MUH Music History I Music in the 16th Century

Slides:



Advertisements
Similar presentations
Higher Early Music.
Advertisements

Orlando di Lasso Franco-Flemish composer b. 1530; Mons, Belgium d. June 14, 1594; Munich, Germany.
Medieval and Renaissance Instrumental Music. Medieval “Music of the Middle Ages”
CHAPTER 31 The Concerted Style in Venice and Dresden.
Vocal Music cont… Renaissance Ballett (Fa-La)
Music in The Renaissance ( )
The Renaissance Era Audio Clip is Bovicelli 1400 – 1600 “Rebirth”
RENAISSANCE ( ) (age of Humanisim) -printing press
Music History The Renaissance (rebirth).
The Renaissance ( ) “Rebirth” of human creativity
Knox Academy Music Department. Renaissance Music was not only found in the church. It was used as a form of entertainment in peoples’ homes, usually richer.
 Though still subordinate to vocal music, instrumental music did become more important during the Renaissance  Instrumental groups performed polyphonic.
Medieval and Renaissance
Medieval & Renaissance. Medieval Church Music 800 – 1400 Plainchant/Plainsong The earliest written down music, sung in churches by monks & priests 
Chapter 8 The Early Baroque Period. Key Terms Basso continuo Ground bass (basso ostinato) Functional harmony Opera Recitative Aria Suites Fugue Variations.
Chapter 3: Secular Music GET BOOKS TODAY Get in your presentation groups and discuss the following topic. Be prepared to present your group’s thoughts/ideas.
The Renaissance ( ).
Italian Classical Music. T he roots of music on the Italian Peninsula can be traced back to the music of Ancient Rome. However, the underpinnings of much.
By: Katelyn Gutierrez Period 6
Medieval and Renaissance Music
CHAPTER 22 MUSIC IN RENAISSANCE PARIS. THE RENAISSANCE IN PARIS During the Black Death ( ) and the Hundred Years’ War ( ) the fortunes.
The Close of the Sixteenth Century. Developments in the Italian madrigal Scoring — increase in number of voices (five to six common) Rhythm — subtle treatment.
Instrumental Music in the Sixteenth Century. Consort or chest — homogeneous groupings Recorders (bas) Double reeds – shawms, racketts (haut) – crumhorns,
© 2010 The McGraw-Hill Companies, Inc. All rights reserved The World of Music 7 th edition Part 4 Listening to Western Classical Music Chapter 9: Music.
© 2010 The McGraw-Hill Companies, Inc. All rights reserved The World of Music 7 th edition Part 4 Listening to Western Classical Music Chapter 10: Music.
Instrumental Music in the Renaissance Hieronymus Bosch, The Garden of Earthly Delights (c )
Chapter 7 The Early Baroque Period
Begins on page 74 Chapter 9 Renaissance Music The Renaissance Outlook  Rebirth of interest in ancient civilizations  Humanism  Many great works of.
Baroque Instrumental Music. 5 Categories in Renaissance Transcriptions Transcriptions Cantus Firmus Pieces Cantus Firmus Pieces Improvizational Works.
Music of the Renaissance c – 1600 An Overview.
Music in The Renaissance ( ) Projects in Music Theory Mrs. Safari Pascack Valley High School.
Music in Belgium. A little bit of History A country of Northwest Europe on the North Sea. Inhabited in ancient times by the Belgae, the region was part.
Medieval & Renaissance Periods
CHAPTER 27 MUSIC IN ELIZABETHAN ENGLAND: INSTRUMENTAL MUSIC AND LATER VOCAL MUSIC.
Music Appreciation Rennaissance. EQ: What does music from the Rennaissance sound like? EQ: What does music from the Rennaissance sound like? Mini Lesson:
The Birth of Opera. By the 17th century Italy lost ground in all arts except music Opera –Drama presented musically –Uses art, literature, acting, and.
The Renaissance Instruments. String Instruments The Lute—Pre-16 th Century Plucked Plucked (Other related instruments: vihuela, guitar, cittern, bandore,
The Renaissance. O The Renaissance Period occurred from 1400—1600. O The world of science advanced through the work of Galileo and Copernicus. O Christopher.
Area of Study 1, Ground Bass A ground bass is a repeated bass part (also known as an ostinato) that is four or eight bars long. A ground bass is a repeated.
Chapter 6 The Renaissance Instrumental Music: Early Developments.
1. Religious vocal musicReligious vocal music 2. Secular vocal musicSecular vocal music 3. Instrumental music: 3.1. Instrumental formsInstrumental forms.
Renaissance Music
Chapter Six: Renaissance Music, Renaissance Music Intellectual and artistic flowering that began in Italy, then to France and England Inspiration.
Introduction to Music: Musical Forms & Styles
The World of Music 6th edition
Music: An Appreciation 9-10 th Edition by Roger Kamien
Music: An Appreciation 8th Edition by Roger Kamien
The World of Music 6th edition
Renaisance 1450 ~ 1600.
The Renaissance Era Audio Clip is Bovicelli.
Medieval to Renaissance
Music in The Renaissance ( )
MUH Music History I Vocal Music,
MUH Music History I “Music in the 14th Century”
MUH Music History I The New Practice
MUH Music History I Instrumental Music,
REMINDER: Listening Test # 1 Friday, 27 Oct 2017
Part III : The Baroque Era
MUH Music History I The Renaissance: Prelude & Chapters 4 and 5
REMINDER: Written Test # 1 Friday, 20 Oct 2017
MUH Music History I Instrumental Music,
MUH Music History I The Renaissance: Prelude & Chapters 4 and 5
MUH Music History I Instrumental Music,
Opening Agenda Things to Get: Theatre notes from last class
Chapter Six Music in the 16th Century.
TEST # 2 Materials Follow Here
4. Dance in the Renaissance
Spain Ferdinand and Isabella encouraged music
Instrumental Music.
Review Sheet #1 is now posted!
Presentation transcript:

