What is a Cutaway?.

Slides:



Advertisements
Similar presentations
Coordinating the Shots:
Advertisements

Film Editing. Welles: For my vision of the cinema, editing is not one aspect. It is the only aspect.
E DITING IN F ILM Transitions, Continuity, and Rhythm.
Camera Shot – single, continuous view taken by a camera, from the time the camera starts recording to the time it stops.
On Editing and How to Think from the End CS 3660.
Film Editing HUM 110: Intro to American Film JC Clapp, North Seattle College Info here borrowed heavily from the Film Art (10 th ed.) textbook by Borwell.
Editing The true storytelling art of film. Coverage Amount of unedited film exposed (footage) by the director Amount of unedited film exposed (footage)
Editing. Earth trailer railer_large.html railer_large.html.
On Editing and How to Think from the End CS 5964.
Chapter 5: Editing This multimedia product and its contents are protected under copyright law. The following are prohibited by law: any public performance.
Chapter 5: Editing. Types of Visual Transitions (between shots) ä Cut ä Most commonly used transition ä Fade ä Signals change of time or place ä Dissolve.
© Anselm Spoerri Lecture 13 Video Editing –Short Movie Example –Meaning – Basic Film Editing –Compress Time –Create Illusion of Continuity –Create Illusion.
Film Editing The joining together of clips of film into a single filmstrip. The cut is a simple edit but there are many other possible ways to transition.
HUM 110: INTRO TO AMERICAN FILM JC CLAPP, NORTH SEATTLE COMMUNITY COLLEGE INFO HERE BORROWED HEAVILY FROM THE FILM ART (10 TH ED.) TEXTBOOK BY BORDWELL.
The Secret Code of Filming Editing V.I. Pudovkin: “The foundation of film art is editing.” Shots in film acquire meaning when they are juxtaposed with.
Chapter 6 – Cinematography Cinematography Camerawork Lenses & filters Film stock Special visual effects.
Media Journal  What camera shots would you use to create a 5- shot sequence capturing a student walking into this classroom and sitting down at a desk?
EDITING LOOKING AT MOVIES - PP WHAT IS EDITING?  The arrangement and assembly of footage, both picture and sound  Governs the relations between.
Video Language Media Concepts The Spill Resource Page.
Sections Week 3 COGN 21: Storyboard Exercise
Editing: Essence of Filmic Narration özge / advance interactive narrations / 6 nov 2006.
Using advanced camera shots, movements and editing to keep continuity
EN/AS3233 AMERICAN FILM: ART & INDUSTRY
Studio Production Terminology Part 2. Establishing Shot An establishing shot in film and television sets up, or establishes the context for a scene by.
Editing Effects. Kuleshov Effect Discovery by Lev Kuleshov that people assign emotions to film based on the sequence of shots they are shown.
FILM LANGUAGE Editing.  Sequences the shots into something that makes sense for the audience, in terms of time and space.  Most common editing technique.
Film Editing HUM 110: Intro to American Film JC Clapp, North Seattle Community College Info here borrowed heavily from the Film Art (10 th ed.) textbook.
Why segment a narrative? l The problem of citation: defining large narrative units. l Segmentation helps us understand the basic principles of plot structure.
Reading Film Comparing Literary Elements to Cinematic Elements
Video Editing. Cutting Insert Video transitions Titles.
Editing This is the second of the 4 technical areas we are covering. You will need to learn all the editing techniques, cuts and other transitions. You.
Editing Essential Techniques.
The Role Of The Editor To Combine both the technical and Conceptual aspects of editing into one integrated process.
Principles of Editing By James Qualey. History of Editing George Melies: This man invented the Jump Cut, the Fade In and Fade Out, Overlapping Dissolves.
Editing. 180 degree rule Shot reverse shot  Shot reverse shot is a where one character is shown looking at another character and then the other character.
In deference to your mock next Tuesday… we’re revising. You have five minutes to rack your brains and your notes for terminology.
T HE G RAMMAR OF F ILM H OW F ILMMAKERS TELL A STORY ON SCREEN A M S. W ICHTERMAN P RODUCTION.
Non-linear Strategies. Storyboards Shot Lists.
Lesson 4: Editing Professor Aaron Baker.
Building Scenes with Shots  Establishing Shot – establishes the action to be shown in the scene  Cut In – shows a closer view of only part of the action.
Bonnie & Clyde (1967) North by Northwest (1959).  Post-production  Considered by filmmakers as the most important step in creating the look or shape.
Digital Cinematography
The true test of a good edit is its TRANSPERENCY.
The continuity system of editing The history of cinema is a history of narrative space, making visual or pictorial space tell a story. Continuity editing’s.
Graphic match: (1.44) Parallel editing: Overlapping editing:
Editing The coordination from one shot to the next. Every place and moment has a specific architecture to it. The way this structure is translated to the.
Jeopardy Shots Composition EditingDeveloping Director Q $100 Q $200 Q $300 Q $400 Q $500 Q $100 Q $200 Q $300 Q $400 Q $500 Final Jeopardy.
The Grammar of Editing. What is an Edit? ed·it –assembly of 2 or more shots in a linear fashion using cuts, fades, dissolves, and other common transitions.
Inserts and Cut-a-Ways
Multimedia Terminology.
1. What do we call the ratio of frame width to frame height?
Film as Literature Unit – English 12
what distinguishes movies from other dramatic and visual arts
Week 8 Lecture Editing.
what distinguishes movies from other dramatic and visual arts
THE LANGUAGE OF MOTION PICTURES
Watch the following: Types of Film Cuts Great right?
Editing Styles The pattern use of transitions, matches, or duration can id a cinematic style.
Editing in Film.
Sight Visualization Thinking in pictures; The process of depiction; Clarify and intensify an event Ways of Looking Looking at (objectivity) Looking.
what distinguishes movies from other dramatic and visual arts
EDITING The work of splicing together shots to assemble the finished film.
Presentation from UW Video
What is a Cutaway?.
Making story out of fragments
Editing Techniques.
editing 4. Discuss the editing: How does it create rhythm and meaning?
Third Rule of Cinematography
Shot transitions Cuts, Fades, & Wipes.
Mise en scène 2. Discuss important aspects of the mise en scène: What messages do these elements communicate to the viewer? What sort of location/s is/are.
Presentation transcript:

What is a Cutaway?

Continuity Cutting on Action Viewer Attention Eyeline Match Coverage Screen Direction and Composition

Jump Cut Breathless

If you cut from one size image to another you can create a jump cut but changing the angle at least 45 degrees can make a smooth transition

Cutting on Action You have to make sure that you overlap action while shooting--Sometimes overlapping is necessary When editing as well

Clean entrance clean Exit Why does it help with editing?

What is the importance here? Why does it Work? Clean Entrance/Exit What is the importance here? Why does it Work?

Crossing The Line You can cross the line if you show the crossing with a camera move or if you stop on it

Here the reference gives the viewer orientation

Crossing the line by cutting on action

subjects arranged for less distraction Same background subjects arranged for less distraction

Transitions Cut Fade in Fade out Dissolve Graphic Match

Kuleshov Effect--In the absence of a master shot a viewer will create a spatial connection between two shots

Parallel Cutting Indicates simultaneity http://www.youtube.com/watch?v=U8nxyNTBUWI&feature=player_embedded Parallel Cutting Indicates simultaneity

Eyeline match in a shot reverse shot

Feedback: Privacy Policy Feedback
Do Not Sell My Personal Information
About project: SlidePlayer Terms of Service

© 2025 SlidePlayer.com. Inc. All rights reserved.