated-Aids awareness If the ad is for a high-involvement product Information that needs definition and explanation-Nordic TVC If a message tries to convey abstract qualities-Diesel TVC

The Copywriter The person who shapes and sculpts the words in an ad Copy is the text in an ad or the words people say in a commercial Copywriters don’t work in isolation They look for different and clever twists

Advertising Writing Style Copy should be as simple as possible Should have a clear focus and try to convey only one selling point Every word counts; space and time are expensive Practical Tips Be succinct-short words Be single-minded Be specific Get personal Keep a single focus Be controversial-use everyday language Be original Use variety Use imaginative description

Advertising Writing Style Tone of voice To develop the right tone of voice, copywriters write to the target audience as if they were in a conversation Grammar Copywriters must know the rules of grammar and spelling, though they will play with a word or phrase to create an effect Adese Formulaic advertising copy- comedians parody it Brag-and-boast copy- “WE”-Honda Parody

Copywriting for Print Print ad is created in two pieces: Display copy Elements readers see in their initial scanning e.g. taglines, subheads etc Body copy Elements that are designed to be read and absorbed Key element in print advertising Conveys the main message Works with the visual to get attention and communicate creative concept

How to Write Headlines A good headline will attract those who are prospects The headline must work in combination with the visual to stop and grab the reader’s attention The headline must identify the product and brand, and start the sale The headline should lead readers into the body copy Direct-action headlines- links the product to the benefit (straightforward) Indirect-action headlines- abstract

How to Write Headlines Types of Direct Headlines Assertion- Claim Command- ad politely tells you to take an action News Announcements- new products use this Types of Indirect Headlines Puzzles- arouse curiosity and pull the reader into the body copy Associations- build an image and create interest Blind headlines- very little information

How to Write Other Display Copy Captions Have the second-highest readership and serve an information function Subheads Sectional headlines used to break up a large block of copy Taglines Short, catchy, memorable phrases used at the end of an ad to complete the creative idea

How to Write Other Display Copy Slogans Repeated from ad to ad as part of a campaign or long-term brand identity effort Can also be used as taglines Slogan Techniques Direct address A startling or unexpected phrase Rhyme, rhythm, alliteration Cue for the product Music

How to Write Body Copy Body copy Lead paragraph Closing paragraph The text of the ad Primary role is to maintain the interest of the reader Lead paragraph The first paragraph of the body copy Where people test the message and see if they want to read it Closing paragraph Refers back to the creative concept and wraps up the Big Idea Call to action

How to Write Body Copy Standard approaches of writing a body copy Straightforward Narrative Dialogue Explanation

Print Media Requirements All media in the print category all use the same copy elements such as headlines and body copy The way these elements are used varies with the objective for using the medium Newspapers Copy does not have to work as hard to catch audience’s attention Straightforward and informative Writing is brief

Print Media Requirements Magazines Better quality ad production Ads can be more informative and carry longer copy Directories Use a headline that focuses on the service or store’s personality Little space for explanations

Print Media Requirements Posters and Outdoor Primarily visual Words try to catch the consumer’s attention and lock in ideas An effective poster synergizes words with visuals Product Literature Also called collateral Used in support of an ad campaign- brochures and pamphlets Typically a heavy copy format

How to Write Radio Copy Must be simple enough for consumers to grasp, but intriguing enough to prevent them from switching the station (10 to 60 seconds spot) Ability of the listener to remember facts is difficult Copywriter has tools such as voices, sound effects and music but no visuals Theater of the mind The story is visualized in the listener’s imagination

How to Write Radio Copy Tools of Radio copywriting Radio Guidelines Voice Jingles, slogans, announcements Music Hummable music Sound effects Sound of seagulls, horns honking, cheers of fans Radio Guidelines Keep it personal Speak to listener’s interests Wake up the inattentive Make it memorable Include call to action Create image transfer

How to Write Television Copy Moving action makes television so much more engaging than print The challenge is to fuse the images with the words to present a creative concept and a story Storytelling is one way copywriters can present action in a television commercial more powerfully than in other media

Tools of Television Copywriting TV-Audio & Video to create an impact Video- facial expressions, body language. Audio Other TV Tools-setting, props and lighting The copywriter must describe all of these in the TV script Talent Announcers Spokespersons Character types- child, old woman etc Celebrities

Planning the TV Commercial Commercial is planned in scenes- segments of action Key frame- visual that sticks in mind of the viewer What’s the Big Idea What’s the benefit How can you turn that benefit into a visual element Gain the viewer’s interest Focus on a key visual Be single minded Observe rules of good editing Try to show the product

Planning the TV Commercial Copywriters must plan Length of the commercial Shots in each scene Key visual Where and how to shoot the commercial Scenes Segments of action that occur in a single location Key frames The visual that sticks in one’s mind

Scripts and Storyboards The written version of the commercial’s plan Prepared by the copywriter Storyboard The visual plan or layout of the commercial Prepared by the art director

Writing for the Web More interactive than any other mass medium Copywriter challenged to attract people to the site and manage a dialogue-based communication experience Banners Most common form of online advertising

Writing for the Web Web ads Other Web formats Create awareness and interest in a product and build a brand image Focus on maintaining interest Other Web formats Games Pop-up windows

Copywriting in a Global Environment Language affects the creation of the advertising Standardizing copy content by translating the appeal into the language of the foreign market is dangerous Use bilingual copywriters who can capture the essence of the message in the second language