Part III : The Baroque Era MUH 3211 - Music History I 11/13/2018 Part III : The Baroque Era “Prelude” DAY 25 (1 Nov 17)
17th Century Age of Absolutism (all-powerful monarchs) - Louis XIV (reigned 1643-1715!) Religious Wars (Catholics vs. Protestants) - Thirty Year’s War (1618-1648) - English Civil War, Cromwell, “Glorious Revolution” Colonialization – search for Resources (Wealth) Scientific Revolution - empirical observation - applied science for the betterment of mankind
The Baroque (in Music) Era from c. 1600 to 1750 (says Bonds) Origins in 1580s (or earlier) in Italy Term = “misshapen pearl” (Portuguese) Refers to excess and unnatural (in contrast to Renaissance = Greeks = classical) New musical styles & techniques Monody (solo line w/ accompaniment) Basso continuo (improvised accompaniment) Opera (& other genres)
MUH 3211 - Music History I The New Practice 11/13/2018 Chapter Seven The New Practice DAY 25 (1 Nov 17)
Greek Music in the 16th C Renaissance = “revival” (of Antiquity) Ancient Greek Music (what is it? ) Words should determine the music - N. Vicentino (1555) Affect = Emotion (leads to) “word painting” Problem of Polyphony (textbook, p. 194-5) - Zarlino & Palestrina – text intelligibility Vincenzo Galilei (1581) – argues for simplicity - solo voice w/ lyre accompaniment
Florentine Camerata Home of Giovanni de Bardi (Florence) – 1573-1587 Camerata = “society” - poets, literary figures How to revive Greek music? Letters of Girolamo Mei - study & translate Greeks Giulio Caccini, et al. - songs in Greek manner “Monody” – according to Caccini (Le Nuove Musiche)
Jacopo Peri as poet Arion (Intermedio V: “Song of Arion”) MUH 3211 - Music History I Florentine Wedding (1589) 11/13/2018 Medici / French princess - major event Play w/ six Intermedi - short musical interludes - Classical Antiquity - Power of music Intermedio V (Anth. I/ 69) Una Stravaganza Dei Medici (All 6 intermedi in 8 parts [Anth I/69 in part 6]) Jacopo Peri as poet Arion (Intermedio V: “Song of Arion”) DAY 25 (1 Nov 17)
Caccini, Le Nuove Musiche “The new music” (1602) Caccini describe Camerata (textbook, p. 199) Solo voice & accompaniment Monody (“one song”) Basso continuo “Sfogava con le stelle” Anth I/70 (& textbook, p. 201)
Basso continuo / Figured Bass Exs. Caccini - “Amor...” [lute] & Caccini - “Amor...” [organ]