PERSPECTIVE.

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Presentation transcript:

PERSPECTIVE

Perspective – the illusion that an image has depth and 3-dimensional space (volume)

TRICKS/TECHNIQUES OVERLAPPING (ORDER) RELATIVE (diminishing) SIZES VERTICAL PLACEMENT ATMOSPHERIC LIGHT LINEAR (ONE OR TWO POINT)

VERTICAL PLACEMENT & OVERLAPPING INTERPRETED AS 3 RECTANGLES

NOT

RELATIVE SIZE

SASSETTA The Meeting of St. Anthony and St. Paul about 1440 Wood Italian painter, Sienese school (b. 1394, Siena, d. 1450, Siena) National Gallery of Art, Washington

TRICKS/TECHNIQUES OVERLAPPING (ORDER) RELATIVE (diminishing) SIZES VERTICAL PLACEMENT ATMOSPHERIC LIGHT LINEAR (ONE OR TWO POINT)

Atmospheric Imitation of atmospheric effects: hues more bluish & more pale outlines less precise small details lost color contrasts muted sfumato (“vaporous”) gradual transition

David Hockney, Portrait of an Artist (Pool with Two Figures), 1971

astronauts got disoriented on the moon because of . . .

the lack of atmospheric perspective.

TRICKS/TECHNIQUES OVERLAPPING (ORDER) RELATIVE (diminishing) SIZES VERTICAL PLACEMENT ATMOSPHERIC LIGHT LINEAR (ONE OR TWO POINT)

LINEAR PERSPECTIVE Vanishing point One point; central

Canaletto (Giovanni Antonio Canal), The Campo di Rialto c Canaletto (Giovanni Antonio Canal), The Campo di Rialto c. 1758-63 Oil on canvas, 46 7/16 x 72 1/2 in

Canaletto (Giovanni Antonio Canal), The Campo di Rialto c Canaletto (Giovanni Antonio Canal), The Campo di Rialto c. 1758-63 Oil on canvas, 46 7/16 x 72 1/2 in

Vanishing points at horizon picture frame

After 600 years of perspectivist tricks, a return to the flat surface in the 20th Century . . .

Frank Stella, Wolfeboro II, 1966

Frank Stella, Wolfeboro II, 1966 a hint of perspective . . .

Gustav Klimt Portrait of Adele Bloch-Bauer I 1907 138 x 138 cm

The dawn of perspective

Cimabue, Madonna Enthroned, 1280-90 NO PERSPECTIVE flat pictorial space similar to Ancient & Byzantine works Note color oppositions and alternation in Angel wings TEXTBOOK p. 185

GIOTTO Madonna in Glory c. 1311 Tempera on panel 128 x 90 1/2 in. suggestions of PERSPECTIVE in a GOTHIC ERA work; PERSPECTIVE is a major development of the RENAISSANCE (key words in BOLD)

. . . in music? Yes! Can you tell the difference between a loud sound far away and soft sound nearby? Psycho-acoustic effects of near and far (reverb, TDOA, spectral roll-off, timbre, etc.) - used in film music, electronic music, and some orchestral music, particularly MAHLER

In retrospect . . . notice perspective, lack of perspective, and suggestions of perspective in 2-D work