MUH 3211 - Music History I Music in the 16th Century 11/13/2018 Chapter Six Music in the 16th Century DAY 24 (30 Oct 17)

“self-portrait with convex mirror” (1524) Parmigianino (1503-1540) “self-portrait with convex mirror” (1524) “Madonna dal collo lungo” (1535/40)

Orlande de Lassus (1530/32-1594) Franco-Flemish (b. 1530 or 32) International (multiple languages) Italy – Mantua & Rome Bavaria – cappella of Albrecht V (Munich) More daring text setting - “mannerist” (text, p.173) "Cum essem parvulus“ [Anth 62] Prophetiae Sibyllarum: Prologue [Anth 63] – chromaticism (text, p. 182) Statue in Munich

Instrumental Music (16th C) Instruments still used to “replace” voices NEW(!) – printed music for instruments Intabulations – (from vocal models) Variations – (restatement w/ changes) “Freely Composed” – (no model or pattern) Dance Music – (based on dance steps)

Intabulations Earliest for lute Rore Madrigal (1543): “Ancor che col partire” Lute intabulation: by Giovanni Paolo Paladino (c. 1553) Later for keyboard Ex. Antico (1517) - “Amor quando....”

Variations Repetitions w/ changes (framework remains) Based on extant tunes (or composed themes) Called “Differences”, “Divisions”, etc. Theme & Variations Other types include Ground bass, ciacona, passacaglia, etc. (continuous variations) Anth I/64: Antonio de Cabezón - Diferencias sobre el canto de La Dama le demanda

Freely Composed No pre-existing model (DUH!) Whatever the composer can imagine - English “Fancy” or “Fantasia” Rececare (It.) – “to seek” Anth I/65: Capirola - Ricercare No. 5 (Recercar quinto) Anth I/66: Andrea Gabrieli – Ricercar del duodecimo tuono / 2 Lutes / Brass ensemble

Dance Music Previously improvised on well-known tunes Published collections - Tielman Susato (1551) - Michael Praetorious (1612) Standard types: Pavane, Passamezzo, Bourée, Saltarello, Galliarde, Volta, Branle, etc….. Standard forms – binaries, reprises Regularity of Structure: based in dance steps - antecedent (I-V) / consequent (V-I) phrases (pairs) Anth I/68: Michael Praetorius - Terpsichore, La Bouree / La Volta