88727359 Multimedia Production บทที่ 10 Post Production (I)

สารบัญ Post Production Phase Post Production Process Video Formats Data Storage บทที่ 10 Post Production (I)

ตัวอย่าง :: วิเคราะห์รายการ AL สังเกตเทคนิคที่ใช้ บทที่ 10 Post Production (I)

ตัวอย่าง :: วิเคราะห์รายการ AL สังเกตเทคนิคที่ใช้ การเปลี่ยนภาพ (Transition) การใช้มุมกล้องเพื่อสื่อความหมาย การใช้ข้อความ Title หรือ Sub-Title บทที่ 10 Post Production (I)

Post Production Phase บทที่ 10 Post Production (I)

Post Production Phase 3 1 2 4 5 6 7 8 9 บทที่ 10 Post Production (I) https://wolfcrow.com/blog/what-are-the-stages-of-post-production-for-cinema/ บทที่ 10 Post Production (I)

Post Production Process บทที่ 10 Post Production (I)

Post Production Process 1. The Selection of the Editing Software Editing application can make your workflow run smoothly or cost you months and tons of cash Make that decision based on the needs of your creative editor and the original format you shot your film on  find the balance E.g. Adobe Premier Pro vs Final Cut Pro https://comparisons.financesonline.com/adobe-premiere-pro-vs-final-cut-pro บทที่ 10 Post Production (I)

Post Production Process 2. Selection of a Creative Picture Editor Expert editor for your film is the biggest decision Will go through all of the scripts and the scenes of the movie and decide which shots will be used to create a flow of the story correctly A good edit has two ends; satisfaction with all the visual images and satisfaction with the sound effects of the film บทที่ 10 Post Production (I)

Post Production Process 3. Selection of a Sound Editor Need to improve the sound quality Hire a sound editor who can make the movie look more attractive with different sound effects Tasks  cut the dialogue tracks recreate those sound effects make the cue sheet for another step, e.g. mixing บทที่ 10 Post Production (I)

Post Production Process 4. Automatic Dialogue Replacement Replace the dialogues in the film which are not adequately recorded All the actors again deliver these dialogues and the voice is then synced to the edited version of the movie บทที่ 10 Post Production (I)

Post Production Process 5. Work with Foley Artists Additional sounds in the edited version of the movie Sounds of footsteps Room noise Ambient noise บทที่ 10 Post Production (I)

Post Production Process 6. Music Include the desired music in the film Do not use low quality music Use a contemporary type of music rather than traditional and public domain music บทที่ 10 Post Production (I)

Post Production Process 7. The Mix Manage the sounds effectively in the whole film Series of the music which will include the songs the background sounds etc บทที่ 10 Post Production (I)

Post Production Process 8. Music and Effects (M&E) Only music and effect version of your film The part that you sell the rights of your movie to the foreign nation There is a requirement of the international buyers that they need the soundtrack which is free from the English dialogues so that they can dub the dialogues in the desired manner บทที่ 10 Post Production (I)

Post Production Process 9. Creating Your Opening and End Credits Finalize your titles for the movie There are 6 – 8 opening cards of the title and finally the Rear title crawl These title files are then added to the final tracks บทที่ 10 Post Production (I)

Post Production Process 10. Digital Cinema Package For the final print of your film to be delivered to the cinemas, you need your digital cinema package or DCP It will contain the final edited film in a hard drive This hard drive will be used for the distribution of the movies into the theaters บทที่ 10 Post Production (I)

Post Production Process 11. A Dialogue Script Dialogue script for the foreign people so that they can create the subtitles accordingly contain the codes for each and every pause and the dialogues so that the subtitles can be created by the scene and the actual dialogue บทที่ 10 Post Production (I)

Post Production Process 12. Campaign Image for the Film Getting an appropriate campaign image for your film is imperative The picture of the film should depict the storyline of the movie include the name the credits for the films Image will create a first impression บทที่ 10 Post Production (I)

Post Production Process 13. Trailer Trailer should be 90-120 seconds long should have the ability to deliver the moods and atmosphere of the movie https://indiefilmhustle.com/post-production-process/ บทที่ 10 Post Production (I)

Video Formats บทที่ 10 Post Production (I)

Video Formats Digital cinema formats are usually specified in terms of horizontal resolution "nK" notation, where n is the multiplier of 1024 such that the horizontal resolution of a corresponding full-aperture, digitized film frame is exactly 1024n pixels บทที่ 10 Post Production (I)

Video Formats For instance a 2K image is 2048 pixels wide, and a 4K image is 4096 pixels wide Vertical resolutions vary with aspect ratios though so a 2K image with an HDTV (16:9) aspect ratio is 2048×1152 pixels, while a 2K image with a SDTV ratio (4:3) is 2048×1536 pixels บทที่ 10 Post Production (I)

Video Formats The Digital Cinema Initiatives standard for cinema usually relies on a 1.89:1 aspect ratio thus defining the maximum container size for 4K as 4096×2160 pixels 2K as 2048×1080 pixels บทที่ 10 Post Production (I)

https://en.wikipedia.org/wiki/Digital_cinematography Video Formats บทที่ 10 Post Production (I) https://en.wikipedia.org/wiki/Digital_cinematography

Video Formats AL ให้นิสิตค้นหาว่า ในปัจจุบันภาพยนตร์ (digital cinematography) ที่ความละเอียดเท่าใดได้รับความนิยมสูงสุด และสถานการณ์มีแนวโน้มอย่างไร บทที่ 10 Post Production (I)

Data Storage บทที่ 10 Post Production (I)

Data Storage 1. Tape-based workflows Video is recorded to tape on set  is ingested into a computer running non-linear editing software, using a deck Upon ingestion, a digital video stream from tape is converted to computer files These files can be edited directly or converted to an intermediate format for editing บทที่ 10 Post Production (I)

Data Storage 1. Tape-based workflows Then video is output in its final format to a film recorder for theatrical exhibition or back to video tape for broadcast use Original video tapes are kept as an archival medium the tape-based workflows have become marginal in recent years บทที่ 10 Post Production (I)

Data Storage 2. File-based workflows Because of increased capacity and reduced cost of non-linear storage solutions such as hard disk drives, optical discs, and solid-state memory  digital video is recorded as digital files onto random-access media files can be easily copied to another storage device, typically to a large RAID (array of computer disks) บทที่ 10 Post Production (I)

Data Storage 2. File-based workflows RAID arrays: "managed" (e.g., SANs and NASs) "unmanaged" (e.g., JBoDs on a single computer workstation) the throughput required for real-time (320 MB/s for 2K @ 24fps) or near-real-time playback in post-production  "on-line" storage บทที่ 10 Post Production (I)

https://en.wikipedia.org/wiki/Digital_cinematography Data Storage 2. File-based workflows RAID arrays: Not real-time playback performances (typically for lettering, subtitling, versioning and other similar visual effects) use slower RAID stores  “mid-line” storage Long-term archiving is accomplished by backing up the digital files from the RAID, often to data tapes (like LTOs) บทที่ 10 Post Production (I) https://en.wikipedia.org/wiki/Digital_cinematography

บทที่ 10 Post Production (I)

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