MUH Music History I The Renaissance: Prelude & Chapters 4 and 5

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Presentation transcript:

MUH 3211 - Music History I The Renaissance: Prelude & Chapters 4 and 5 11/17/2018 Part II The Renaissance: Prelude & Chapters 4 and 5 DAY 17 (13 Oct 17)

Josquin de Prez (c. 1450-1521) Born in low countries (France/Belgium?) Chapel of Rene d’Anjou (Southern France) Milan/Rome –Cardinal Sforza Papal Chapel (1489-1495) Duke of Ferrara’s Chapel Condé-sur-l'Escaut (N. France) - Provost of Church - Burial The major figure of the High Renaissance

Mass Techniques (Josquin, et al.) Cantus firmus – pre-existing “fixed song” - chant - popular song - other (solfeggio syllables, soggetto cavato) Canon – parts derived (or follow) exactly from leading line Imitation (or Parody) – all voices can borrow or emulate the pre-existing sources (closely) Paraphrase – borrowed material is freely elaborated and embellished

Examples Imitation / Parody Mass - “Fortuna desperata” (Busnois chanson, Anth I/38) - Kyrie, Missa Fortuna desperata (Josquin, Anth. I/39) Paraphrase Mass - Kyrie, Missa Pange lingua (Josquin, Anth. I/40) [see original hymn: Anth. I/4] Soggetto cavato (“subject carved out of a name”) - Kyrie, Missa Hercules Dux Ferrariae - Subject = Re-Ut-Re-Ut-Re-La-Mi-Re (DCDCDFED) (textbook Ex. 5-3)

Secular Vocal Music (to 1520) Homogeneous texture (equal parts) Chanson (“song” in France) Busnois, “Je ne puis vivre ainsy” (Anth I/43) Lied (German: “song”) Isaac, “Innsbruck, ich muss dich lassen” (Anth I/44) Frottola (Italy, after 1480s) Josquin, “El grillo” (w/ lute) (Anth I/46) A Concert (c. 1485/95) Lorenzo Costa (1459-1535),

Printing Press (post 1450s)

Music Printing Ottaviano Petrucci (1466-1539) Learned printing in Venice 1498 –asks for 20 years’ right to print music(!) No other printed music in Venice before 1520 Harmonice musicies Odhecaton A (1501) - “Hundred Songs of Polyphonic Music” - Triple impression (staves, texts, notes) Multiple collections of most important music of the era (all genres)

Pierre Attaingnant (?-1552) Printing w/ individual sections of type (slugs) Dance Collection (1540)

Ensemble Print (1590s)

Instrumental Music More common in 15th and 16th centuries Iconography (paintings) & written descriptions Usually played from memory - dance music Adapted vocal music - play from parts (double voices) Improvisation and elaboration beyond score

Portative Organ Portative Organ

Harpsichord Emerges late 14th C Plucked strings Double stringing - soft volume - fast decay Mechanism Cavazzoni piece (c. 1525)

Lute & Theorbo Ex. Lute Ex. Theorbo MUH 3211 - Music History I 11/17/2018 Lute & Theorbo Ex. Lute Ex. Theorbo DAY 17 (13 Oct 17)

Violin vs. Viol Ex. Renaissance Violin Ex. Viola da Gamba

Wind Instruments Recorder Shawm Sackbut Cornetto