Early 20th Century Art Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please.

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Presentation transcript:

Early 20th Century Art Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.

Expressionism in the early 20th c. Aspects of many avant-garde strains contribute to the emergence of expressionism Expressionism: art that is the result of the artist’s unique inner or personal vision and that often has an emotional dimension. Contrasts with visually describing the empirical world Several movements are classified as expressionist

Fauvism Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.

Fauvism 1904-1908 First avant-garde movement of the 20th c. Introduced at a 1905 exhibit. The simplified canvas’ with shocking colors provoked a critic to call the artists “fauves” (wild beasts). Influenced by Post-impressionists, fauvism took the use of color to a new level Used color without reference to actual appearance Looking for new ways to express their emotional response to a scene

André Derain Waterloo Bridge 1906 oil on canvas 80.5 x 101 cm Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. André Derain Waterloo Bridge 1906 oil on canvas 80.5 x 101 cm

Slide concept by William V Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. André Derain The Dance 1906 oil on canvas 6 ft. 7/8 in. x 6 ft.10 1/4 in.

Turning Road, L’Estaque Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. André Derain Turning Road, L’Estaque 1906 oil on canvas 51 x 76 3/4 in.

Henri Matisse “Color was not given to us in order that we should imitate Nature, but so that we can express our own emotions” Moving into an era where art does not represent but reconstructs reality Matisse sought to eliminate nonessentials and retain only a subject’s most fundamental qualities In his old age, Matisse created paper cutouts

Henri Matisse Woman with the Hat Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Henri Matisse Woman with the Hat 1905 oil on canvas 2 ft. 7 3/4 in. x 1 ft. 11 1/2 in.

Red Room (Harmony in Red) Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Henri Matisse Red Room (Harmony in Red) 1908-1909 oil on canvas 5 ft. 11 in. x 8 ft. 1 in.

Red Room (Harmony in Red) Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Henri Matisse Red Room (Harmony in Red) 1908-1909 oil on canvas 5 ft. 11 in. x 8 ft. 1 in.

Henri Matisse Dance II 1909-10 oil on canvas Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Henri Matisse Dance II 1909-10 oil on canvas 8 ft. 5 5/8 in. x 12 ft. 9 1/2 in.

Expressionism 1905-1930 Expressionism: art that is the result of the artist’s unique inner or personal vision and that often has an emotional dimension. Contrasts with visually describing the empirical world Art should express the artists feelings rather than images of the real world Uses distorted, exaggerated forms and colors for emotional impact.

Die Brücke (dee BROOKE eh) “bridge”—its members believed their work would be a bridge to the future. Intense, anguished pictures with harshly distorted forms and clashing colors. Founded in 1905 by Kirchner, dissolved in 1913. Worked communally in Dresden and Berlin

Ernst Ludwig Kirchner Nudes in the Forest 1908 oil on canvas Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Ernst Ludwig Kirchner Nudes in the Forest 1908 oil on canvas

Ernst Ludwig Kirchner Street, Dresden Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Ernst Ludwig Kirchner Street, Dresden 1908 oil on canvas 4 ft. 11 1/4 in. x 6 ft. 6 7/8 in.

Ernst Ludwig Kirchner Street, Berlin 1913 oil on canvas

Der Blaue Reiter (dehr BLAH way RIGHT er) Blue Rider—named after a painting by its leader Kandinsky (Google art project) Kandinsky: first to abandon any reference to recognizable reality in his work Two types of paintings: Compositions: consciously arranged geometric shapes Improvisations: no conscious control over the paint he applied spontaneously

Vasily Kandinsky Blue Mountain No. 84 Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Vasily Kandinsky Blue Mountain No. 84 1908-09 oil on canvas 41 3/8 x 37 7/8 in.

Vassily Kandinsky Improvisation 28 Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Vassily Kandinsky Improvisation 28 1912 oil on canvas 3 ft. 7 7/8 in. x 5 ft. 3 7/8 in.

Composition VII

Composition VI

Improvisation 27

Franz Marc The Large Blue Horses Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Franz Marc The Large Blue Horses 1911 oil on canvas 40 3/4 x 70 7/8 in.

Franz Marc Fate of the Animals Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Franz Marc Fate of the Animals 1913 oil on canvas 6 ft. 4 3/4 in. x 8 ft. 9 1/2 in.