MUH Music History I Instrumental Music,

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MUH 3211 - Music History I Instrumental Music, 1600-1750 11/18/2018 Chapter Ten Instrumental Music, 1600-1750 DAY 34 (27 Nov 17)

Violin (in the Baroque Era) Bass-bar smaller & lighter Neck – less angled (lower tension on strings) Bridge – lower (& flatter) Fingerboard – shorter (reducing upper range) Pre-Tourte bow Modern vs. Baroque Violin

Wind Instruments (Baroque) MUH 3211 - Music History I Wind Instruments (Baroque) 11/18/2018 Recorder (flauto) Flauto traverso (German flute) Oboe Bassoon DAY 34 (27 Nov 17)

Brass & Percussion (Baroque) Trumpet Horn Trombone Timpani Baroque Orchestra - Bach Brandenburg Concerto No. 2

Keyboards (Baroque) Clavichord Harpsichord Pianoforte – invented c. 1709 Organ - Cornell’s Baroque Organ Project From the Clavichord to the Modern Piano (Pt 1 of 2) [Pt 2 follows end of video]

Instrumental Genres (Baroque) Sonata – “da sonare” – to be sounded - instrumental technique (no vocal models) - wide ranging numbers (1-2 up to ?) - “chamber music” Concerto – “to work together” - larger groups (multiple players on parts) - based in contrasts (small/solo vs. whole) Suite – collections of dance pieces - keyboards - ensembles

Sonatas Developed from the canzona tradition - pieces “to be sounded” - Biagio Marini, Sonata per il violino con due corde Preference to two upper parts over b.c - Trio Sonata (3 parts, but maybe more players) - Maurizio Cazzati, Sonata “La Strozza” Anth I/89 – violin & b.c. = “solo sonata” - Isabella Leonarda, Sonata duodecima (1693) Separate Movements – self-contained units - Giovanni Legrenzi, Sonata Op.2 No.1 La Cornara

Archangelo Corelli (1653-1713) Sonatas (2) Classed by usage Sonata da camera (chamber) = dance suite - Corelli, Op. 2, No. 10 Sonata da chiesa (church) - Corelli, Op. 1, No. 5 - slow, fast, slow, fast Solo Sonata (violin & b.c.) - ornamentation in slow mvts (see textbook, p. 265) Archangelo Corelli (1653-1713)